In this stunning new collection of four horror stories, Bram Stoker Award nominee Rachel Harrison explore themes of body image, complicated female friendship, heartbreak and hauntings.

Rory Morris isn’t thrilled to be moving back to her hometown, even if it is temporary. There are bad memories there. But her twin sister, Scarlett, is pregnant, estranged from the baby’s father, and needs support, so Rory returns to the place she thought she’d put in her rearview. After a night out at a bar where she runs into Ian, an old almost-flame, she hits a large animal with her car. And when she gets out to investigate, she’s attacked.

Martin Lorensen is a twenty-three-year-old counselor for disturbed teenagers. He’s bright, compassionate, attractive, and outgoing. He’s also—and this is the most interesting thing—not dead. Martin has improbably survived not one but two deadly disasters that claimed dozens of lives. The kid is riding one hell of a lucky streak. Two federal agents think there is something darker at play. Now that they’ve arranged to interview Martin, they want answers. Martin is ready to share everything he knows. One thing is for certain: when it comes to escaping death, luck doesn’t figure into it at all.

Jennifer Thorne skewers all-too-familiar family dynamics in this sly, wickedly funny vacation-Gothic. Beautifully unhinged and deeply satisfying, Diavola is a sharp twist on the classic haunted house story, exploring loneliness, belonging, and the seemingly inescapable bonds of family mythology.

Now twenty-four, Hanna is living an outwardly normal life of domestic content. Married to real estate agent Jacob, she’s also stepmother to his teenage daughter Joelle. They live in a beautiful home, and Hanna loves her career as a phlebotomist—a job perfectly suited to her occasional need to hurt people. But when Joelle begins to change in ways that don’t suit Hanna’s purposes, her carefully planned existence threatens to come apart.

Sloane Parker is dreading her birthday. She doesn’t need a reminder she’s getting older, or that she’s feeling indifferent about her own life. Her husband surprises her with a birthday-weekend getaway—not with him, but with Sloane’s longtime best friend, troublemaker extraordinaire Naomi. Sloane anticipates a weekend of wine tastings and cozy robes and strategic avoidance of issues she’d rather not confront, like her husband’s repeated infidelity.

“Back then, when I was a young woman, there were still witches”: That was how Nana Alba always began the stories she told her great-granddaughter Minerva—stories that have stayed with Minerva all her life. Perhaps that’s why Minerva has become a graduate student focused on the history of horror literature and is researching the life of Beatrice Tremblay, an obscure author of macabre tales.

Nobody has a “normal” family, but Vesper Wright’s is truly...something else. Vesper left home at eighteen and never looked back—mostly because she was told that leaving the staunchly religious community she grew up in meant she couldn’t return. But then an envelope arrives on her doorstep.

Olivia Becente was never supposed to have the gift. The ability to commune with the dead was the specialty of her sister, Naiche. But when Naiche dies unexpectedly and under strange circumstances, somehow Olivia suddenly can’t stop seeing and hearing from spirits. A few years later, she’s the most in-demand paranormal investigator in Denver. She’s good at her job, but the loss of Naiche haunts her. That’s when she hears from the Brown Palace, a landmark Denver hotel.

Arthur Oakes is an outsider. His mother is in prison, his father is long gone, so he spends his time lost in the legends of English mythology. Then one unintended incident—one moment of standing up for another underdog—leaves his mother in danger and him with orders to steal rare books from the college library. And the events that will unfold from that single act of bravery will lead to slaughter.

The Berisha family runs one of the largest import-export companies in the world, and they’ve always been lucky. Their rivals suffer strokes. Inconvenient buildings catch on fire. Earthquakes swallow up manufacturing plants, destroying harmful evidence. Things always seem to work out for the Berishas. They’re blessed. At least that is what Zef, the patriarch, has always told his three children.

It started the night journalist Briar Thorne’s mother died in their rambling old mansion on Chicago’s South Side. The nightmares of a woman in white pleading to come home, music switched on in locked rooms, and the panicked fear of being swallowed by the dark…Bri has almost convinced herself that these stirrings of dread are simply manifestations of grief and not the beyond-world of ghostly impossibilities her mother believed in. And more tangible terrors still lurk outside the decaying Victorian greystone.

Buried secrets only spread. Erin's brother Bryan has been missing for five years. It was as if he simply walked into the forests of the Pacific Northwest and vanished. Determined to uncover the truth, Erin heads to the foothills of Mt. Hood where Bryan was last seen alive. He isn’t the first hiker to go missing in this area, and their cases go unsolved. When she discovers the corpse of a local woman in a creek, Erin unknowingly puts herself in the crosshairs of very powerful forces—from this world and beyond—hell-bent on keeping their secrets buried.

In the cult classic novel Bunny, Samatha Heather Mackey, a lonely outsider student at a highly selective MFA program in New England, was first ostracized and then seduced by a clique of creepy-sweet rich girls who call themselves “Bunny.” An invitation to the Bunnies’ Smut Salon leads Samantha down a dark rabbit hole (pun intended) into the violently surreal world of their off-campus workshops where monstrous creations are conjured with deadly and wondrous consequences.

After an accident that nearly kills her, Emily and her husband, Freddie, move from London to a beautiful Dartmoor country house called Larkin Lodge. The house is gorgeous, striking—and to Emily, something about it feels deeply wrong. Old boards creak at night, fires go out, and books fall from the shelves, and all of it stems from the terrible presence she feels in the third-floor room. But these things happen only when Emily’s alone, so are they happening at all?

Isla Hansen, a mother reeling from a devastating loss, is beside herself when a mysteriously orphaned child appears on the outskirts of the Hansens’ secluded Colorado property. Although strange and unexplainable, the child’s presence breathes new life into Isla. But as the child settles in, Isla’s husband, Luke, and their five children notice peculiarities that hint at something far beyond the ordinary—anomalies that challenge the very fabric of reality itself.

Kinsey has the perfect job as the team leader in a remote research outpost. She loves the isolation and the way the desert keeps temptations from the civilian world far out of reach. When her crew discovers a mysterious specimen buried deep in the sand, Kinsey breaks quarantine and brings it into the hab. But the longer it's inside, the more her carefully controlled life begins to unravel. Temptation has found her after all, and it can't be ignored any longer.

The Hellebore Technical Institute for the Gifted is the premier academy for the dangerously powerful: the Anti-Christs and Ragnaroks, the world-eaters and apocalypse-makers. Hellebore promises redemption, acceptance, and a normal life after graduation. At least, that’s what Alessa Li is told after she’s kidnapped and forcibly enrolled. But the Institute is more than just a haven for monsters. On graduation day, the faculty go on a ravenous rampage, feasting on Alessa’s classmates.

In 1765, plague sweeps through Zacatecas. Alba flees with her wealthy merchant parents and fiancé, Carlos, to his family’s isolated mine for refuge. But safety proves fleeting as other dangers soon bare their teeth: Alba begins suffering from strange hallucinations, sleepwalking, and violent convulsions. She senses something cold lurking beneath her skin. Something angry. Something wrong.

After losing her young son in an accident, Rachel Kennan throws herself into her career as police chief of a small Virginia town to avoid focusing on her grief. Meanwhile, her husband, Finn, a washed-up writer whose alcoholism led to the devastating tragedy that changed everything, struggles to redeem himself before his family completely falls apart. Their two daughters are the only things keeping Rachel and Finn together, but the girls have demons of their own. At the same time, a disturbing crime rocks their tightknit religious community.