On a small Greek island, a woman comes ashore with no memory of who she is, where she's from, or how she came to be shipwrecked there. Worse, she has no way of leaving. As she's nursed back to health by the island's only inhabitants, four friends on an annual retreat, she detects tensions between the group that suggest not all is quite as it seems.

When single mother Liv is commissioned to paint a mural in a 100-year-old lighthouse on a remote Scottish island, it's an opportunity to start over with her three daughters - Luna, Sapphire, and Clover. When two of her daughters go missing, she's frantic. She learns that the cave beneath the lighthouse was once a prison for women accused of witchcraft. The locals warn her about wildlings, supernatural beings who mimic human children, created by witches for revenge. Liv is told wildlings are dangerous and must be killed.

In the tourist town of Wharton, on the coast of Lake Superior, Tess Bell is renovating her old family home into a bed-and-breakfast during the icy dead of winter… As the house’s restoration commences, a shuttered art studio is revealed. Inside are paintings Tess’s late grandfather, beloved and celebrated artist Sebastian Bell, hid away for generations. But these appear to be the works of a twisted mind, almost unrecognizable as paintings she and others familiar with his art would expect.

Is there something wrong with Ginette Cox? It’s what everyone seems to think. When a doctor suggests that what she might need is less excitement, she packs up and moves from New York City to a house in suburban NY: 19 Howard Ave. The town offers Ginette little in the way of entertainment in 1959, but at least she has interesting neighbors. Whether it’s the little girl with her doll or the couple and their mother-in-law, Ginette watches them from her window and makes up names and stories for them.

Now reduced to a schoolyard chant, the Hope family murders shocked the Maine coast one bloody night in 1929. While most people assume seventeen-year-old Lenora was responsible, the police were never able to prove it. Other than her denial after the killings, she has never spoken publicly about that night, nor has she set foot outside Hope’s End, the cliffside mansion where the massacre occurred.

When Margaret and her husband Hal bought the large Victorian house on Hawthorn Street—for sale at a surprisingly reasonable price—they couldn’t believe they finally had a home of their own. Then they discovered the hauntings. Every September, the walls drip blood. The ghosts of former inhabitants appear, and all of them are terrified of something that lurks in the basement. Most people would flee. Margaret is not most people. Margaret is staying.

Renowned academic Dr Sparling seeks help with his project on a remote Irish village. Historical researchers Ben and Chloe are thrilled to be chosen—until they arrive. The village is isolated and forgotten. There is no record of its history, its stories. There is no friendliness from the locals, only wary looks and whispers. The villagers lock down their homes at sundown. A nameless fear stalks the streets. Nobody will talk—nobody except one little girl. Her story strikes dread into the hearts of the newcomers. Three times you see him. Each night he comes closer.

Grace Alban has spent 20 years away from her childhood home, the stately Alban House on the shores of Lake Superior - for reasons she would rather forget. But when her mother’s unexpected death brings Grace and her teenage daughter home, she finds more than just her own personal demons haunting the halls and passageways of Alban House.

When Louise finds out her parents have died, she dreads going home. She doesn’t want to leave her daughter with her ex and fly to Charleston. She doesn’t want to deal with her family home, stuffed to the rafters with the remnants of her father’s academic career and her mother’s lifelong obsession with puppets and dolls. She doesn’t want to learn how to live without the two people who knew and loved her best in the world. Most of all, she doesn’t want to deal with her brother, Mark, who never left their hometown, gets fired from one job after another, and resents her success.

Eric Ross is on the run from a mysterious past with his two daughters in tow. Having left his wife, his house, his whole life behind in Maryland, he's desperate for money—it's not easy to find steady, safe work when you can't provide references, you can't stay in one place for long, and you're paranoid that your past is creeping back up on you.

Ten years ago, the Harper family disappeared. Their deserted cottage was left with the water running, the television playing cartoons, the oven ready for baking. The doors were locked from the inside. Overnight, the sleepy village of Nighbrook became notorious as the scene of the unsolved mystery of the decade, an epicentre for ghoulish media speculation. For crime journalist Naomi, solving the case has turned into an obsession. So now, with Ivy Cottage finally listed for sale, it’s her chance to mount an investigation like no other.

Ana and Reid needed a lucky break. The horrifically complicated birth of their first child has left Ana paralyzed, bitter, and struggling: with mobility, with her relationship with Reid, with resentment for her baby. That's about to change with the words any New Yorker would love to hear—affordable housing lottery. They've won an apartment in the Deptford, one of Manhattan's most revered buildings. Reid dismisses disturbing events and Ana’s deep unease and paranoia as the price of living in New York—people are odd—but he can't explain the needle-like bite marks on the baby.

St Philomena's military hospital has been abandoned for over three years. Now Lilian Chesterfield, who works for one of the most successful building companies in England, is in charge of developing it into a luxury housing complex. But as soon as she and her colleagues start work in the Jacobean-style mansion, their dream turns into a nightmare. They hear screaming from wards full of empty beds. They hear doors slamming and find cutlery scattered over the kitchen floor. Then they see faces peering at them from the mullioned windows.

"Mom seems off." Her brother's words echo in Sam Montgomery's ear as she turns onto the quiet North Carolina street where their mother lives alone. She brushes the thought away as she climbs the front steps. Sam's excited for this rare extended visit, and looking forward to nights with just the two of them, drinking boxed wine, watching murder mystery shows, and guessing who the killer is long before the characters figure it out. But stepping inside, she quickly realizes home isn’t what it used to be.

This forest isn't charted on any map. Every car breaks down at its treeline. Mina's is no different. Left stranded, she is forced into the dark woodland only to find a woman shouting, urging Mina to run to a concrete bunker. As the door slams behind her, the building is besieged by screams. Mina finds herself in a room with a wall of glass, and an electric light that activates at nightfall, when the watchers come above ground. These creatures emerge to observe their captive humans and terrible things happen to anyone who doesn't reach the bunker in time.

When single mother Liv is commissioned to paint a mural in a 100-year-old lighthouse on a remote Scottish island, it's an opportunity to start over with her three daughters - Luna, Sapphire, and Clover. When two of her daughters go missing, she's frantic. She learns that the cave beneath the lighthouse was once a prison for women accused of witchcraft. The locals warn her about wildlings, supernatural beings who mimic human children, created by witches for revenge. Liv is told wildlings are dangerous and must be killed.

Pearl Gorham arrives in 1965, one of a string of young women sent to Lichen Hall to give birth. And she soon suspects the proprietors are hiding something. Then she meets the mysterious mother and young boy who live on the grounds—and together they begin to unpack the secrets of this place. As the truth comes to the surface and the darkness moves in, Pearl must rethink everything she knew—and risk what she holds most dear.

Clem gets a call that is every mother’s worst nightmare. Her nineteen-year-old daughter Erin is unconscious in the hospital after a hiking trip with her friends on the remote Orkney Islands that met a horrifying end, leaving her boyfriend dead and her best friend missing. When Erin wakes, she doesn’t recognize her mother. And she doesn’t answer to her name, but insists she is someone named Nyx.

On a small Greek island, a woman comes ashore with no memory of who she is, where she's from, or how she came to be shipwrecked there. Worse, she has no way of leaving. As she's nursed back to health by the island's only inhabitants, four friends on an annual retreat, she detects tensions between the group that suggest not all is quite as it seems.

The year is 1901, and Nicky is attacked, then wakes on board the Ormen, a whaling ship embarked on what could be its last voyage. With land still weeks away, it’s just her, the freezing ocean, and the crew–and they’re all owed something only she can give them...

1836, Wisconsin. Catalina lives with her pa and brother in a ramshackle cabin on the edge of the wilderness. Harsh winters have brought the family to the brink of starvation, and Catalina has replaced her poet's soul with an unyielding determination to keep Pa and her brother alive. When a sudden illness claims Pa, a strange man appears—a man covered in bark, leaves growing from his head, and sap dripping from his eyes.

About 15 miles west of Stauford, Kentucky, lies Devil's Creek. According to local legend, there used to be a church out there, home to the Lord's Church of Holy Voices - a death cult where Jacob Masters preached the gospel of a nameless god. And like most legends, there's truth buried among the roots and bones.

When Molly, home alone with her two young children, hears footsteps in the living room, she tries to convince herself it’s the sleep deprivation. She’s been hearing things these days. Startling at loud noises. Imagining the worst-case scenario. It’s what mothers do, she knows. But then the footsteps come again, and she catches a glimpse of movement. Suddenly Molly finds herself face-to-face with an intruder who knows far too much about her and her family. As she attempts to protect those she loves most, Molly must also acknowledge her own frailty.

1983: Three students from a small college embark on a week-long road trip to film a documentary on roadside memorials for their American Studies class. The project starts out as a fun adventure with long stretches of empty road and nightly campfires where they begin to open up with one another. But as they venture deeper into the Appalachian backwoods, the atmosphere begins to darken. They notice more and more of the memorials feature a strange, unsettling symbol hinting at a sinister secret.

"Mom seems off." Her brother's words echo in Sam Montgomery's ear as she turns onto the quiet North Carolina street where their mother lives alone. She brushes the thought away as she climbs the front steps. Sam's excited for this rare extended visit, and looking forward to nights with just the two of them, drinking boxed wine, watching murder mystery shows, and guessing who the killer is long before the characters figure it out. But stepping inside, she quickly realizes home isn’t what it used to be.

Everyone has wanted their favorite book to be real, if only for a moment. Everyone has wished to meet their favorite characters, if only for a day. But be careful in that wish, for even a history laid in ink can be repaid in flesh and blood, and reality is far deadlier than fiction...especially on Addington Isle.

Roos Beckman has a spirit companion only she can see. Ruth—strange, corpse-like, and dead for centuries—is the light of Roos' life. That is, until the wealthy young widow Agnes Knoop visits one of Roos' backroom seances, and the two strike up a connection.

Hazel Trépas has always known she wasn’t like the rest of her siblings. A thirteenth child, promised away to one of the gods, she spends her childhood waiting for her godfather—Merrick, the Dreaded End—to arrive. When he does, he lays out exactly how he’s planned Hazel’s future. She will become a great healer, known throughout the kingdom for her precision and skill. To aid her endeavors, Merrick blesses Hazel with a gift, the ability to instantly deduce the exact cure needed to treat the sick. But all gifts come with a price.

January 1937. Jack Miller has just about run out of options. His shoes have worn through, he can't afford to heat his rented room in Tooting, and he longs to use his training as an specialist wireless operator instead of working in his dead-end job. When he is given the chance to join an arctic expedition, as communications expert, by a group of elite Oxbridge graduates, he brushes off his apprehensions and convinces himself to join them.

Naomi Shaw used to believe in magic. Twenty-two years ago, she and her two best friends, Cassidy and Olivia, spent the summer roaming the woods, imagining a world of ceremony and wonder. They called it the Goddess Game. The summer ended suddenly when Naomi was attacked. Miraculously, she survived her seventeen stab wounds and lived to identify the man who had hurt her. The girls’ testimony put away a serial killer, wanted for murdering six women. They were heroes.