Chemist Elizabeth Zott is not your average woman. In fact, Elizabeth Zott would be the first to point out that there is no such thing as an average woman. But it’s the early 1960s and her all-male team at Hastings Research Institute takes a very unscientific view of equality. Except for one: Calvin Evans; the lonely, brilliant, Nobel–prize nominated grudge-holder who falls in love with—of all things—her mind. True chemistry results.

Jess needs a fresh start. She’s broke and alone, and she’s just left her job under less than ideal circumstances. Her half-brother Ben didn’t sound thrilled when she asked if she could crash with him for a bit, but he didn’t say no, and surely everything will look better from Paris. Only when she shows up – to find a very nice apartment, could Ben really have afforded this? – he’s not there.

After Tova Sullivan’s husband died, she began working the night shift at the Sowell Bay Aquarium, mopping floors and tidying up. Keeping busy has always helped her cope, which she’s been doing since her eighteen-year-old son, Erik, mysteriously vanished on a boat in Puget Sound over thirty years ago. Tova becomes acquainted with curmudgeonly Marcellus, a giant Pacific octopus living at the aquarium. Marcellus knows more than anyone can imagine but wouldn’t dream of lifting one of his eight arms for his human captors—until he forms a remarkable friendship with Tova.

The Delaneys are fixtures in their community. The parents, Stan and Joy, are the envy of all of their friends. They’re killers on the tennis court, and off it their chemistry is palpable. But after 50 years of marriage, they’ve finally sold their famed tennis academy and are ready to start what should be the golden years of their lives. So why are Stan and Joy so miserable?

At forty years old, she has an enviable life: a successful career, stunning looks, a beautiful house in the suburbs, two healthy children, and most importantly, an ideal husband, whose wealthy background allows her to transcend her own social class. After fifteen years together, she is still besotted with him. But she’s never quite sure that her passion is reciprocated.

Written against the backdrop of contemporary Argentina, and with a resounding tenderness toward those in pain, in fear, and in limbo, The Dangers of Smoking in Bed is Mariana Enriquez at her most sophisticated, and most chilling.

For almost a decade, Claudia has counseled patients at Mercy Street, a clinic in the heart of the city. The work is consuming, the unending dramas of women in crisis. For its patients, Mercy Street offers more than health care; for many, it is a second chance. But outside the clinic, the reality is different. Anonymous threats are frequent. A small, determined group of anti-abortion demonstrators appears each morning at its door.

Florence, the 1550s. Lucrezia, third daughter of the grand duke, is comfortable with her obscure place in the palazzo: free to wonder at its treasures, observe its clandestine workings, and to devote herself to her own artistic pursuits. But when her older sister dies on the eve of her wedding, Lucrezia is thrust into the limelight: the duke is quick to request her hand in marriage, and her father just as quick to accept on her behalf. Having barely left girlhood behind, Lucrezia must make her way in a court whose customs are opaque and where her arrival is not universally welcomed.

For as long as she can remember, Belle has been insidiously obsessed with her skin and skincare videos. When her estranged mother Noelle mysteriously dies, Belle finds herself back in Southern California, dealing with her mother’s considerable debts and grappling with lingering questions about her death. The stakes escalate when a strange woman in red appears at the funeral, offering a tantalizing clue about her mother’s demise, followed by a cryptic video about a transformative spa experience.

When Ralph and Abby Lamb move in with Ralph’s mother, Laura, Abby hopes it’s just what she and her mother-in-law need to finally connect. After a traumatic childhood, Abby is desperate for a mother figure, especially now that she and Ralph are trying to become parents themselves. Abby just has so much love to give—to Ralph, to Laura, and to Mrs. Bondy, her favorite resident at the long-term care home where she works. But Laura isn’t interested in bonding with her daughter-in-law. She’s venomous and cruel, especially to Abby, and life with her is hellish.

Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening, her husband, Gabriel, returns home late from a fashion shoot, and Alicia shoots him five times in the face and then never speaks another word. Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety.

Anna Fox lives alone - a recluse in her New York City home, unable to venture outside. She spends her day drinking wine (maybe too much), watching old movies, recalling happier times...and spying on her neighbors. Then the Russells move into the house across the way: a father, mother, their teenaged son. The perfect family. But when Anna, gazing out her window one night, sees something she shouldn't, her world begins to crumble. And its shocking secrets are laid bare.

This is the way the world ends...for the last time. It starts with the great red rift across the heart of the world's sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester. This is the Stillness, a land long familiar with catastrophe, where the power of the Earth is wielded as a weapon. And where there is no mercy.

Nine people gather at a remote health resort. Some are here to lose weight, some are here to get a reboot on life, some are here for reasons they can’t even admit to themselves. Amidst all of the luxury and pampering, the mindfulness and meditation, they know these ten days might involve some real work. But none of them could imagine just how challenging the next ten days are going to be.

Leah is changed. Months earlier, she left for a routine expedition, only this time her submarine sank to the sea floor. When she finally surfaces and returns home, her wife Miri knows that something is wrong. Barely eating and lost in her thoughts, Leah rotates between rooms in their apartment, running the taps morning and night. As Miri searches for answers, desperate to understand what happened below the water, she must face the possibility that the woman she loves is slipping from her grasp.

Grim Wolds, England: Winifred Notty arrives at Ensor House prepared to play the perfect governess—she’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But long, listless days spent within the estate’s dreary confines come with an intimate knowledge of the perversions and pathetic preoccupations of the Pounds family—Mr. Pounds can’t keep his eyes off Winifred’s chest, and Mrs. Pounds takes a sickly pleasure in punishing Winifred for her husband’s wandering gaze.

It’s the height of the industrial revolution and ten years into Lenore’s marriage to steel magnate Henry, their relationship has soured. When Henry’s ambitions take them from London to the remote British moorlands to host a hunting party, a shocking carriage accident brings the mysterious Carmilla into their lives. Carmilla, who is weak and pale during the day but vibrant at night. Carmilla, who stirs up something deep within Lenore. And before long, girls from the local villages fall sick, consumed by a terrible hunger . . .

In an immersive Southern Gothic with echoes of Shirley Jackson’s The Lottery and Sharp Objects by Gillian Flynn, a restauranteur lured by pandemic-era incentives moves her family to a seemingly idyllic small town in Georgia, only to discover a darkness lurking beneath the Southern hospitality and sun-dappled streets.

Margot and Mama have lived by the forest ever since Margot can remember. When Margot is not at school, they spend quiet days together in their cottage, waiting for strangers to knock on their door. Strays, Mama calls them. People who have strayed too far from the road. Mama loves the strays. She feeds them wine, keeps them warm. Then she satisfies her burning appetite by picking apart their bodies. But Mama’s want is stronger than her hunger sometimes.

L'ultimo romanzo di George March è come sempre un successo, adorato dai lettori e dalla critica. Nessuno potrebbe essere più fiero della sua devota moglie, che si sente parte di tutti gli onori e i riconoscimenti: Mrs. March è infatti completamente dedicata al marito. La sua vita nell'Upper East Side segue una rigida routine fatta di dignità e totale controllo. Finché una mattina, mentre compra il pane nella consueta pasticceria, Mrs. March conversa con la commessa e per caso capisce che la protagonista del romanzo, una disgustosa e meschina prostituta, è ispirata a lei.

Bram Stoker Award-winning author Laird Barron returns to the dark and dreadful with his fifth horror collection, which weaves sixteen weird tales into a mosaic of the bloody and the macabre.

It is the summer of ‘97 and the repressed Scottish town of Pitlaw is itching for change. Enter the Freakslaw―a travelling carnival of deviant queers and architects of mayhem. There’s Gloria, fortune teller and worm charmer; her daughter Nancy, a contortionist witch; big-hearted tightrope walker, Werewolf Louie; not to mention illusionists and conjoined twins, Cass and Henry, and tattooed human pincushion, Pin Gal.

Elise and her boyfriend, Tom, set off for Minnesota, hoping the paycheck from the sugar beet harvest will cover the rent on their Brooklyn apartment. Amidst the grueling work and familiar anxieties about her finances, Elise starts noticing strange things: threatening phone calls, a mysterious rash, and snatches of an ominous voice coming from the beet pile. When Tom and other coworkers begin to vanish, Elise is left alone to confront the weight of her past, the horrors of her uncertain future, and the menacing but enticing siren song of the beets.

From her cell in a mysterious convent, a woman writes the story of her life in whatever she can find—discarded ink, dirt, and even her own blood. A lower member of the Sacred Sisterhood, deemed an unworthy, she dreams of ascending to the ranks of the Enlightened at the center of the convent and of pleasing the foreboding Superior Sister. Outside, the world is plagued by catastrophe—cities are submerged underwater, electricity and the internet are nonexistent, and bands of survivors fight and forage in a cruel, barren landscape. Inside, the narrator is controlled, punished, but safe.

While on her daily walk with her dog in a secluded woods, a woman comes across a note, handwritten and carefully pinned to the ground by stones. "Her name was Magda. Nobody will ever know who killed her. It wasn't me. Here is her dead body." But there is no dead body. Our narrator is deeply shaken; she has no idea what to make of this. She is new to this area, alone after the death of her husband, and she knows no one. Becoming obsessed with solving this mystery, our narrator imagines who Magda was and how she met her fate.

Blackwater is the saga of a small town, Perdido, Alabama, and Elinor Dammert, the stranger who arrives there under mysterious circumstances on Easter Sunday, 1919. On the surface, Elinor is gracious, charming, anxious to belong in Perdido, and eager to marry Oscar Caskey, the eldest son of Perdido’s first family. But her beautiful exterior hides a shocking secret. Beneath the waters of the Perdido River, she turns into something terrifying, a creature whispered about in stories that have chilled the residents of Perdido for generations.

In Osaka, two strangers, Jake and Mariko, miss a flight, and over dinner, discover they've both brutally lost loved ones whose paths crossed with the same beguiling woman no one has seen since. Following traces this mysterious person left behind, Jake travels from country to country gathering chilling testimonies from others who encountered her across the decades—a trail of shattered souls that eventually leads him to Theo, a dying sculptor in rural New Mexico, who knows the woman better than anyone—and might just hold the key to who, or what, she is.

Roos Beckman has a spirit companion only she can see. Ruth—strange, corpse-like, and dead for centuries—is the light of Roos' life. That is, until the wealthy young widow Agnes Knoop visits one of Roos' backroom seances, and the two strike up a connection.

When the mutilated body of a young woman is discovered in the desert on the outskirts of Los Angeles, the detective assigned to the case can't deny the similarities between this murder and one that occurred a year prior. Media outlets are quick to surmise this is the work of a budding serial killer, but Detective Bill Renney is struggling with an altogether different scenario: a secret that keeps him tethered to the husband of the first victim.

The lives of the Barretts, a normal suburban New England family, are torn apart when 14-year-old Marjorie begins to display signs of acute schizophrenia. To her parents' despair, the doctors are unable to stop Marjorie's descent into madness. As their stable home devolves into a house of horrors, they reluctantly turn to a local Catholic priest for help. Father Wanderly suggests an exorcism; he believes the vulnerable teenager is the victim of demonic possession.