Set in a remote village in the north of England, Open, Heaven unfolds over the course of one year in which two teenage boys meet and transform each other’s lives. James—a sheltered, shy sixteen-year-old—is alone in his newly discovered sexuality, full of an unruly desire but entirely inexperienced. As he is beginning to understand himself and his longings, he also realizes how his feelings threaten to separate him from his family and the rural community he has grown up in. He dreams of another life, fantasizing about what lies beyond the village’s leaf-ribboned boundaries.

Hello Stranger is a book about chance encounters—at a bar, through social media, in a bathhouse—and what a stranger can reveal about who we are and who we could still yet be. A stranger, after all, is a site of endless possibilities. As Manuel Betancourt looks back on his past relationships, he turns to characters and narratives that helped him question notions of what monogamy and coupledom (and relationships and marriage) can and should look like.

In Berlin’s artistic underground, where techno and drugs fill warehouses still pockmarked from the wars of the twentieth century, nineteen-year-old Nila at last finds her tribe. Born in Germany to Afghan parents, raised in public housing graffitied with swastikas, drawn to philosophy, photography, and sex, Nila has spent her adolescence disappointing her family while searching for her voice as a young woman and artist. Then in the haze of Berlin’s legendary nightlife, Nila meets Marlowe, an American writer whose fading literary celebrity opens her eyes to a life of freedom.

Having recently moved both herself and her formidable perfume bottle collection into a tiny bungalow in Los Angeles, mid-list author Astrid Dahl finds herself back in the Zoom writer’s group she cofounded, Sapphic Scribes, after an incident that leaves her and her career lightly canceled. But she temporarily forgets all that by throwing herself into a few sexy distractions—like Ivy, a grad student researching 1950s lesbian pulp who smells like metallic orchids, or her new neighbor, Penelope, who smells like patchouli.

Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day–partner, parent, creator, muse–and the truths every performance masks, especially from those who think they know us most intimately.

In Stag Dance, the titular novel, a group of restless lumberjacks working in an illegal winter logging outfit plan a dance that some of them will volunteer to attend as women. When the broadest, strongest, plainest of the axmen announces his intention to dance as a woman, he finds himself caught in a strange rivalry with a pretty young jack, provoking a cascade of obsession, jealousy, and betrayal that will culminate on the big night in an astonishing vision of gender and transition.

Isaac is at a crossroads in his young life. Growing up in Missouri, the son of a caustic, hard-driving father, he was conditioned to suppress his artistic pursuits and physical desires, notions that didn’t align with a traditional view of masculinity. But now, in late ’80s Chicago, Isaac has finally carved out a life of his own. He is sensitive and tenderhearted and has built up the courage to seek out a community. Yet just as he begins to embrace who he is, two social catalysts—the AIDS crisis and Rodney King’s attack—collectively extinguish his hard-earned joy.

John, an impoverished Scottish minister, has accepted a job evicting the lone remaining occupant of an island north of Scotland—Ivar, who has been living alone for decades, with only the animals and the sea for company. Though his wife, Mary, has serious misgivings about the errand, he decides to go anyway, setting in motion a chain of events that neither he nor Mary could have predicted.

Ernesto Vega has lived many lives, from pig farmer to construction worker to famed luchador El Rey Coyote, yet he has always worn a mask. He was discovered by a local lucha libre trainer at a time when luchadores—Mexican wrestlers donning flamboyant masks and capes—were treated as daredevils or rock stars. Ernesto found fame, rapidly gaining name rec­ognition across Mexico, but at great expense, nearly costing him his marriage to his wife Elena.

Amid the ongoing reckoning over America’s history of anti-Black racism, scores of monuments to slaveowners and Confederate soldiers still proudly dot the country’s landscape, while schools and street signs continue to bear the names of segregationists. With poignant, lyrical prose, cultural commentator Irvin Weathersby confronts the inescapable specter of white supremacy in our open spaces and contemplates what it means to bear witness to sites of lasting racial trauma.

In this intimate collection, Amanda Peters melds traditional storytelling with beautiful, spare prose to describe the dignity of the traditional way of life, the humiliations of systemic racism and the resilient power to endure. A young man returns from residential school only to realize he can no longer communicate with his own parents. A grieving mother finds purpose and healing on the front lines as a water protector. And a nervous child dances in her first Mawi’omi. The collection also includes the Indigenous Voices Award–winning and title story “Waiting for the Long Night Moon.”

From plebeians refusing to join the Roman army to bakers withholding bread, this is the first book to explore how Roman workers used strikes, boycotts, riots, and rebellion to get their voices—and their labor—acknowledged. Sarah E. Bond explores Ancient Rome from a new angle to show that the history of labor conflicts and collective action goes back thousands of years, uncovering a world far more similar to our own than we realize.

Vancouver, 1942. Josiah Chang arrives in the bustling city ready to make a new life for himself. The Second World War is in full swing, and Josiah, like so many Canadians, wants to prove his loyalty by serving his country. But Chinese Canadians are barred from joining the army out of fear they might expect citizenship in return. So, Josiah heads to the shipyard where he finds work as a riveter, fastening together the ribs and steel plates of Victory ships. One night, Josiah spots Poppy singing at a navy club. Despite their different backgrounds, they fall for each other instantly.

At Thorne Hall, a grand estate nestled in the Berkshires, fifteen restless spirits roam, bound within the mansion’s walls since the Gilded Age. Elegy Thorne bears the weight of her family’s curse to preserve the mansion as it was in the 1890s, using ancient folk songs to keep the spirits secret and silent in order to avoid deadly consequences. When a mischievous child spirit wreaks havoc on the manor, the Thorne family calls upon their trusted preservationist to restore the mansion.

When Elizabeth Walker, the last heir of the Alexander Hamilton line, is tragically killed by a subway train in New York, foul play is immediately suspected. Elizabeth had been terrified, frantic, and manic during her last days, running mysterious errands, searching for a strange antique key, and sending cryptic messages to her best friend, Sarah Brockman. The morning after Elizabeth’s death, a box of tattered documents lands on Sarah’s doorstep, confirming her suspicions about Elizabeth’s strange behavior and shocking death. She brings the box to Elizabeth’s grieving husband, Ralph.

In Florida, one of the first things you’re taught as a child is that if you’re ever chased by a wild alligator, the only way to save yourself is to run away in zigzags. It’s a lesson on survival that has guided much of Edgar Gomez’s life. Alligator Tears is a fiercely defiant memoir-in-essays charting Gomez’s quest to claw his family out of poverty by any means necessary, and learning to see the archetype of the humble poor person for what it is: a scam that insists we remain quiet and servile while we wait for a prize that will always be out of reach.

Fifteen-year-old Marisol is the daughter of a soucouyant. Every new moon, she sheds her skin like the many women before her, shifting into a fireball witch who must fly into the night and slowly sip from the lives of others to sustain her own. But Brooklyn is no place for fireball witches with all its bright lights, shut windows, and bolt-locked doors.… While Marisol hoped they would leave their old traditions behind when they emigrated from the islands, she knows this will never happen while she remains ensnared by the one person who keeps her chained to her magical past—her mother.

Faruq Zaidi, a young journalist processing the recent death of his father, a devout Muslim, takes the opportunity to embed himself in a cult called “the nameless.” Based in the California redwoods and shepherded by an enigmatic Vietnam War veteran named Odo, the nameless adhere to the 18 Utterances, including teachings such as “all suffering is distortion” and “see only beauty.”

On a New England morning in the late 1980s, a group of young cousins wander deep into the woods on their family’s property, drawn in by uncanny visions and the disappearance of one of their own—but the farther they go, the stranger their surroundings become. Lingering at the edge of a family party, a troop of cousins loses track of the youngest child among them. With their parents preoccupied with bickering about decades-old crises, the children decide they must set out to investigate themselves—to the rickety chicken coop, the barn and its two troublesome horses, and into the woods.

Jon Savage, the author of the canonical England's Dreaming, explodes new ground in this electrifying history of pop music from 1955 through 1979. In demonstrating that gay and lesbian artists were responsible for many of the greatest cultural breakthroughs in the last half of the twentieth century, he shows that it was their secretly encoded music—appealing to a closeted but greatly oppressed public—which led to the historic dismantling of discriminatory gay laws and the fusion of queer and straight culture.

While in high school, Rainey spent a summer taking advantage of the wildfires near Los Angeles to break into the empty houses of the rich and famous with her best friends, Alice and Spencer, committing small acts of larceny. These acts of rebellion culminated in a big theft from a powerful, well-connected musician with underworld ties. Days later, Alice went missing. Now—nine years later—Rainey is a private detective chasing a missing person case. Chloe, a young vulnerable artist with a history of substance abuse, disappeared from her parents' house without a trace.

Playing a lead role in a book-to-movie adaptation with a wild fan base? Sign me up! The only downside is that I'm cast alongside Jacoby "Heartthrob" Hart—Hollywood's golden boy. If only they knew he was an uppity, pompous snob. We don't get along, and if you're reading the tabloids, you'd assume it was because I "stole" his girlfriend, but they have it all wrong. Jacoby and his cold shoulder started this, and now we're set to play lovers. The only thing I'd love to do is strangle him, but I'm a professional.

A coming-of-age novel that is as relevant today as it was nearly ninety years ago, There’s No Turning Back centers on eight women with radically different backgrounds who attend the same college in Rome. Some are there to study, others to escape a scandal, or keep a secret, and during their time there, they experience the challenges of love, work, and emancipation.

For decades, the four families who rule the Summerlands have been locked at an impasse. No one is fighting, but neither has anyone been speaking. We don't have time for that anymore. Mount Slate, the volcano that sits in the middle of the Summerlands, is threatening to erupt, and only the four family heads working together can avert disaster.

Harsha Godbole has never felt love from her family, but she’s always been surrounded by their Bollywood business mogul wealth. Now back in Bangalore after studying in America, Harsha is ready to start her adult life without their money. But that becomes impossible when everything she’s worked so hard for comes crumbling down. Fearful of showing up to her cousin’s upcoming wedding as a failure—and worse, a single failure—Harsha decides to put her trust fund to good use . . .