Mrs. Zant and the Ghost
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Narrated by:
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Gillian Anderson
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By:
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Wilkie Collins
About this listen
Mrs Zant has recently lost her beloved husband, and while walking in the Kensington Gardens, the spot where she and her deceased husband declared their love for each other, she feels his presence trying to warn her of some coming danger.
Mr Rayburn witnesses it all, and he'll have to fight his own incredulity regarding the supernatural and his gut feeling that the disturbed young woman is telling the truth.
Brought to life by Golden Globe Award-winning actress Gillian Anderson (The X-Files), Mrs Zant is the perfect Victorian ghost story.
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As Jane Austen's first completed novel that was submitted to be published, Northanger Abbey is a miraculously weaved tale of love, society, and deception, themes that would come to be synonymous in literature with Austen's name. The young Catherine Morland receives a fantastic opportunity to explore the city of Bath with some family friends, and while there, she experiences a level of mental and emotional growth that was as yet unparalleled in her life.
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Great Listening Experience
- By Robert Jennings on 05-18-16
By: Jane Austen
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Dombey and Son
- By: Charles Dickens
- Narrated by: Frederick Davidson
- Length: 36 hrs and 59 mins
- Unabridged
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In this carefully crafted novel, Dickens reveals the complexity of London society in the enterprising 1840s as he takes the listener into the business firm and home of one of its most representative patriarchs, Paul Dombey.
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Perfect pair
- By Philip on 03-25-08
By: Charles Dickens
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The Count of Monte Cristo (Dramatized)
- By: Orson Welles
- Narrated by: Orson Welles
- Length: 59 mins
- Original Recording
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Starring Orson Welles, Anges Moorehead, and Ray Collins, The Count of Monte Cristo is a tale of revenge and retribution. Edmond Dantès, a young, energetic sailor, is falsely accused of treason on his wedding day and incarcerated in the forbidding Château d'If. His escape and ultimate revenge on those who wronged him makes this one of the most thrilling stories in French literature, as compelling now as when it was first published in 1846.
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Excellent
- By Stefanie on 05-19-14
By: Orson Welles
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Ruth
- By: Elizabeth Gaskell
- Narrated by: Eve Matheson
- Length: 16 hrs and 50 mins
- Unabridged
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The orphaned heroine Ruth, apprenticed to a dressmaker, is seduced by wealthy Henry Bellingham who is captivated by her simplicity and beauty. Their affair causes her to lose her home and job to which he offers her shelter, only to cruelly abandon her soon after. She is offered a chance of a new life though shamed in the eyes of society by her illegitimate son. When Henry reappears offering marriage she must choose between social acceptance and her own pride.
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Fallen Woman Finds Redemption
- By Susan on 12-06-12
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The Warden
- By: Anthony Trollope
- Narrated by: Nigel Hawthorne
- Length: 7 hrs and 51 mins
- Unabridged
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Set in the world of the Victorian professional and landed classes, the story centres on Mr Harding, a clergyman of great personal integrity who is nevertheless in possession of an income from a charity far in excess of the sum devoted to it.
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a delight
- By Janet on 12-22-08
By: Anthony Trollope
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The Two Towers (Dramatized)
- By: J. R. R. Tolkien
- Narrated by: An Ensemble Cast
- Length: 3 hrs and 28 mins
- Original Recording
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The Fellowship is broken; the quest to destroy the Ring seems already shrouded in disaster. But as the evil lord Sauron readies his armies for war, Frodo and Sam continue their lonely journey toward Mordor, guided only by Gollum, a deceitful and tortured creature, helplessly in thrall to the Ring's dark power.
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An excellent rendition!
- By R. Compton on 08-25-13
By: J. R. R. Tolkien
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The Idiot
- By: Fyodor Dostoevsky
- Narrated by: Jefferson Mays
- Length: 27 hrs and 56 mins
- Unabridged
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In The Idiot, Prince Myshkin possesses a childlike innocence and trusting nature that leave him vulnerable to abuse by those around him. Returning to St. Petersburg to collect an inheritance, Myshkin realizes he is a stranger in a society obsessed with wealth, manipulation and power.
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Avoid Constance Garnett
- By Anthony on 04-09-17
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Jude The Obscure
- By: Thomas Hardy
- Narrated by: Stephen Thorne
- Length: 15 hrs and 21 mins
- Unabridged
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This is the story of a young country workman obsessed by his ambition to become an Oxford student, interwoven with his fraught relationships with two women.
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Staggering
- By Tad Davis on 02-16-10
By: Thomas Hardy
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What listeners say about Mrs. Zant and the Ghost
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- John
- 09-27-16
Something Like the Old Form
Ever since I listened, mesmerized, to The Woman in White I’ve been intrigued by Wilkie Collins. A protégé of none other than Charles Dickens, he’s the sort of writer who, at his very best, makes you wish he had written a great deal more. He did, but he seems, at least according to my slender knowledge, to have failed to live up to the full promise of his talent. Though the flow of work continued to his death, the consistent excellence achieved in the 1860’s (The Woman in White, No Name, Armadale and The Moonstone) was not sustained through the last two decades of his life.
The death of his mentor in 1870 and an addiction to laudanum, which Collins first took to relieve severe gout, are usually blamed for the decline in the quality of his work. As sad as all that is, it leaves the person who wants to hear more of Collins in something of a quandary. I have The Moonstone and I can’t wait to hear it. But after Moonstone I will have run through Collins’ best-of hit parade. As far as I can tell, no recordings have been made of No Name or Armadale. So I hesitate to embark on the last of the best, knowing there’s nothing after that. Silly? I know, I know.
Plan B? I dither with lesser works, hoping that when the critics call his output “uneven” that implies there are still a few high spots. The good news is, there are. And Mrs. Zant and the Ghost is one of them.
I didn’t know the trajectory of Collins’ career when I picked up his “The Haunted Hotel” (1879) on sale late last year. My disappointment with that novella lead me to seek the explanation of how the author of The Woman in White could turn out something so muddled. Grabbing Mrs. Zant and the Ghost—a story that I assume, since I can find no bibliography that includes it, is part of the collection “The Ghost’s Touch and Other Stories” (1885)—was taking another risk, of course. But at an hour and 38 minutes the time commitment was minimal and at “free” (to Audible members and non-members alike) the price was right.
Like Woman in White, our protagonist is drawn into a strange situation quite accidentally. The unsettling weirdness that pervades the story is generated, as in Woman in White, by an inability on the part of the characters—and the reader/listener—to determine if the threat they sense is real or simply imagined. If real, something should be done and done quickly. But if imagined, acting would mean throwing outrageous charges at innocent people, making our protagonist look ridiculous or worse. The essential elements that make a “sensational” work by Collins so sensational are here. Added goose: unlike The Haunted Hotel, in this story he manages to make a ghostly visit feel authentic. By comparison, the floating head in Haunted Hotel looks like something strung up in a suburban front yard to startle the kids on Halloween night. Finally, if this story belongs to that 1885 collection, then Collins was also resisting an impulse to serious social commentary that harmed the popularity of his later output. I enjoy authors with a point of view. I avoid those who wave an agenda.
Gillian Anderson, does a fine job with all this. My only criticism may be rooted not in her performance but in my circumstances; I usually listen on the train to and from work. Especially on the way home, what with the gentle swaying of the cars and the 8 or 9 hours of work that just wound up, her soft, gentle, insinuating delivery threw a soporific veil over me more than a few times. I don’t think that, ensconced in an easy chair with something to drink at one’s elbow, that delivery, so perfectly modulated to the tenor of the writing, would pose the same problem.
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22 people found this helpful
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- Michele Tauber
- 12-04-17
Eerie and romantic Ghost Story
Wonderful story. Lots to find interesting here. Lovely interpretation by Anderson. I really enjoyed it.
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- Kelly
- 10-11-17
Enjoyable short story
A really enjoyable book to read. Only gave 3stars due to it being so short. Otherwise loved the story.
Gillian Anderson has a very soothing reading voice. Lovely.
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- Dee
- 06-07-17
Perfection! Absolute perfection!!
Any additional comments?
I don't usually like celebrity narrations but this was a very special exception. Gillian Anderson's voice lent itself perfectly to the subject!
The story was short but complete and the narration brought it all together. I know this book has been around for awhile but it is well worth the time. In fact, if there is a complaint, it's that the story is too short.
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- Anonymous User
- 11-25-20
Enjoyable!
I do like stories with gothic and suoernatural elements of this kind a lot. The story was interesting and rather compelling, but to be honest I doubt I would have had enjoyed it this much if not for the Gillians performance! She is an astonishing and magnificent narrator and she definitely painted more than just proper atmosphere and gave such a life to characters.
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- Matthew S Pederson
- 04-21-24
Great Performance
Great performance for a great story. Gillian Anderson knocks it out of the park as usual.
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- J.Smith
- 02-10-17
Great Supernatural Mystery
Great mystery with a supernatural twist and Gillian Anderson is the perfect narrator for it.
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- RA
- 12-08-16
its ok for a short story
it us ok for a short story but i would not recommend. could gave used a bit more character development.
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Overall
- Cheyenne W.
- 05-09-17
worst ever
aweful. a good thing it was a free book. Boring, slow and i was very disapointed in the narrator.
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- Julie
- 08-29-17
So-so
I'm a huge Willkie Collins fan, but in my opinion, he performs much better in long form. This was a short story, and like Dickens, Collins tells a better story when he expands his characters and descriptions. This was just not that fulfilling. The story was too short, not super interesting. Maybe because of that, you don't get to know the characters well. I think maybe that's what is lacking in this story. The trademark Wilkie had of expanding on the looks and personalities of his characters.
The narrator did a decent job, but you can't make a below par book any better than what it is.
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