Original cast members from the beloved TV series, Buffy the Vampire Slayer, reunite for an all-new adventure about connections that never die—even if you bury them. A decade has passed since the epic final battle that concluded Buffy the Vampire Slayer (TV). The game-changing spell that gave power to all potential Slayers persists. With new Slayers constantly emerging, things are looking grim for the bad guys.

In the early 2000s, Kate Moennig and Leisha Hailey—both young artists trying to figure it all out—met at auditions for an unknown little TV show. Given that it was a show about lesbians living in Los Angeles, with the first ever ensemble cast of openly queer female characters, Kate and Leisha knew the project was going to be unlike anything else out there—that is, if it even got picked up.

The first book in an original mystery series featuring 28-year-old Veronica Mars, back in action after the events of Veronica Mars: The Movie. With the help of old friends - Logan Echolls, Mac Mackenzie, Wallace Fennel, and even Dick Casablancas - Veronica is ready to take on Neptune's darkest cases with her trademark sass and smarts.

A new YA series set within the Buffy-verse, centering on an all new Scobby Gang tied to the original characters.

The holly-jolly holidays aren’t for everyone, least of all when you look back on that one Christmas when there were two definitely haunted dolls waiting for you and your sister under the tree. You have to assume that’s where it all started. And so it was for Jenny Lawson. Now, she lives in the land of eternal Halloween, as evidenced by her interior decor and general state of darkness. (Although, if you ask her, her taxidermy zoo is less dark, more delightful. But not everyone has taste, so what are you going to do?)

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

In this award-winning Audible Studios production, Trevor Noah tells his wild coming-of-age tale during the twilight of apartheid in South Africa. It’s a story that begins with his mother throwing him from a moving van to save him from a potentially fatal dispute with gangsters, then follows the budding comedian’s path to self-discovery through episodes both poignant and comical.

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

Separated by 10 years, 3,000 miles, and the unrelenting stresses of adulthood, best friends Janet and Serena plan a 40th birthday girls’ trip to reconnect. But after a massive crash, they’re the only survivors to wash ashore on an uncharted Caribbean Island. Armed with only the clothes on their backs and zero survival skills, they fight to overcome hunger, thirst, deadly wildlife—and most terrifyingly—decades of accrued resentment. Can they find their way home, or will they kill each other first?

Superstar comedian and Hollywood box-office star Kevin Hart turns his immense talent to the written word by writing some words. Some of those words include: the, a, for, above, and even even. Put them together and you have the funniest, most heartfelt, and most inspirational memoir on survival, success, and the importance of believing in yourself since Old Yeller.

After losing her young son in an accident, Rachel Kennan throws herself into her career as police chief of a small Virginia town to avoid focusing on her grief. Meanwhile, her husband, Finn, a washed-up writer whose alcoholism led to the devastating tragedy that changed everything, struggles to redeem himself before his family completely falls apart. Their two daughters are the only things keeping Rachel and Finn together, but the girls have demons of their own. At the same time, a disturbing crime rocks their tightknit religious community.

When a late bloomer goes viral for coming out, she decides to use her newfound fame to get her first kiss—with the help of a sexy bartender.

Tatum Ward and Eleanor Chapman lead totally opposite lives. Tatum’s never left her Midwestern hometown. She resides in a quaint guest cottage on her parents’ property while working part-time as a waitress, where she spends most shifts ignoring her feelings for a beautiful regular named June.

When Works Progress Administration editor Millie Lang finds herself on the wrong end of a potential political scandal, she’s shipped off to Montana to work on the state’s American Guide Series—travel books intended to put the nation’s destitute writers to work. Millie arrives to an eclectic staff claiming their missed deadlines are due to sabotage, possibly from the state’s powerful Copper Kings who don’t want their long and bloody history with union organizers aired. But Millie begins to suspect that the answer might instead lie with the town’s mysterious librarian, Alice Monroe.

In the early 2000s, Kate Moennig and Leisha Hailey—both young artists trying to figure it all out—met at auditions for an unknown little TV show. Given that it was a show about lesbians living in Los Angeles, with the first ever ensemble cast of openly queer female characters, Kate and Leisha knew the project was going to be unlike anything else out there—that is, if it even got picked up.

As newlyweds, Molly and Robin made the Hummingbird Inn into a trendy destination for queer travelers in the quirky mountain town of Eureka Springs, Arkansas. But when their career ambitions drove them apart, the young couple separated, handed over the property’s upkeep to a management firm, and never looked back. Seven years later, Molly and Robin return to the Hummingbird Inn for very different reasons.

Yael Clauneck is the only scion of an obscenely wealthy banking family with its fingers in every pie in the realm. They’re on the precipice of a predetermined life when they flee their own graduation party, in search of the chance to feel like life can still be a grand adventure. Margot Greenwillow—talented plant witch, tea lover, and greenhouse owner—has never felt further from adventure in her life. She’s been desperately trying to keep what remains of her family's magic remedies business afloat. So when her childhood friend and former crush, Yael, rides back into her life, she’s shocked.

Someone wants to murder Princess Melilot. This is sadly normal. Melilot is sick of being ordered to go on dangerous quests by her domineering stepmother. Especially since she always winds up needing to be rescued by her more magically talented stepsisters. And now, she's been commanded to marry a king she’s never met. When hideous spider-wolves attack her on the journey to meet her husband-to-be, she is once again rescued—but this time, by twelve eerily similar-looking masked huntsmen.

It’s the summer of ’96 and best friends (and secret girlfriends), Hannah and Sam are driving across the country from Long Beach, New York, to the fabled queer paradise of San Francisco, free from the harsh gazes of their neighbors and the stifling demands of Hannah’s devout Orthodox Jewish mother. In San Francisco, they will finally be together as a real couple, out in the open, around other queer people. Even if the move means leaving behind Hannah’s beloved Bubbe.

Torn between her girlfriend, Magdu, and her best friend, Daphne, Finn is looking forward to a day of rock climbing and bonding for the three women on the soaring cliffs near their Australian town. But nothing goes as she planned, and in a horrific accident, Magdu falls to her death. Rocked by grief, Finn tries to pinpoint where it all went wrong. Did Magdu die because of Finn’s friendship with overbearing Daphne, who has never wanted Finn to change or leave her? Can Finn trace it all the way back to the tragic childhood loss of her sister?