Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.

The Hellebore Technical Institute for the Gifted is the premier academy for the dangerously powerful: the Anti-Christs and Ragnaroks, the world-eaters and apocalypse-makers. Hellebore promises redemption, acceptance, and a normal life after graduation. At least, that’s what Alessa Li is told after she’s kidnapped and forcibly enrolled. But the Institute is more than just a haven for monsters. On graduation day, the faculty go on a ravenous rampage, feasting on Alessa’s classmates.

During a grocery run to her local shopping center, Shell Pine sees a ‘HELP NEEDED’ sign in a flower shop window. She’s just left her fiancé, lost her job, and moved home to her parents’ house. She has to make a change and bring some good into her life, so she goes inside and takes a chance. Shell realizes right away that flowers are just the good thing she's been looking for, as is Neve, the beautiful florist who wrote the sign asking for help. The thing is, Neve needs help more than Shell could possibly imagine.

Piper Lowery, a public library clerk in charge of liaising with the local middle school, can tell right away there’s something strange about the new girl in eighth grade. Avery Wallace won’t touch any kind of technology, not even the computers at the library, and her mother comes to school with her every day, refusing to leave her side—not even when Avery uses the restroom. And then there are the rumors, the whispers Piper hears from kids in the hallway and parents around town: Avery’s mother is a witch. Her sister and father were killed by something supernatural. A strange virus killed them.

Aymar Castle has been under siege for six months. Food is running low and there has been no sign of rescue. But just as the survivors consider deliberately thinning their number, the castle stores are replenished. The sick are healed. And the divine figures of the Constant Lady and her Saints have arrived, despite the barricaded gates, offering succor in return for adoration. Soon, the entire castle is under the sway of their saviors, partaking in intoxicating feasts of terrible origin.

Olivia Becente was never supposed to have the gift. The ability to commune with the dead was the specialty of her sister, Naiche. But when Naiche dies unexpectedly and under strange circumstances, somehow Olivia suddenly can’t stop seeing and hearing from spirits. A few years later, she’s the most in-demand paranormal investigator in Denver. She’s good at her job, but the loss of Naiche haunts her. That’s when she hears from the Brown Palace, a landmark Denver hotel.

One night, Jess, a struggling actress, finds a five-year-old runaway hiding in the bushes outside her apartment. After a violent, bloody encounter with the boy's father, she and the boy find themselves running for their lives. As they attempt to evade the boy's increasingly desperate father, Jess slowly comes to a horrifying understanding of the butchery that follows them—the boy can turn his every fear into reality. And when the wolf finally comes home, no one will be spared.

Healer Anja regularly drinks poison. Not to die, but to save—seeking cures for those everyone else has given up on. But a summons from the King interrupts her quiet, herb-obsessed life. His daughter, Snow, is dying, and he hopes Anja’s unorthodox methods can save her. Aided by a taciturn guard, a narcissistic cat, and a passion for the scientific method, Anja rushes to treat Snow, but nothing seems to work. That is, until she finds a secret world, hidden inside a magic mirror. This dark realm may hold the key to what is making Snow sick. Or it might be the thing that kills them all.

From her cell in a mysterious convent, a woman writes the story of her life in whatever she can find—discarded ink, dirt, and even her own blood. A lower member of the Sacred Sisterhood, deemed an unworthy, she dreams of ascending to the ranks of the Enlightened at the center of the convent and of pleasing the foreboding Superior Sister. Outside, the world is plagued by catastrophe—cities are submerged underwater, electricity and the internet are nonexistent, and bands of survivors fight and forage in a cruel, barren landscape. Inside, the narrator is controlled, punished, but safe.

Since she was three years old, Anastasia Miller has been telling anyone who would listen that she's an alien disguised as a human being, and that the armada that left her on Earth is coming for her. Since she was three years old, no one has been willing to listen. Now, with an alien signal from the stars being broadcast around the world, humanity is finally starting to realize that it's already been warned, and it may be too late.

Ever since she was a teenager, Tessa Nilsson has been consumed by the story of four friends who disappeared. As her true crime fervor turned into a wildly popular podcast, Tessa covered Sweden’s most gruesome cases, but could never find the answers behind what happened to these women who disappeared. Now Tessa’s podcast has crashed and burned, any chance she had at uncovering the truth vanishing with it.

After a global disaster prompts thousands of comically unlikely deaths, a bisexual statistics professor—who has convinced herself she might not exist—and an ethically dubious government agent must travel to Las Vegas to unravel the connection between deadly bouts of absurdity and a supernaturally lucky casino.

In 1765, plague sweeps through Zacatecas. Alba flees with her wealthy merchant parents and fiancé, Carlos, to his family’s isolated mine for refuge. But safety proves fleeting as other dangers soon bare their teeth: Alba begins suffering from strange hallucinations, sleepwalking, and violent convulsions. She senses something cold lurking beneath her skin. Something angry. Something wrong.

Freddie Gellar didn't mean to get half the rival high school arrested. She’d simply heard shrieks coming from the woods, so she’d called the cops like any good human would do. How was she supposed to know it was just kids partying? Except the next day, a body is found. And while the local sheriff might call it suicide, Freddie's instincts tell her otherwise. So, like the aspiring sleuth (and true X-Files aficionado) she is, Freddie sets out to prove there's a murderer at large.

Five high school friends are bonded by an oath to protect one another no matter what. Then, on a camping trip in the middle of the forest, they find something extraordinary: a mysterious staircase to nowhere. One friend walks up—and never comes back down. Then the staircase disappears. Twenty years later, the staircase has reappeared. Now the group returns to find the lost boy—and what lies beyond the staircase in the woods.

Twenty-two years ago, Claire Campbell’s older sister, Natalie, disappeared shortly after her eighteenth birthday. Days later, her blood was found in a car, a man was arrested, and the case was swiftly closed. In the decades since, Claire has attempted to forget her traumatic past by moving to the city and climbing the ranks as an investigative journalist... until an unexpected call from her father forces her to come back home and face it all anew.