Now a middle-aged woman facing inevitable old age, Linda relishes reminiscing about her childhood and what people commonly refers to as the good old days. This is especially prevalent when she gets together with her siblings and their now extended families. On one particular Saturday afternoon’s visit to her mother’s townhouse, which is located on what was once the McDowell’s Farm, Linda is reminded of the events that transpired there when she was just a young girl growing up in the '60s.

Discover a story of healing and personal transformation. Marlena’s childhood was full of contradictions. Her father was both a heroic doctor for people with leprosy and an abusive parent. Her Mennonite missionary community was both a devoted tribe and a controlling society. And Marlena longed to both be accepted in Paraguay and escape to somewhere new. In Nothing Bad Between Us, follow Marlena’s journey as she takes control of her life and learns to be her authentic self, scars and imperfections included.

Damian is just seven when he is taken in by foster carer Cathy Glass. His mother, Rachel, loves her three young children dearly, but she is vulnerable, naïve and unable to cope on her own. Cathy sets about helping Damian overcome his eating issues, with the hope that he will eventually return home. But when Rachel’s new boyfriend, Troy, arrives on the scene, Cathy becomes deeply concerned. She soon realises that Damian and his siblings are in great danger.

Growing up, Joanne suffered at the hands of a violent boyfriend and controlling relatives, as her mother lapsed into a downward spiral following the break-up of her marriage. But the consequences of her mother's lifestyle turned out to be worse than Joanne could ever have imagined. She already knew about the baby buried in a shallow makeshift grave next to the family plot. But when Joanne came across a red plastic bin in her mother's wardrobe in 2009, she realised that the family home held an even more sinister secret.

One wrong move can undercut your message. Believe it or not, our bodies speak louder than our words. Postures, gestures, and expressions convey reams of information - and often not what you'd expect. A smile, for example, is usually considered welcoming. But crook one corner of your mouth higher, and you project superiority, subconsciously chasing other people away. Without Saying a Word explains how even the subtlest motions have meaning.

Corfu, Greece, 1943. Though they don’t know it, five-year-old Matilde and three-year-old Anna have kissed their mother for the last time. The Nazis have reached their sun-scorched home, and they are being taken to a place of safety, on the northeastern tip of the rocky island. They are to be hidden, at great risk, by kindly Agata and her husband, until the terrible war is over. Matilde and Anna’s tears are soothed by Agata’s bedtime stories, but she is always alert.

In the familiar setting of Holt, Colorado, home to all of Kent Haruf's inimitable fiction, Addie Moore pays an unexpected visit to a neighbor, Louis Waters. Her husband died years ago, as did his wife, and in such a small town they naturally have known of each other for decades; in fact, Addie was quite fond of Louis's wife.

Two Who Survived chronicles the true story of two children from different worlds: a city boy and a country girl. When the persecution of Jews begins, both are plucked from their reality and thrust into concentration camps. They are stripped of everything they know and forced to navigate a truly incomprehensible, volatile, dangerous, and unpredictable world.

In 1906 I was barely over 14 years old, and it was my wedding day. My older sister, Helen, came to my room, took me by the hand, and sat me down on the bed. She said, "You've always been a good girl, Maude, and done what I told you. Now you're going to be a married woman, and he will be the head of the house. When you go home tonight after your party, no matter what he wants to do to you, you have to let him do it. Do you understand?"

Growing up in a deeply troubled family, 15-year-old Anna felt lost and alone in the world. So when a friendly taxi driver befriended her, Anna welcomed the attention, and agreed to go home with him to meet his family. She wouldn't escape for over a decade. Held captive by a sadistic pedophile, Anna was subjected to despicable levels of sexual abuse and torture. The unrelenting violence and degradation resulted in numerous miscarriages, and the birth of four babies.... each one stolen away from Anna at birth.

Lara was seven when her birth mother died from a drug overdose. With no extended family to look after her, she was put into foster care. The care system failed Lara and now she is failing her son. Lara and her one-year-old son, Arthur, are brought to experienced foster carer, Cathy Glass, by their social worker. Lara has fled an abusive relationship and Arthur has suspected non-accidental injuries. Cathy must monitor Lara whenever she is with her son, day and night. She cannot let them out of her sight for a minute.

In 1937, the Shwartz family lived a calm life in their small village in Poland. Fifteen-year-old Rachel liked to sing and go out dancing at a local night club, while her older brother David was busy running a farm and raising a family with his wife Hinda. But all that changed when the war reached Butla. First, the Russians came and kicked them out of their house. Then, the Nazis came to cart them off. But the Shwartz family resisted. David decided that no matter what, his family would not be taken captive. Instead, he snuck his family out of their village and into Hungary.

It’s a freezing winter’s night in 1954. A baby boy, a few hours old, is left by his mother, wrapped in nothing but two sheets of newspaper and hidden amongst the undergrowth by a canal bank. An hour later, a late-shift postman is walking wearily home when he hears a faint cry. He finds the newspaper parcel and discovers the newborn, white-cold and whimpering, inside. After being rushed to hospital and against all odds, the baby survives. He’s baptised by the hospital chaplain as Richard.

When a fancy car pulls up outside six-year-old Marie's home in 1959, her dad tells her she is going on holiday. But little does she know she will not see her home again for four long years. Her family cannot afford to keep her at home. Marie tells the story of how she was taken away from a poor but happy and loving home life to live in a convent - away from everyone and everything she holds dear. Her hair is bluntly chopped, her clothes are taken away and her name is changed. Then a horrific ritual of physical, sexual and mental abuse begins.

There was so much anger brewing in the child that sometimes Alicia feared for all of them. And now she had gone and done this terrible thing. This terrible, terrible thing. Tara has lost her voice. She knows there was pain and fear, but she cannot remember anything else. Now she can answer the questions only with silence. Minnie has buried her voice for years, losing herself in silence and isolation, keeping her secrets safe and her broken heart concealed. Liam finds refuge in silence; it is a place to go to when he cannot get the words out.