In this ingenious, sweeping novel, Phillip B. Williams introduces us to an enigmatic woman named Saint, a fearsome conjurer who, in the 1830s, annihilates plantations all over Arkansas to rescue the people enslaved there. She brings those she has freed to a haven of her own creation: a town just north of St. Louis, magically concealed from outsiders, named Ours. It is in this miraculous place that Saint’s grand experiment—a truly secluded community where her people may flourish—takes root.

Aster lives in the low-deck slums of the HSS Matilda, a space vessel organized much like the antebellum South. For generations the Matilda has ferried the last of humanity to a mythical Promised Land. On its way the ship's leaders have imposed harsh moral restrictions on dark-skinned sharecroppers like Aster, whom they consider to be less than human.

In 1919, a high school teacher from Washington, D.C arrives in Harlem excited to realize her lifelong dream. Jessie Redmon Fauset has been named the literary editor of The Crisis. The first Black woman to hold this position at a preeminent Negro magazine, Jessie is poised to achieve literary greatness. But she holds a secret that jeopardizes it all. W. E. B. Du Bois, the founder of The Crisis, is not only Jessie’s boss, he’s her lover. And neither his wife, nor their fourteen-year-age difference can keep the two apart.

Sara has just landed at LAX, returning home from a conference abroad, when agents from the Risk Assessment Administration pull her aside and inform her that she will soon commit a crime. Using data from her dreams, the RAA’s algorithm has determined that she is at imminent risk of harming the person she loves most: her husband. For his safety, she must be kept under observation for twenty-one days. The agents transfer Sara to a retention center, where she is held with other dreamers, all of them women trying to prove their innocence from different crimes.

The three Maxwell siblings keep their distance from the lily-white gated enclave outside Dallas where they grew up. When their family moved there, they were the only Black family in the neighborhood. The neighbors acted nice enough, but right away bad things, scary things—the strange and the unexplainable—began to happen in their house. Maybe it was some cosmic trial, a demonic rite of passage into the upper-middle class. Whatever it was, the Maxwells, steered by their formidable mother, stayed put, unwilling to abandon their home, terrors and trauma be damned.

Originally published in 1953, Go Tell It on the Mountain was James Baldwin's first major work, based in part on his own childhood in Harlem. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a Pentecostal storefront church in Harlem.

It’s been a year since his ex-boyfriend dumped him and moved from Auckland to Buenos Aires, and Valdin is doing fine. He has a good flat with his sister Greta, a good career where his colleagues only occasionally remind him that he is the sole Maaori person in the office, and a good friend who he only sleeps with when he’s sad. But when work sends him to Argentina and he’s thrown back in his former lover’s orbit, Valdin is forced to confront the feelings he’s been trying to ignore—and the future he wants.

In this exhilarating tale by New York Times bestselling and award-winning author Nnedi Okorafor, a disabled Nigerian American woman pens a wildly successful Sci-Fi novel, but as her fame rises, she loses control of the narrative—a surprisingly cutting, yet heartfelt drama about art and love, identity and connection, and, ultimately, what makes us human. This is a story unlike anything you’ve seen before.

In a post-apocalyptic Africa, the world has changed in many ways; yet in one region genocide between tribes still bloodies the land. A woman who has survived the annihilation of her village and a terrible rape by an enemy general wanders into the desert, hoping to die. Instead, she gives birth to an angry baby girl with hair and skin the color of sand. Gripped by the certainty that her daughter is different—special—she names her Onyesonwu, which means "Who fears death?" in an ancient language.

Chiamaka is a Nigerian travel writer living in America. Alone in the midst of the pandemic, she recalls her past lovers and grapples with her choices and regrets. Zikora, her best friend, is a lawyer who has been successful at everything until—betrayed and brokenhearted—she must turn to the person she thought she needed least. Omelogor, Chiamaka’s bold, outspoken cousin, is a financial powerhouse in Nigeria who begins to question how well she knows herself. And Kadiatou, Chiamaka’s housekeeper, is proudly raising her daughter in America—but faces an unthinkable hardship.

Who is Ruth McBride Jordan? A self-declared "light-skinned" woman evasive about her ethnicity, yet steadfast in her love for her 12 Black children. James McBride, journalist, musician, and son, explores his mother's past, as well as his own upbringing and heritage, in a poignant and powerful debut, The Color of Water: A Black Man's Tribute to His White Mother.

An exhilarating, twisted tale of desire, suspicion, and obsession between two women staying in the same house in the Dutch countryside during the summer of 1961—a powerful exploration of the legacy of WWII and the darker parts of our collective past.

When ten-year-old Ebby Freeman heard the gunshot, time stopped. And when she saw her brother, Baz, lying on the floor surrounded by the shattered pieces of a centuries-old jar, life as Ebby knew it shattered as well. The crime was never solved—and because the Freemans were one of the only Black families in a particularly well-to-do enclave of New England—the case has had an enduring, voyeuristic pull for the public. The last thing the Freemans want is another media frenzy splashing their family across the papers, but when Ebby's high profile romance falls apart, that's exactly what they get.

Funny and touching, Behind You Is the Sea brings us into the homes and lives of three main families—the Baladis, the Salamehs, and the Ammars—Palestinian immigrants who’ve all found a different welcome in America. Their various fates and struggles cause their community dynamic to sizzle and sometimes explode: The wealthy Ammar family employs young Maysoon Baladi, whose own family struggles financially, to clean up after their spoiled teenagers. Meanwhile, Marcus Salameh confronts his father in an effort to protect his younger sister for “dishonoring” their name.

Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly, but who has haunted the edges of his life. Juan Gay—playful raconteur, child lost and found and lost, guardian of the institutionalized—has a project to pass along. It is inspired by a true artifact of a book, Sex Variants: A Study in Homosexual Patterns, which contains stories collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried.

Inez wanders a post-pandemic world, strangely immune to disease, making her living by volunteering as a test subject. She is hired to provide genetic material to a grief-stricken, affluent mother, who lost all four of her daughters within four short weeks. This experimental genetic work is policed by a hazy network of governmental ethics committees, and threatened by the Knights of Life, religious zealots who raze the rural farms where much of this experimentation is done.

The year is 2050. Ava and her girlfriend live in what's left of Brooklyn, and though they love each other, it's hard to find happiness while the effects of climate change rapidly eclipse their world. Soon, it won't be safe outside at all. The only people guaranteed survival are the ones whose applications are accepted to The Inside Project, a series of weather-safe, city-sized structures around the world.

Nelah seems to have it all: fame, wealth, and a long-awaited daughter growing in a government lab. But, trapped in a loveless marriage to a policeman who uses a microchip to monitor her every move, Nelah’s perfect life is precarious. After a drug-fueled evening culminates in an eerie car accident, Nelah commits a desperate crime and buries the body, daring to hope that she can keep one last secret.

In 1980s Appalachia, sisters Sheila and Angie couldn’t be more different. While their mother works long shifts at the nearby asylum, Sheila cares for their home and keeps to herself, even when enduring relentless bullying. Her fearless younger sister, Angie, is more focused on fighting imaginary zombies and creating tarot-like cards that seem to have minds of their own. When the brutal murder of two female hikers on the nearby Appalachian Trail stuns their small community, the sisters find themselves tangled in a dangerous game of cat and mouse.

Alternating between the two women’s perspectives, Fruit of the Dead incorporates its mythic inspiration with a light touch and devastating precision. The result is a tale that explores love, control, obliteration, and America’s late-capitalist mythos. Lyon’s reinvention of Persephone and Demeter’s story makes for a haunting, electric novel that readers will not soon forget.

A stunningly original love story between a museum employee and the man in a masterpiece hanging on the walls—a breathtaking debut about time, art, and the enduring power of love.

It's 2017 at the University of Arkansas. Millie Cousins, a senior resident assistant, wants to graduate, get a job, and buy a house. So when Agatha Paul, a visiting professor and writer, offers Millie an easy yet unusual opportunity, she jumps at the chance. But Millie's starry-eyed hustle becomes jeopardized by odd new friends, vengeful dorm pranks, and illicit intrigue.

The three Maxwell siblings keep their distance from the lily-white gated enclave outside Dallas where they grew up. When their family moved there, they were the only Black family in the neighborhood. The neighbors acted nice enough, but right away bad things, scary things—the strange and the unexplainable—began to happen in their house. Maybe it was some cosmic trial, a demonic rite of passage into the upper-middle class. Whatever it was, the Maxwells, steered by their formidable mother, stayed put, unwilling to abandon their home, terrors and trauma be damned.

Luciana is the baby of her large Colombian American family. And despite usually being relegated to the sidelines, she now finds herself the voice of reason in the middle of their unexpected crisis. Her older sister, Mari, is away at college and reduced to a mere listening ear on the other end of their many phone calls, so when South Florida residents are ordered to evacuate before a hurricane, it’s up to Luciana to deal with her eccentric grandmother, Abue, who’s refusing to leave. But the storm isn’t the only danger.

In this ingenious, sweeping novel, Phillip B. Williams introduces us to an enigmatic woman named Saint, a fearsome conjurer who, in the 1830s, annihilates plantations all over Arkansas to rescue the people enslaved there. She brings those she has freed to a haven of her own creation: a town just north of St. Louis, magically concealed from outsiders, named Ours. It is in this miraculous place that Saint’s grand experiment—a truly secluded community where her people may flourish—takes root.

Eveen the Eviscerator is skilled, discreet, professional, and here for your most pressing needs in the ancient city of Tal Abisi. Her guild is strong, her blades are sharp, and her rules are simple. Those sworn to the Matron of Assassins—resurrected, deadly, wiped of their memories—have only three unbreakable vows. First, the contract must be just. That’s above Eveen’s pay grade. Second, even the most powerful assassin may only kill the contracted. The third and the simplest: once you accept a job, you must carry it out.

In the near-future United States, where advanced technology can create eggs or sperm from any person’s cells, celebrities face the alarming potential of meeting biological children they never conceived. Famous singer Trace Thorne is tired of being targeted by the Vault, a black market site devoted to stealing DNA. Sick of paying ransom money for his own cell matter, he hires bio-security guard Ember Ryan to ensure his biological safety.

Thirty years ago, a young woman was murdered, a family was lynched, and New Orleans saw the greatest magical massacre in its history. In the days that followed, a throne was stolen from a queen. On the anniversary of these brutal events, Clement and Cristina Trudeau—the sixteen-year-old twin heirs to the powerful, magical, dethroned family—are mourning their father and caring for their sick mother. Until, by chance, they discover their mother isn’t sick—she’s cursed. Cursed by someone on the very magic council their family used to rule. Someone who will come for them next.

After a deployment in the Iraq War dually defined by threat and interminable mundanity, Joseph Thomas is fighting to find his footing. Now a doctoral student at The University, and an EMS worker at the hospital in North Philly, he encounters round the clock friends and family from his past life and would-be future at his job, including contemporaries of his estranged father, a man he knows little about, serving time at Holmesburg prison for the statutory rape of his then-teenage mother.

Mickey Hayward dreams of writing stories that matter, but, for now, her days are filled with listicles about lip gloss and click-bait articles about celebrity haircare. Still, the job is flashy and her girlfriend is steady and supportive. The path may be long, but Mickey’s well on her way, and it’s far from the messy life she left behind in Maryland. Everything finally seems to be falling into place—until she finds out she’s being replaced.