Ten years ago this season, Gregory Maguire wrapped up the series he began with Wicked by giving us the fourth and final volume of the Wicked Years, his elegiac Out of Oz. But “out of Oz” isn’t “gone for good.” Maguire’s new series, Another Day, is here, 25 years after Wicked first flew into our lives.

Heralded as an instant classic of fantasy literature, Maguire has written a wonderfully imaginative retelling of The Wizard of Oz told from the Wicked Witch's point of view. More than just a fairy tale for adults, Wicked is a meditation on the nature of good and evil.

Elena Rudina lives in the impoverished Russian countryside. Her father has been dead for years. Her brothers have been conscripted into the Tsar's army and taken as servants in the house of the local wealthy landowner. Her mother is dying, slowly, in their tiny cabin. And there is no food. But then a train arrives in the village, a train carrying untold wealth, a cornucopia of food, and a noble family destined to visit the Tsar in St. Petersburg - a family that includes Ekaterina, a girl of Elena's age.

Gregory Maguire proves himself to be “one of contemporary fiction’s most assured myth-makers” (Kirkus Reviews) with Confessions of an Ugly Stepsister, his ingenious and provocative retelling of the timeless Cinderella fairy tale. Perhaps best known for his dark and breathtaking Oz series The Wicked Years—including the novel Wicked, which inspired the Tony Award-winning Broadway musical—Maguire is a master at upending the ordinary to help us see the familiar in a brilliant new light.

A middle-aged man returns to his childhood home to attend a funeral. He is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock. Forty years earlier, a man committed suicide in a stolen car at this farm at the end of the road. Like a fuse on a firework, his death lit a touchpaper and resonated in unimaginable ways. The darkness was unleashed, something scary and thoroughly incomprehensible to a little boy. And Lettie - magical, comforting, wise beyond her years - promised to protect him, no matter what.

Beyond the everyday world of King's Cross Station lies an island of oddities and magic. When their infant Prince is stolen, the island's magical residents form a team to rescue him. The only trouble is, they can't get to him for nine years.

This summer the Penderwick sisters have a wonderful surprise: a holiday on the grounds of a beautiful estate called Arundel. Soon they are busy discovering the summertime magic of Arundel's sprawling gardens, treasure-filled attic, tame rabbits, and the cook who makes the best gingerbread in Massachusetts. But the best discovery of all is Jeffrey Tifton, son of Arundel's owner, who quickly proves to be the perfect companion for their adventures.

Golden Globe-winning actor Michael C. Hall (Six Feet Under) performs Truman Capote's masterstroke about a young writer's charmed fascination with his unorthodox neighbor, the "American geisha" Holly Golightly. Holly - a World War II-era society girl in her late teens - survives via socialization, attending parties and restaurants with men from the wealthy upper class who also provide her with money and expensive gifts. Over the course of the novella, the seemingly shallow Holly slowly opens up to the curious protagonist.

They were a perfect and beautiful family - until a heartbreaking tragedy shattered their happiness. Now, for the sake of an inheritance that will ensure their future, the children must be hidden away out of sight, as if they never existed. They are kept in the attic of their grandmother’s labyrinthine mansion, isolated and alone. As the visits from their seemingly unconcerned mother slowly dwindle, the four children grow ever closer and depend upon one another to survive both this cramped world and their cruel grandmother.

Matt is a clone of El Patrón, a powerful drug lord of the land of Opium, which is located between the United States and Mexico. For six years, he has lived in a tiny cottage in the poppy fields with Celia, a kind and deeply religious servant woman who is charged with his care and safety. He knows little about his existence until he is discovered by a group of children playing in the fields and wonders why he isn't like them.

Osmo Unknown hungers for the world beyond his small town. With the life that Littlebridge society has planned for him, the only taste Osmo will ever get are his visits to the edge of the Fourpenny Woods where his mother hunts. Until the unthinkable happens: His mother accidentally kills a Quidnunk, a fearsome and intelligent creature that lives deep in the forest.

Ella of Frell wants nothing more than to be free of Lucinda's gift of obedience and feel that she belongs to herself. For how can she truly belong to herself if she knows that at any time, anyone can order her to hop on one foot, cut off her hand, or betray her kingdom, and she'll have to obey?

A robin with poor eyesight has mistaken Freddy the pig's tail for a worm. Putting aside the poem he is writing, Freddy decides to help the poor bird solve his problem. But the solution just seems to lead to bigger problems.

It's the turn of the 20th century in New York's Lower East Side and a sense of adventure and excitement abounds for five young sisters. Follow along on their adventures and experience their holiday fun.

The four Melendy children live with their father and Cuffy, their beloved housekeeper, in a worn but comfortable brownstone in New York City. There's thirteen-year-old Mona, who has decided to become an actress; twelve-year-old mischievous Rush; ten-year-old Randy who loves to dance and paint; and thoughtful Oliver, who is just six-years-old.

Beyond the everyday world of King's Cross Station lies an island of oddities and magic. When their infant Prince is stolen, the island's magical residents form a team to rescue him. The only trouble is, they can't get to him for nine years.

The four Melendy children live with their father and Cuffy, their beloved housekeeper, in a worn but comfortable brownstone in New York City. There's thirteen-year-old Mona, who has decided to become an actress; twelve-year-old mischievous Rush; ten-year-old Randy who loves to dance and paint; and thoughtful Oliver, who is just six-years-old.

The summer of 1899 is HOT in Calpurnia Virginia Tate's sleepy Texas town, and there aren't a lot of good ways to stay cool. Her mother has a new wind machine from town, but Callie might just have to resort to stealthily cutting off her hair, one sneaky inch at a time. She also spends a lot time at the river with her notoriously cantankerous grandfather, an avid naturalist. It turns out that every drop of river water is teeming with life - all you have to do is look through a microscope!

Lala Reyes’ grandmother is descended from a family of renowned rebozo, or shawl-makers. The striped (caramelo) is the most beautiful of all, and the one that makes its way, like the family history it has come to represent, into Lala’s possession. The novel opens with the Reyes’ annual car trip - a caravan overflowing with children, laughter, and quarrels - from Chicago to “the other side”, Mexico City. It is there, each year, that Lala hears her family’s stories, separating the truth from the “healthy lies” that have ricocheted from one generation to the next.

Elena Rudina lives in the impoverished Russian countryside. Her father has been dead for years. Her brothers have been conscripted into the Tsar's army and taken as servants in the house of the local wealthy landowner. Her mother is dying, slowly, in their tiny cabin. And there is no food. But then a train arrives in the village, a train carrying untold wealth, a cornucopia of food, and a noble family destined to visit the Tsar in St. Petersburg - a family that includes Ekaterina, a girl of Elena's age.

It's Carnival time and the Caribbean-colonized planet of Toussaint is celebrating with music, dance, and pageantry. Masked "Midnight Robbers" waylay revelers with brandished weapons and spellbinding words. To young Tan-Tan, the Robber Queen is simply a favorite costume to wear at the festival - until her power-corrupted father commits an unforgiveable crime. Suddenly, both father and daughter are thrust into the brutal world of New Half-Way Tree....

Zimbabwe, 2194. General Matsika's three children sneak out of the house on a forbidden adventure and disappear. Immediately,the general calls Africa's most unusual detectives: the Ear, the Eye, and the Arm. Together these three detectives combine their superhuman powers to find the missing children. It's a dangerous mission that leads them from the seedy streets of the Cow's Guts to the swaying top of the Mile-High MacIlwaine Hotel.

Golden Globe-winning actor Michael C. Hall (Six Feet Under) performs Truman Capote's masterstroke about a young writer's charmed fascination with his unorthodox neighbor, the "American geisha" Holly Golightly. Holly - a World War II-era society girl in her late teens - survives via socialization, attending parties and restaurants with men from the wealthy upper class who also provide her with money and expensive gifts. Over the course of the novella, the seemingly shallow Holly slowly opens up to the curious protagonist.

Along with Wit, Charm, Health, and Courage, Princess Amy of Phantasmorania receives a special fairy christening gift: Ordinariness. Unlike her six beautiful sisters, she has brown hair and freckles, and would rather have adventures than play the harp, embroider tapestries . . . or become a Queen. When her royal parents try to marry her off, Amy runs away and, because she's so ordinary, easily becomes the 14th assistant kitchen maid at a neighboring palace.

Allan Gurganus's Oldest Living Confederate Widow Tells All became an instant classic upon its publication. Critics and fans alike fell in love with the voice of 99-year-old Confederate widow Lucy Marsden, one of the most entertaining and loquacious heroines in American literature. Lucy married at the turn of the 20th century, when she was 15 and her husband was 50. If Colonel William Marsden was a veteran of the "War for Southern Independence", Lucy became a "veteran of the veteran" with a unique perspective on Southern history and Southern manhood.

Cory is a young tooth fairy in training who wants to be anything but that, except there's no way the Tooth Fairy Guild or her mother will let that happen. After yet another bad night on the job, Cory quits to explore other things--like babysitting an adventurous Humpty Dumpty, helping Suzy organize seashells by the seashore, and attempting to finally rid the spiders that plague Marjorie Muffet. But it isn't until Marjorie asks Cory to help set her up with a boy that Cory taps into a power she never knew she had.

Gypsies, faith-healers, moonshiners, and snake handlers weave through Drema's childhood in 1940s Appalachia after her father is killed in the coal mines, her mother goes off to work as a Rosie the Riveter, and she is left in the care of devout Pentecostal grandparents. What follows is a spitfire of a memoir that feels like a novel with intrigue, sweeping emotion, and indisputable charm. Drema's coming of age is colored by tent revivals with Grandpa, poetry-writing hobos, and traveling carnivals, and through it all, she serves witness to a multi-generational family.

Nominated for a 2011 Grammy Award for Best Spoken Word Album For Children. Who better to read the novel of the new Nanny McPhee film than Nanny McPhee herself, Emma Thompson, who also wrote both the screenplay and the novel. This delightful audio edition captures the magic and the mayhem of Nanny McPhee’s brand new adventure – it will have you laughing out loud!

Set on the Mississippi Delta in 1923, this story captures the mind and manners of the Fairchilds, a large aristocratic family, self-contained and elusive as the wind. The vagaries of the Fairchilds are keenly observed, and sometimes harshly judged, by nine-year-old Laura McRaven, a Fairchild cousin who takes The Yellow Dog train to the Delta for Dabney Fairchild’s wedding.

Zita is not an ordinary servant girl—she’s the13th daughter of a king who wanted only sons. When she was born, Zita’s father banished her to the servants’ quarters to work in the kitchens, where she can only communicate with her royal sisters in secret. Then, after Zita’s 12th birthday, the princesses all fall mysteriously ill. The only clue is their strangely worn and tattered shoes. With the help of her friends, Zita follows her bewitched sisters into a magical world of endless dancing and dreams.

Ten years ago this season, Gregory Maguire wrapped up the series he began with Wicked by giving us the fourth and final volume of the Wicked Years, his elegiac Out of Oz. But “out of Oz” isn’t “gone for good.” Maguire’s new series, Another Day, is here, 25 years after Wicked first flew into our lives.

With the new millennium approaching, the eccentric town of Thebes grows even stranger. Mrs. Leontina Scales begins speaking in tongues after being clocked by a Catholic statuette. Her daughter, Tabitha, and her sons scheme to save their mother or surrender her to Jesus - whatever comes first. Meanwhile, choir director Jeremy Carr, caught between lust and ambition, fumbles his way toward Y2K.

Hiddensee recreates the backstory of the Nutcracker, reimaging how this entrancing creature came to be carved and how it magically guided an ailing little girl named Klara through a dreamy paradise on a snowy Christmas Eve. It also brings to life the mysterious godfather Drosselmeier - the ominous, canny, one-eyed toymaker made immortal by Petipa and Tchaikovsky's ballet - who presents the once and future Nutcracker to Klara, his goddaughter.

From the best-selling author of Wicked comes a magical new twist on Alice's Adventures in Wonderland, published to coincide with the 150th anniversary of Lewis Carroll's beloved classic. When Alice toppled down the rabbit hole 150 years ago, she found a Wonderland as rife with inconsistent rules and abrasive egos as the world she left behind. But what of that world? How did 1860s Oxford react to Alice's disappearance?

Following her brother's death and her mother's emotional breakdown, Laura now lives on the Upper East Side of Manhattan, in a lonely townhouse she shares with her old-world, strict, often querulous grandparents. But the arrangement may be temporary. Nearly unmoored from reality through her panic and submerged grief, Laura is startled when a handsome swan boy with only one wing lands on her roof. Hiding him from her ever-bickering grandparents, Laura tries to build the swan boy a wing so he can fly home. But the task is too difficult to accomplish herself.