Shy, bookish, and admittedly awkward, Lily Greene has always felt inadequate compared to the rest of her accomplished family, who strive for Black excellence. She dreams of becoming a children’s books editor, but she’s been frustratingly stuck in the nonfiction division for years without a promotion in sight. Lily finds escapism in her correspondences with her favorite fantasy author, and what begins as two lonely people connecting over email turns into a tentative friendship and possibly something else Lily won’t let herself entertain—until he ghosts her without a word.

Every so often, a pairing comes along that seems completely unlikely—until it’s not. Peanut butter and jelly, Dennis Rodman and Kim Jong Un, ducks and puppies, and now: Dickens and Prince. Equipped with a fan’s admiration and his trademark humor and wit, Nick Hornby invites us into his latest obsession: the cosmic link between two unlikely artists, geniuses in their own rights, spanning race, class, and centuries—each of whom electrified their different disciplines and whose legacy resounded far beyond their own time.

Set in 1960's London, Funny Girl is a lively account of the adventures of the intrepid young Sophie Straw as she navigates her transformation from provincial ingnue to television starlet amid a constellation of delightful characters. Insightful and humorous, Nick Hornby's latest does what he does best: endears us to a cast of characters who are funny if flawed, and forces us to examine ourselves in the process.

Annie loves Duncan - or thinks she does. Duncan loves Annie, but then, all of a sudden, he doesn't. Duncan really loves Tucker Crowe, a reclusive Dylanish singer-songwriter who stopped making music 10 years ago. Annie stops loving Duncan, and starts getting her own life. In doing so, she initiates an e-mail correspondence with Tucker, and a connection is forged between two lonely people who are looking for more out of what they've got.

Will Freeman may have discovered the key to dating success: If the simple fact that they were single mothers meant that gorgeous women - women who would not ordinarily look twice at Will - might not only be willing, but enthusiastic about dating him, then he was really onto something. Single mothers - bright, attractive, available women - thousands of them, were all over London. He just had to find them.

Rob is a pop-music junkie who runs his own semi-failing record store. His girlfriend, Laura, has just left him for the guy upstairs, and Rob is both miserable and relieved. After all, could he have spent his life with someone who has a bad record collection? Rob tries dating a singer, but maybe it’s just that he’s always wanted to sleep with someone who has a record contract. Then he sees Laura again. And Rob begins to think that life with kids, marriage, barbecues, and soft-rock CDs might not be so bad.

Can you fall in love like they do in the movies? It's Evie Summers' job to find out. Because if she can't convince her film agency's biggest client, Ezra Chester, to write the romantic-comedy screenplay he owes producers, her career will be over. The catch? He thinks rom-coms are unrealistic - and he'll only put pen to paper if Evie shows him that it's possible to meet a man in real life the way it happens on the big screen. Cynical Evie might not believe in happily ever after, but she'll do what it takes to save the job that's been her lifeline.

1932. After the Great War took both her beloved brother and her fiancé, Violet Speedwell has become a "surplus woman," one of a generation doomed to a life of spinsterhood after the war killed so many young men. Yet Violet cannot reconcile herself to a life spent caring for her grieving, embittered mother. After countless meals of boiled eggs and dry toast, she saves enough to move out of her mother's place and into the town of Winchester, home to one of England's grandest cathedrals.

If Avery Chambers can’t fix you in 10 sessions, she won’t take you on as a client. Her successes are phenomenal—she helps people overcome everything from domineering parents to assault—and almost absorbs the emptiness she sometimes feels since her husband’s death. Marissa and Mathew Bishop seem like the golden couple—until Marissa cheats. She wants to repair things, both because she loves her husband and for the sake of their eight-year-old son. After a friend forwards an article about Avery, Marissa takes a chance on this maverick therapist.

After 10 years as a flight attendant, Ava Greene is poised to hang up her wings and finally put down roots. She's got one trip left before she bids her old life farewell, and she plans to enjoy every second of it. But then, she discovers that former pilot Jack Stone - the absurdly gorgeous, ridiculously cocky man she's held a secret grudge against for year - is on her flight. And he has the nerve to flirt with her, as if he doesn't remember the role he played in the most humiliating night of her life. Good thing she never has to see him again after they land....

For Maleek Jones, hockey is his wife. Everything and everyone else is his mistress, an aside. When unexpected responsibilities land in his lap, the balance of his world is disrupted, changing the way he sees everything.

When Roisin and Joe join their friends for a weekend at a country house, it’s a triple celebration—a birthday, an engagement, and the launch of Joe’s shiny new TV show. But as the weekend unfolds, tensions come to light in the group and Roisin begins to question her own relationship. And as they watch the first episode of Joe’s drama, she realizes that the private things she told him—which should have stayed between them—are right there on the screen.

In a windswept British seaside town, single mum Alice Lake finds a man sitting on the beach outside her house. He has no name and no idea how he got there. Against her better judgment, she invites him inside. Meanwhile, in a suburb of London, 21-year-old Lily Monrose has been married for only three weeks. When her husband fails to come home from work one night, she is left alone in a place where she knows no one and with the police telling her that her husband never existed.

Izzy Edgewood is a wannabe bookstore owner, quote queen, and Lord of the Rings nerd who has been waiting for Prince Charming to sweep her off her sneakered feet. But it’s hard to meet people when you spend more time with fictional humans than real ones. Which is why her pragmatist cousin Josephine decides to take Izzy’s future into her own meddling hands and create an online dating profile for the hopeful romantic. To Izzy’s shock (and suspicion), Josie’s plan works.

Luc O'Donnell is tangentially - and reluctantly - famous. His rock-star parents split when he was young, and the father he's never met spent the next 20 years cruising in and out of rehab. Now that his dad's making a comeback, Luc's back in the public eye, and one compromising photo is enough to ruin everything. To clean up his image, Luc has to find a nice normal relationship...and Oliver Blackwood is as nice and normal as they come. He's a barrister, an ethical vegetarian, and someone who has never inspired a moment of scandal in his life. He’s perfect boyfriend material.

Lucy Sullivan is 26 and living it up (and occasionally down) in London. Hers is a life of quiet, undisciplined desperation. But when she and three friends visit a psychic for a bit of fun and the woman's predictions start coming true, Lucy is horrified. For the fortune-teller insisted she'd soon be married - within the year, in fact. Not only does Lucy not have a boyfriend, but the chances of getting one are looking slim. Between the bottles of wine, antidepressants and her addiction to self-help books, she's not quite ready to walk, or even stumble, down the aisle sober.

An achingly funny story from the author of the best-selling You Had Me at Hello. When Edie is caught in a compromising position at her colleagues' wedding, all the blame falls on her - turns out that personal popularity in the office is not that different from your school days. Shamed online and ostracised by everyone she knows, Edie's forced to take an extended sabbatical - ghostwriting an autobiography for hot new acting talent, Elliot Owen. Easy, right? Wrong.

Sophie Chesterton is London's "It Girl". She knows all the right people, goes to all the right parties, and wears all the right clothes...and her rich parents pay for everything. But deep down she suspects that her best "friends" - and her posh lifestyle - are nothing but shallow fakes. Then one evening Sophie's life takes a shocking, drastic turn, and her father decides it's high time for the party girl to make her own way in the world.

Beth Mahony is a stay-at-home mother of two daughters, Lucy and Charlotte. She’s also a blogger, whose alter ego, Lizzie, paints a picture of a busy, happy life. Originally from Australia, Beth and her family have lived in New Jersey for ten years. When an opportunity to relocate to Australia arises, the Mahonys decide to return to their native country. The move comes at the perfect time: Charlotte, the youngest daughter, has been accused of being the ringleader of a clique of girls whose dangerous initiation rites leave a child in hospital.

Late one night, a man walks into the luxurious home of disgraced banker Harry McNamara and his wife Julie. And when the man launches an unspeakably brutal attack on Harry, a horror-struck Julie, frozen by fear, watches her husband die. Just one hour later, the attacker, J. P. Carney, hands himself into the police and confesses to beating Harry to death. But he also claims that the assault was not premeditated and that he didn’t know the identity of his victim.

Lisa’s dated a series of disastrous men; Simon’s loved and lost the girl of his dreams. She’s hoping fate might intervene in her love life; he’d prefer that it stopped meddling with his. Today, they’re meeting, courtesy of the local paper’s ‘Blind Date’ feature - but while Lisa’s looking for that elusive ‘spark’, Simon’s sure lightning doesn’t strike twice. Will theirs be a love that’s written in the stars, or merely another mismatch written up in the Gazette?

Beloved author Elizabeth Gilbert returns to fiction with a unique love story set in the New York City theater world during the 1940s. Told from the perspective of an older woman as she looks back on her youth with both pleasure and regret (but mostly pleasure), City of Girls explores themes of female sexuality and promiscuity, as well as the idiosyncrasies of true love. In 1940, nineteen-year-old Vivian Morris has just been kicked out of Vassar College, owing to her lackluster freshman-year performance.

Julia hasn't had sex in three years. Her roommate has a boyfriend - and their sex noises are audible through the walls, maybe even throughout the neighborhood. Not to mention, she's treading water in a dead-end job, her know-it-all therapist gives her advice she doesn't ask for, and the men she is surrounded by are, to be polite, subpar.

Meet Tom. Or Dr O’Grady, as he used to be called. When you pass him on the street, most people don’t even give him a second glance. You see, Tom isn’t living his best life. Burdened by grief, he’s only got his loyal dog, Bette Davis, for company and a rucksack containing his whole world. Then there’s Ruth and her son, DJ, who no longer have a place to call home. But Ruth believes that you can change the world by helping one person at a time - and Tom needs her help. There are a thousand ways to find your home - you just need to be brave enough to look for them.

Collected for the first time, here are the New York stories of one of the 20th century’s definitive chroniclers of the city - the speakeasies and highballs, social climbers and cinema stars, mistresses and powerbrokers, unsparingly observed by a popular American master of realism. Spanning his four-decade career, these more than 30 refreshingly frank, sparely written stories are among John O’Hara’s finest work, exploring the materialist aspirations and sexual exploits of flawed, prodigally human characters and showcasing the snappy dialogue.

Every so often, a pairing comes along that seems completely unlikely—until it’s not. Peanut butter and jelly, Dennis Rodman and Kim Jong Un, ducks and puppies, and now: Dickens and Prince. Equipped with a fan’s admiration and his trademark humor and wit, Nick Hornby invites us into his latest obsession: the cosmic link between two unlikely artists, geniuses in their own rights, spanning race, class, and centuries—each of whom electrified their different disciplines and whose legacy resounded far beyond their own time.

Set in 1960's London, Funny Girl is a lively account of the adventures of the intrepid young Sophie Straw as she navigates her transformation from provincial ingnue to television starlet amid a constellation of delightful characters. Insightful and humorous, Nick Hornby's latest does what he does best: endears us to a cast of characters who are funny if flawed, and forces us to examine ourselves in the process.

Rob is a pop-music junkie who runs his own semi-failing record store. His girlfriend, Laura, has just left him for the guy upstairs, and Rob is both miserable and relieved. After all, could he have spent his life with someone who has a bad record collection? Rob tries dating a singer, but maybe it’s just that he’s always wanted to sleep with someone who has a record contract. Then he sees Laura again. And Rob begins to think that life with kids, marriage, barbecues, and soft-rock CDs might not be so bad.

Just when everything is coming together for Sam, his girlfriend, Alicia, drops a bombshell. Make that ex-girlfriend: because by the time she tells him she's pregnant, they¿ve already called it quits. Sam does not want to be a teenage dad.

In his eagerly awaited fourth novel, New York Times best-selling author Nick Hornby mines the hearts and psyches of four lost souls who connect just when they've reached the end of the line.