It all begins with a father telling a story to his son on Christmas Eve. But this isn't your typical Christmas story. The father admits to his son that he's taken a life but he won't say whose - not yet. One week earlier, in a hospital late at night, the man met a five-year-old girl with cancer. She's a smart kid - smart enough to know that she won't beat cancer by drawing with crayons all day, but it seems to make the adults happy, so she keeps doing it.

Ten years ago this season, Gregory Maguire wrapped up the series he began with Wicked by giving us the fourth and final volume of the Wicked Years, his elegiac Out of Oz. But “out of Oz” isn’t “gone for good.” Maguire’s new series, Another Day, is here, 25 years after Wicked first flew into our lives.

Heralded as an instant classic of fantasy literature, Maguire has written a wonderfully imaginative retelling of The Wizard of Oz told from the Wicked Witch's point of view. More than just a fairy tale for adults, Wicked is a meditation on the nature of good and evil.

Elena Rudina lives in the impoverished Russian countryside. Her father has been dead for years. Her brothers have been conscripted into the Tsar's army and taken as servants in the house of the local wealthy landowner. Her mother is dying, slowly, in their tiny cabin. And there is no food. But then a train arrives in the village, a train carrying untold wealth, a cornucopia of food, and a noble family destined to visit the Tsar in St. Petersburg - a family that includes Ekaterina, a girl of Elena's age.

Gregory Maguire proves himself to be “one of contemporary fiction’s most assured myth-makers” (Kirkus Reviews) with Confessions of an Ugly Stepsister, his ingenious and provocative retelling of the timeless Cinderella fairy tale. Perhaps best known for his dark and breathtaking Oz series The Wicked Years—including the novel Wicked, which inspired the Tony Award-winning Broadway musical—Maguire is a master at upending the ordinary to help us see the familiar in a brilliant new light.

After Tova Sullivan’s husband died, she began working the night shift at the Sowell Bay Aquarium, mopping floors and tidying up. Keeping busy has always helped her cope, which she’s been doing since her eighteen-year-old son, Erik, mysteriously vanished on a boat in Puget Sound over thirty years ago. Tova becomes acquainted with curmudgeonly Marcellus, a giant Pacific octopus living at the aquarium. Marcellus knows more than anyone can imagine but wouldn’t dream of lifting one of his eight arms for his human captors—until he forms a remarkable friendship with Tova.

Alaska, 1920: a brutal place to homestead, and especially tough for recent arrivals Jack and Mabel. Childless, they are drifting apart - he breaking under the weight of the work of the farm; she crumbling from loneliness and despair. In a moment of levity during the season's first snowfall, they build a child out of snow. The next morning the snow child is gone - but they glimpse a young, blonde-haired girl running through the trees. This little girl, who calls herself Faina, seems to be a child of the woods.

Kelley Quinn is the owner of Nantucket's Winter Street Inn and the proud father of four, all of them grown and living in varying states of disarray. Patrick, the eldest, is a hedge fund manager with a guilty conscience. Kevin, a bartender, is secretly sleeping with a French housekeeper named Isabelle. Ava, a school teacher, is finally dating the perfect guy but can't get him to commit. And Bart, the youngest and only child of Kelley's second marriage to Mitzi, has recently shocked everyone by joining the Marines.

Three critically acclaimed recordings are joined together in this dazzling Agatha Christie Triple Bill, read by award-winning narrators Alison Larkin and James Warwick, star of the Partners in Crime TV series on Masterpiece Theater.

Seven years on the run from her abusive father, and with no hope of sanctuary among the dwindling pockets of human civilization, Lark is out of options. Her only leverage is a cursed power: she can thrust fear onto others, leaving all threats fleeing in terror. It’s a means of survival as she searches for a place to call home. If the campfire myths of her childhood are true, Lark’s sole chance for refuge could lie in Cagmar, the city of trolls—a brutal species and the sworn enemies of humanity.

A body always tells a story - but this child’s was a blank page. Rita reached for the lantern. She trained its light on the child’s face. "Who are you?" she murmured, but the face said as little as the rest of her. It was impossible to tell whether, in life, these blunt and unfinished features had borne the imprint of prettiness, timid watchfulness, or sly mischief. If there had once been curiosity or placidity or impatience here, life had not had time to etch it into permanence. Only a very short time ago, the body and soul of this little girl had still been securely attached.

Keri Blakinger always lived life at full throttle. Growing up, that meant throwing herself into competitive figure skating with an all-consuming passion that led her to nationals. But when her skating career suddenly fell apart, that meant diving into self-destruction with the intensity she once saved for the ice. For the next nine years, Keri ricocheted from one dark place to the next: living on the streets, selling drugs and sex, and shooting up between classes all while trying to hold herself together enough to finish her degree at Cornell.

Germany, 1942. Franciscan friar Anton Starzmann is stripped of his place in the world when his school is seized by the Nazis. He relocates to a small German hamlet to wed Elisabeth Herter, a widow who seeks a marriage - in name only - to a man who can help raise her three children. Anton seeks something too - atonement for failing to protect his young students from the wrath of the Nazis. But neither he nor Elisabeth expects their lives to be shaken once again by the inescapable rumble of war.

Elle Edwards, who has been told she's a product of her mother's sinful mistake, has never gone to school, never met a teenager her own age, never even been allowed off of her grandparents' property. Convinced that their granddaughter is infected with evil, Myra and Prescott Edwards believe that only the harshest child-rearing methods will prevent Elle from becoming an instrument of the devil.

Iris Camden thought she knew who her family was even if they weren’t always forthcoming. Her half-sister is a medium reeling from the loss of her biological mother. Her estranged father is an obsessed government worker who cannot reveal what he does. When an artifact appears in a ghost-hunting expedition, Iris is the last person who wants to believe in aliens.

Heralded as an instant classic of fantasy literature, Maguire has written a wonderfully imaginative retelling of The Wizard of Oz told from the Wicked Witch's point of view. More than just a fairy tale for adults, Wicked is a meditation on the nature of good and evil.

Gregory Maguire proves himself to be “one of contemporary fiction’s most assured myth-makers” (Kirkus Reviews) with Confessions of an Ugly Stepsister, his ingenious and provocative retelling of the timeless Cinderella fairy tale. Perhaps best known for his dark and breathtaking Oz series The Wicked Years—including the novel Wicked, which inspired the Tony Award-winning Broadway musical—Maguire is a master at upending the ordinary to help us see the familiar in a brilliant new light.

In the medieval kingdom of Goredd, women are expected to be ladies, men are their protectors, and dragons can be whomever they choose. Tess is none of these things. Tess is...different. She speaks out of turn, has wild ideas, and can't seem to keep out of trouble. Then Tess goes too far. Tess's family decide the only path for her is a nunnery. But on the day she is to join the nuns, Tess chooses a different path for herself. She cuts her hair, pulls on her boots, and sets out on a journey. She's not running away, she's running towards something.

Hot on the heels of Gardner Dozois's acclaimed anthology The Book of Swords comes this companion volume devoted to magic. How could it be otherwise? For every Frodo, there is a Gandalf... and a Saruman. For every Dorothy, a Glinda... and a Wicked Witch of the West. What would Harry Potter be without Albus Dumbledore... and Severus Snape? Figures of wisdom and power, possessing arcane, often forbidden knowledge, wizards and sorcerers are shaped - or misshaped - by the potent magic they seek to wield.

Imagine an alternate universe where romance and technology reign. Where tinkerers and dreamers craft and recraft a world of automatons, ornate clockworks, calculating machines, and other marvels that. Where scientists and schoolgirls, fair folk and Romans, intergalactic bandits, and intrepid orphans - decked out in corsets, clockwerk suits, and tall black boots - solve dastardly crimes, escape from monstrous predicaments, consult oracles, and hover over volcanoes in steam-powered airships.

Swedish Lapland, 1717. Maija, her husband Paavo and her daughters Frederika and Dorotea arrive from their native Finland, hoping to forget the traumas of their past and put down new roots in this harsh but beautiful land. Above them looms BlackAsen, a mountain whose foreboding presence looms over the valley and whose dark history seems to haunt the lives of those who live in its shadow.

Elena Klovis was supposed to be her kingdom's Cinderella - until an accident of fate left her with a completely inappropriate prince! Determined not to remain with her stepfamily, Elena set out to get a new job - and ended up becoming the Fairy Godmother for the land. But "Breaking with Tradition" was no easy matter. True, she didn't have to sleep in the chimney, but she had to deal with arrogant, stuffed-shirt princes who kept trying to rise above their place in the tale.

It is 1836. Europe is modernizing, and the Ottoman Empire must follow suit. But just before the sultan announces sweeping changes, a wave of murders threatens the balance of power in his court. Who is behind them? Only one intelligence agent can be trusted to find out: Yashim Togalu, a man both brilliant and near-invisible in this world. You see, Yashim is a eunuch.

In the vein of Wicked, The Woodcutter, and Boy, Snow, Bird, a luminous re-imagining of a classic tale, told from the perspective of Agnes, Cinderella’s "evil" stepmother. We all know the story of Cinderella. Or do we? As rumors about the cruel upbringing of beautiful newlywed Princess Cinderella roil the kingdom, her stepmother, Agnes, who knows all too well about hardship, privately records the true story...

In the year 1780, Harriet Westerman, the willful mistress of a country manor in Sussex, finds a dead man on her grounds with a ring bearing the crest of Thornleigh Hall in his pocket. Not one to be bound by convention or to shy away from adventure, she recruits a reclusive local anatomist named Gabriel Crowther to help her find the murderer, and historical suspense's newest investigative duo is born.

A contemporary man, John Thornburn (a meek, non-violent and unpredictable artist) and woman, Derval (his tough, confrontational, strong and warrior-like lover) time travel to ancient Ireland to avenge a Viking attack. Packed with fascinating details of historical time and place in Irish history and delicately balanced on the border between realism and fantasy, the story centers around one of the most famous and beautiful illuminated manuscripts in history, the legendary but entirely real Book of Kells.

As people start to recall the Oracle's prophecy, Erius begins to quietly kill off his female relatives who pose the only threat to his monarchy. Constantly in fear for her life, Princess Ariani the King's sister, gave birth to twins, a boy and a girl. But Ariani is married to Lord Rhius, the patron of the powerful wizard Iya, and Iya has sinister plans for the babes.

New York Times best-selling author Robin McKinley has won numerous awards for her writing, including the prestigious Newbery Medal. Though her two sisters are beautiful, Beauty, despite her name, is thin and awkward - but she's also courageous. So when her father makes a terrible promise to a Beast living in an enchanted castle, Beauty knows she must volunteer to be the Beast's prisoner.

Artist Laura Matthews finds her new home in the Welsh mountains to be a place so charged with tales and legends that she is able to reach through the gossamer-fine veil that separates her own world from that of myth and fable. She and her husband, Dan, have given up their city life and moved to Blaencwm, an ancient longhouse high in the hills. Here, she hopes that the wild beauty will inspire her to produce her best art and will give her the baby they have longed for.

Hugo and Nebula Award finalist Robin Hobb crafts intricate fantasy tales featuring larger-than-life characters and exotic landscapes. Nevare Burvelle survives the King’s Cavalla Academy—where nepotism and corruption reign—to become a soldier in the Gernian king’s army. As he and his fellow soldiers are thrust onto the front lines of the king’s brutal territorial expansion campaign, they struggle against the Plainspeople—forest-dwellers who possess a powerful magic long dismissed by the Gernians.

From the best-selling author of Wicked comes a magical new twist on Alice's Adventures in Wonderland, published to coincide with the 150th anniversary of Lewis Carroll's beloved classic. When Alice toppled down the rabbit hole 150 years ago, she found a Wonderland as rife with inconsistent rules and abrasive egos as the world she left behind. But what of that world? How did 1860s Oxford react to Alice's disappearance?

Ten years ago this season, Gregory Maguire wrapped up the series he began with Wicked by giving us the fourth and final volume of the Wicked Years, his elegiac Out of Oz. But “out of Oz” isn’t “gone for good.” Maguire’s new series, Another Day, is here, 25 years after Wicked first flew into our lives.

Charles Dickens is not feeling the Christmas spirit. His newest book is an utter flop, the critics have turned against him, relatives near and far hound him for money. While his wife plans a lavish holiday party for their ever-expanding family and circle of friends, Dickens has visions of the poor house. But when his publishers try to blackmail him into writing a Christmas book to save them all from financial ruin, he refuses. And a serious bout of writer's block sets in.

Elena Rudina lives in the impoverished Russian countryside. Her father has been dead for years. Her brothers have been conscripted into the Tsar's army and taken as servants in the house of the local wealthy landowner. Her mother is dying, slowly, in their tiny cabin. And there is no food. But then a train arrives in the village, a train carrying untold wealth, a cornucopia of food, and a noble family destined to visit the Tsar in St. Petersburg - a family that includes Ekaterina, a girl of Elena's age.

Winifred Rudge, a bemused writer struggling to get beyond the runaway success of her mass-market astrology book, travels to London to jump-start her new novel about a woman who is being haunted by the ghost of Jack the Ripper. Upon her arrival, she finds that her stepcousin and old friend John Comestor has disappeared, and a ghostly presence seems to have taken over his home.

Following her brother's death and her mother's emotional breakdown, Laura now lives on the Upper East Side of Manhattan, in a lonely townhouse she shares with her old-world, strict, often querulous grandparents. But the arrangement may be temporary. Nearly unmoored from reality through her panic and submerged grief, Laura is startled when a handsome swan boy with only one wing lands on her roof. Hiding him from her ever-bickering grandparents, Laura tries to build the swan boy a wing so he can fly home. But the task is too difficult to accomplish herself.

With the new millennium approaching, the eccentric town of Thebes grows even stranger. Mrs. Leontina Scales begins speaking in tongues after being clocked by a Catholic statuette. Her daughter, Tabitha, and her sons scheme to save their mother or surrender her to Jesus - whatever comes first. Meanwhile, choir director Jeremy Carr, caught between lust and ambition, fumbles his way toward Y2K.

On the darkest night, amidst a terrifying storm, Dinah's parents go missing. While anxious Dinah and her brother and sister worry and huddle for warmth, their cousin Gage tells them an unlikely story - that tooth fairies, known as skibbereen, are living in warring colonies right in the neighborhood. According to Gage, they actually put those teeth to good use. And he, Gage, has met them. Dinah is skeptical, but as the story unfolds and the storm rages on, she begins to believe.

Young Elphie is shaped and molded by the behaviors of her promiscuous mother, Melena, and her pious father, Frex. She suffers ordinary childhood jealousies when her sister, saintly Nessarose, and brother, junior felon Shell, arrive. She first encounters the mistreatment of the Animal populations of Oz, which live adjacent to but not intertwined with human settlements, haunted by a Monkey and receiving aid from Dwarf Bears. She thrashes through her first bruising attempts at friendship, a possible lifeline from her tricky family life.

It’s Christmas, and for the first time in years the entire Birch family will be under one roof. Even Emma and Andrew’s elder daughter - who is usually off saving the world - will be joining them at Weyfield Hall. But Olivia, a doctor, is only coming home because she has to. She’s just returned from treating an epidemic abroad and has been told she must stay in quarantine for a week...and so too should her family. For the next seven days, the Birches are locked down, cut off from the rest of humanity, and forced into each other’s orbits.

Who better to wreak havoc with eight beloved fairy tales than Gregory Maguire, the brilliant, funny, and nationally best-selling author of the adult novel Wicked as well as the hilarious middle-grade series The Hamlet Chronicles.

Just before Christmas in 1843, a debt-ridden and dispirited Charles Dickens wrote a small book he hoped would keep his creditors at bay. His publisher turned it down, so Dickens used what little money he had to put out A Christmas Carol himself. He worried it might be the end of his career as a novelist. The book immediately caused a sensation. And it breathed new life into a holiday that had fallen into disfavor, undermined by lingering Puritanism and the cold modernity of the Industrial Revolution.