Here we have echoes of John Wyndham’s Midwich Cuckoos, Stephen King’s Children of the Corn, and so many more tales of child-driven terror—all of which serve as tales so cautionary against procreating, the Catholic church might just try to ban Kids Are Hell!

John Langan, author of the Bram Stoker Award-winning novel The Fisherman, returns with ten new tales of cosmic horror in Corpsemouth and Other Autobiographies. In these stories, he continues to chart the course of twenty-first century weird fiction, from the unfamiliar to the familial, the unfathomably distant to the intimate.

The Necronomicon was not the first book by H.P. Lovecraft to terrify readers with tales of dark and twisted horrors from beyond. No, the Al-Azif, or Book of the Insect, is the first work that told mankind of Cthulhu, Azathoth, and other terrors. Indeed, it was the book that inspired "The Mad Arab" Abdul Al-Hazred to write its more famous successor.

These seventeen tales take listeners into the uniquely twisted mind of “one of Canada’s most promising new horror writers” (Publishers Weekly). From a live necrophilia show starring reanimated corpses to a confrontation between a security guard and inhuman squatters, from who can be found at an all-night laundromat to what lies in wait at the bottom of the sea, from undead addictions to all-consuming obsessions, Kissing Carrion is “a journey through some of the most beautifully rendered visions of darkness and death to be published this past year."

Four brand-new horror novellas all about books, stories, manuscripts—the written word has never had sharper teeth. In The Skin of Her Teeth, a cursed novel drives people to their deaths. A delivery job turns deadly in The Dark Brothers' Last Ride. In This Book Belongs to Olo, a lonely child has dangerous control over an usual pop-up book. A choose-your-own adventure game spirals into an uncanny reality in The Story. Full of creepy suspense, these collected novellas are perfect for fans of Paul Tremblay, Stephen King, and Joe Hill.

When a trip into the forest to collect a rare mushroom goes horribly wrong, I find myself falling through a fairy portal and straight into the arms of the Unseelie Fae prince. The dangerously unhinged and handsome Unseelie Fae prince. What could be more horrible than that? He thinks I'm an assassin sent by the humans to kill him, not a biologist. Determined to kill me first and rid himself of the human he has unwillingly grown obsessed with, yet also needing to entertain his people, the villain challenges me to three deadly trials.

It’s Halloween night, 1984, in Coventry, Massachusetts, and two families are unraveling. Up and down the street, horrifying secrets are being revealed, and all the while, mixed in with the trick-or-treaters of all ages, four children who do not belong are walking door to door, merging with the kids of Parmenter Road. Children in vintage costumes with faded, eerie makeup. They seem terrified, and beg the neighborhood kids to hide them away, to keep them safe from The Cunning Man.

The first three novels and the prequel novella in the Preternatural Chronicles: I'm Glad You're Dead, Dawn and Quartered, Shadow of a Doubt, and Deliverance.

In a boarded-up house on a dead-end street at the edge of the wild Washington woods lives a family of three. A teenage girl who isn’t allowed outside, not after last time. A man who drinks alone in front of his TV, trying to ignore the gaps in his memory. And a house cat who loves napping and reading the Bible. An unspeakable secret binds them together, but when a new neighbor moves in next door, what is buried out among the birch trees may come back to haunt them all.

American Book Award-winning author Tananarive Due's second collection of stories ranges from horror to science fiction to suspense. From the mysterious, magical town of Gracetown to the aftermath of a pandemic to the reaches of the far future, Due's stories all share a sense of dread and fear balanced with heart and hope. In some of these stories, the monster is racism itself; others address the monster within, or other universal struggles set against the supernatural or surreal. All of them are written with Due's trademark attention to detail and deep characterization.

Thomas Ligotti’s debut collection, Songs of a Dead Dreamer, and his second, Grimscribe, permanently inscribed a new name in the pantheon of horror fiction. Influenced by the strange terrors of Lovecraft and Poe and by the brutal absurdity of Kafka, Ligotti eschews cheap, gory thrills for his own brand of horror, which shocks at the deepest, existential, levels.

Deep in the heart of Appalachia stands a crooked farmhouse miles from any road. The Morrows keep to themselves, and it's served them well so far. When girls go missing off the side of the highway, the cops don't knock on their door. Which is a good thing, seeing what's buried in the Morrows' backyard. But 19-year-old Michael Morrow isn't like the rest of his family. He doesn't take pleasure in the screams that echo through the trees.

Three low-income families have been given a handsome retainer to join Geraldine Borden for a day at her cliffside estate. All the parents must do to collect the rest of their money is allow their children to test out the revolutionary playground equipment Geraldine has been working on for decades. But there’s a reason the structures in the bowels of her gothic castle have taken so long to develop—they were never meant to see the light of day.

A chilling anthology in tribute to the genius of Shirley Jackson. Shirley Jackson is a seminal writer of horror and mystery fiction, whose legacy resonates globally today. Chilling, human, poignant, and strange, her stories have inspired a generation of writers and listeners. This anthology, edited by legendary horror editor Ellen Datlow, brings together today’s leading horror writers to offer their own personal tribute to the work of Shirley Jackson.

This forest isn't charted on any map. Every car breaks down at its treeline. Mina's is no different. Left stranded, she is forced into the dark woodland only to find a woman shouting, urging Mina to run to a concrete bunker. As the door slams behind her, the building is besieged by screams. Mina finds herself in a room with a wall of glass, and an electric light that activates at nightfall, when the watchers come above ground. These creatures emerge to observe their captive humans and terrible things happen to anyone who doesn't reach the bunker in time.