Casey Plett’s 2018 novel Little Fish won a Lambda Literary Award, the Firecracker Award for Fiction, and the Amazon First Novel Award. Her latest work, A Dream of a Woman, is her first book of short stories since her seminal 2014 collection A Safe Girl to Love. Centering transgender women seeking stable, adult lives, A Dream of a Woman finds quiet truths in prairie high-rises and New York warehouses, in freezing Canadian winters and drizzly Oregon days.

From the author of Little Fish (Amazon First Novel Award Winner, 2019) and A Dream of a Woman comes eleven unique short stories featuring young trans women stumbling through loss, sex, harassment, and love in settings ranging from a rural Mennonite town to a hipster gay bar in Brooklyn. These stories, shiny with whiskey and prairie sunsets, rattling subways and neglected cats, show growing up as a trans girl can be charming, funny, frustrating, or sad, but never will it be predictable.

Three years ago, Alice spent one night in an abandoned house with her friends, Ila and Hannah. Since then, Alice’s life has spiraled. She lives a haunted existence, selling videos of herself for money, going to parties she hates, drinking herself to sleep.

Reese almost had it all: a loving relationship with Amy, an apartment in New York City, a job she didn't hate. She had scraped together what previous generations of trans women could only dream of: a life of mundane, bourgeois comforts. The only thing missing was a child. But then her girlfriend, Amy, detransitioned and became Ames, and everything fell apart. Now Reese is caught in a self-destructive pattern: avoiding her loneliness by sleeping with married men.

“Can I kiss you?” It was two months before the world premiere of Juno, and Elliot Page was in his first ever queer bar. The hot summer air hung heavy around him as he looked at her. And then it happened. In front of everyone. A previously unfathomable experience. Here he was on the precipice of discovering himself as a queer person, as a trans person. Getting closer to his desires, his dreams, himself, without the repression he’d carried for so long. But for Elliot, two steps forward had always come with one step back.

It's the dead of winter in Winnipeg and Wendy Reimer, a 30-year-old trans woman, feels like her life is frozen in place. When her Oma passes away Wendy receives an unexpected phone call from a distant family friend with a startling secret: Wendy's Opa (grandfather) - a devout Mennonite farmer - might have been transgender himself. At first she dismisses this revelation, but as Wendy's life grows increasingly volatile, she finds herself aching for the lost pieces of her Opa's truth.

Beth and Fran spend their days traveling the ravaged New England coast, hunting feral men and harvesting their organs in a gruesome effort to ensure they'll never face the same fate. Robbie lives by his gun and one hard-learned motto: other people aren't safe. After a brutal accident entwines the three of them, this found family of survivors must navigate murderous TERFs, a sociopathic billionaire bunker brat, and awkward relationship dynamics—all while outrunning packs of feral men, and their own demons.

When a transphobic woman bombs Frankie’s workplace, she blows up Frankie’s life with it. As the media descends like vultures, Frankie tries to cope with the carnage: binge-drinking, sleeping with strangers, pushing away her friends. Then, she meets Vanya. Mysterious, terrifying Vanya. The two hit it off immediately, but as their relationship intensifies, so too does Frankie’s feeling that Vanya is hiding something from her. When Vanya’s secrets threaten to tear them apart, Frankie starts digging, and unearths a sinister conspiracy, the roots of which go deeper than she ever imagined.

Amanda Hardy is the new girl in school. Like anyone else, all she wants is to make friends and fit in. But Amanda is keeping a secret, and she's determined not to get too close to anyone. But when she meets sweet, easygoing Grant, Amanda can't help but start to let him into her life. As they spend more time together, she realizes just how much she is losing by guarding her heart. She finds herself yearning to share with Grant everything about herself, including her past.

A haunted young girl (who happens to be a kung-fu expert and pathological liar) runs away from an oppressive city, where the sky is always grey, in search of love and sisterhood - and finds herself in a magical place known only as the Street of Miracles. There, she is quickly adopted into a vigilante gang of glamorous warrior femmes called the Lipstick Lacerators, whose mission is to scour the Street of violent men and avenge murdered trans women everywhere. Can our intrepid heroine find the truth within herself in order to protect her new family and heal her broken heart?

In The Girl with the Lower Back Tattoo, Amy mines her past for stories about her teenage years, her family, relationships, and sex and shares the experiences that have shaped who she is - a woman with the courage to bare her soul to stand up for what she believes in, all while making us laugh. Down to earth and relatable, frank and unapologetic, Amy Schumer is one of us: She relies on her sister for advice, still hangs out with her high school pals, and continues to navigate the ever-changing boundaries in love, work, and life.

Shizuka Satomi made a deal with the devil: To escape damnation, she must entice seven other violin prodigies to trade their souls for success. She has already delivered six. When Katrina Nguyen, a young transgender runaway, catches Shizuka's ear with her wild talent, Shizuka can almost feel the curse lifting. She's found her final candidate. But in a donut shop off a bustling highway in the San Gabriel Valley, Shizuka meets Lan Tran, retired starship captain, interstellar refugee, and mother of four.

When fourteen-year-old Lamya H realizes she has a crush on her teacher—her female teacher—she covers up her attraction, an attraction she can’t yet name, by playing up her roles as overachiever and class clown. Born in South Asia, she moved to the Middle East at a young age and has spent years feeling out of place, like her own desires and dreams don’t matter, and it’s easier to hide in plain sight. To disappear. But one day in Quran class, she reads a passage about Maryam that changes everything: When Maryam learned that she was pregnant, she insisted no man had touched her.

Anna Kendrick's autobiographical collection of essays amusingly recounts memorable moments throughout her life, from her middle-class upbringing in New England to the blockbuster movies that have made her one of Hollywood's most popular actresses today. Expanding upon the witty and ironic dispatches for which she is known, Anna Kendrick's essays offer her one-of-a-kind commentary on the absurdities she's experienced on her way to and from the heart of pop culture.

What do you do after you write a #1 best-selling book about your drunken, sexual misadventures that makes you rich and famous? Celebrate by getting more drunk and having insane amounts of sex, obviously. And pretty soon you've got another f-ing book on your hands. Stuffed full of ridiculous stories of bad decisions, debauchery, and sexual recklessness, Assholes Finish First starts where I Hope They Serve Beer In Hell left off, then proceeds to "some next-level shit."

Reese almost had it all: a loving relationship with Amy, an apartment in New York City, a job she didn't hate. She had scraped together what previous generations of trans women could only dream of: a life of mundane, bourgeois comforts. The only thing missing was a child. But then her girlfriend, Amy, detransitioned and became Ames, and everything fell apart. Now Reese is caught in a self-destructive pattern: avoiding her loneliness by sleeping with married men.

Elliott appears to be living the dream as a successful TV writer with a doting boyfriend. But behind his Instagram filter of a life, he’s grappling with an intensifying alcohol addiction, he can’t seem to stop cheating on his boyfriend with various sex workers, and his cerebral palsy is making him feel like gay Shrek.

It's 1993 and Paul Polydoris tends bar at the only gay club in a university town thrumming with politics and partying. He studies queer theory, has a dyke best friend, makes zines, and is a flaneur with a rich dating life. But Paul's also got a secret: he's a shapeshifter. Oscillating wildly from Riot Grrrl to leather cub, Paul transforms his body and his gender at will as he crossed the country–a journey and adventure through the deep queer archives of struggle and pleasure.

From the author of Little Fish (Amazon First Novel Award Winner, 2019) and A Dream of a Woman comes eleven unique short stories featuring young trans women stumbling through loss, sex, harassment, and love in settings ranging from a rural Mennonite town to a hipster gay bar in Brooklyn. These stories, shiny with whiskey and prairie sunsets, rattling subways and neglected cats, show growing up as a trans girl can be charming, funny, frustrating, or sad, but never will it be predictable.

Julia Serano shares her experiences and insights - both pre- and post-transition - to reveal the ways in which fear, suspicion, and dismissiveness toward femininity shape our societal attitudes toward trans women, as well as gender and sexuality as a whole. Serano's well-honed arguments and pioneering advocacy stem from her ability to bridge the gap between the often-disparate biological and social perspectives on gender. In this provocative manifesto, she exposes how deep-rooted the cultural belief is that femininity is frivolous, weak, and passive.

Casey Plett’s 2018 novel Little Fish won a Lambda Literary Award, the Firecracker Award for Fiction, and the Amazon First Novel Award. Her latest work, A Dream of a Woman, is her first book of short stories since her seminal 2014 collection A Safe Girl to Love. Centering transgender women seeking stable, adult lives, A Dream of a Woman finds quiet truths in prairie high-rises and New York warehouses, in freezing Canadian winters and drizzly Oregon days.

The Coin’s narrator is a wealthy Palestinian woman with impeccable style and meticulous hygiene. And yet the ideal self, the ideal life, remains just out of reach: her inheritance is inaccessible, her homeland exists only in her memory, and her attempt to thrive in America seems doomed from the start. In New York, she strives to put down roots. She teaches at a school for underprivileged boys, where her eccentric methods cross boundaries. She befriends a homeless swindler, and the two participate in an intercontinental scheme reselling Birkin bags.

Felix Love has never been in love — and, yes, he’s painfully aware of the irony. He desperately wants to know what it’s like and why it seems so easy for everyone but him to find someone. What’s worse is that, even though he is proud of his identity, Felix also secretly fears that he’s one marginalization too many — Black, queer, and transgender — to ever get his own happily-ever-after.

Beth and Fran spend their days traveling the ravaged New England coast, hunting feral men and harvesting their organs in a gruesome effort to ensure they'll never face the same fate. Robbie lives by his gun and one hard-learned motto: other people aren't safe. After a brutal accident entwines the three of them, this found family of survivors must navigate murderous TERFs, a sociopathic billionaire bunker brat, and awkward relationship dynamics—all while outrunning packs of feral men, and their own demons.

Shizuka Satomi made a deal with the devil: To escape damnation, she must entice seven other violin prodigies to trade their souls for success. She has already delivered six. When Katrina Nguyen, a young transgender runaway, catches Shizuka's ear with her wild talent, Shizuka can almost feel the curse lifting. She's found her final candidate. But in a donut shop off a bustling highway in the San Gabriel Valley, Shizuka meets Lan Tran, retired starship captain, interstellar refugee, and mother of four.

Three years ago, Alice spent one night in an abandoned house with her friends, Ila and Hannah. Since then, Alice’s life has spiraled. She lives a haunted existence, selling videos of herself for money, going to parties she hates, drinking herself to sleep.

In this brilliant introduction to trans politics, journalist Shon Faye gives an incisive overview of systemic transphobia and argues that the struggle for trans rights is necessary to any struggle for social justice. So often, Faye argues, trans people are understood as a "side issue," the subjects of a toxic and increasingly polarized debate which generates reliable controversy for newspapers and talk shows. This media frenzy conceals a simple fact: that we are having the wrong conversation, a conversation in which trans people themselves are reduced to a talking point and denied a voice.

Aster lives in the low-deck slums of the HSS Matilda, a space vessel organized much like the antebellum South. For generations the Matilda has ferried the last of humanity to a mythical Promised Land. On its way the ship's leaders have imposed harsh moral restrictions on dark-skinned sharecroppers like Aster, whom they consider to be less than human.

A remote English village wakes on the morning after harvest, looking forward to enjoying a hard-earned day of rest and feasting. But two mysterious columns of smoke mar the sky, raising alarm and suspicion. The first column of smoke comes from the edge of the village land, sent as a signal by newcomers to announce their presence as per regional custom. The second smoke column is even more troubling: it comes from a blaze set in Master Kent's stables.

Ponyboy unravels in his Paris apartment. Cut to the bar. Cut to the back room. Ponyboy is strung out and struggling. He is falling into the widening chasm between who he is—trans, electrically so—and the blank canvas his girlfriend, Baby, wants him to be. Cut to Berlin. Ponyboy sinks deeper into drugs and falls for Gabriel, all the while pursued by a photographer hungry for the next hot thing. As his relationships crumble, he overdoses.