Jessamyn Teoh is closeted, broke, and moving back to Malaysia, a country she left when she was a toddler. So when Jess starts hearing voices, she chalks it up to stress. But there's only one voice in her head, and it claims to be the ghost of her estranged grandmother, Ah Ma. In life Ah Ma was a spirit medium, the avatar of a mysterious deity called the Black Water Sister. Now she's determined to settle a score against a gang boss who has offended the god - and she's decided Jess is going to help her do it.

The Royal Society of Unnatural Philosophers, one of the most respected organizations throughout all of England, has long been tasked with maintaining magic within His Majesty's lands. But lately the once proper institute has fallen into disgrace, naming an altogether unsuitable gentleman - a freed slave who doesn't even have a familiar - as their Sorcerer Royal and allowing England's once profuse stores of magic to slowly bleed dry. At least they haven't stooped so low as to allow women to practice....

A bandit walks into a coffeehouse, and it all goes downhill from there. Guet Imm, a young votary of the Order of the Pure Moon, joins up with an eclectic group of thieves (whether they like it or not) in order to protect a sacred object, and finds herself in a far more complicated situation than she could have ever imagined.

In 1345, China lies under harsh Mongol rule. For the starving peasants of the Central Plains, greatness is something found only in stories. When the Zhu family’s eighth-born son, Zhu Chongba, is given a fate of greatness, everyone is mystified as to how it will come to pass. The fate of nothingness received by the family’s clever and capable second daughter, on the other hand, is only as expected.

The only mortal in a family of gods, Medusa is the youngest of the Gorgon sisters. Unlike her siblings, Medusa grows older, experiences change, feels weakness. Her mortal lifespan gives her an urgency that her family will never know.

The Barnes family is in trouble. Dickie’s once-lucrative car business is going under—but Dickie is spending his days in the woods, building an apocalypse-proof bunker with a renegade handyman. His wife, Imelda, is selling off her jewelry on eBay and half-heartedly dodging the attention of fast-talking cattle farmer Big Mike, while their teenage daughter, Cass, formerly top of her class, seems determined to binge drink her way through her final exams. As for twelve-year-old PJ, he’s on the brink of running away.

From the Booker Prize-winning author of The Remains of the Day and When We Were Orphans comes an unforgettable edge-of-your-seat mystery that is at once heartbreakingly tender and morally courageous about what it means to be human.

Fraa Erasmus is a young avout living in the Concent of Saunt Edhar, a sanctuary for mathematicians, scientists, and philosophers, protected from the corrupting influences of the "Saecular" world by ancient stone, honored traditions, and complex rituals. Over the centuries, cities, and governments have risen and fallen beyond the concent's walls. Three times during history's darkest epochs, bloody violence born of superstition and ignorance has invaded and devastated the cloistered mathic community.

"That book. It was about two women, and they fell in love with each other." And then Lily asked the question that had taken root in her, that was even now unfurling its leaves and demanding to be shown the sun: "Have you ever heard of such a thing?" Seventeen-year-old Lily Hu can't remember exactly when the question took root, but the answer was in full bloom the moment she and Kathleen Miller walked under the flashing neon sign of a lesbian bar called the Telegraph Club. America in 1954 is not a safe place for two girls to fall in love, especially not in Chinatown.

Amina al-Sirafi should be content. After a storied and scandalous career as one of the Indian Ocean’s most notorious pirates, she’s survived backstabbing rogues, vengeful merchant princes, several husbands, and one actual demon to retire peacefully with her family to a life of piety, motherhood, and absolutely nothing that hints of the supernatural.

It's been centuries since the robots of Panga gained self-awareness and laid down their tools; centuries since they wandered, en masse, into the wilderness, never to be seen again; centuries since they faded into myth and urban legend. One day, the life of a tea monk is upended by the arrival of a robot, there to honor the old promise of checking in. The robot cannot go back until the question of "what do people need?" is answered. But the answer to that question depends on who you ask, and how.

A young royal from the far north, is sent south for a political marriage in an empire reminiscent of imperial China. Her brothers are dead, her armies and their war mammoths long defeated and caged behind their borders. Alone and sometimes reviled, she must choose her allies carefully. Rabbit, a handmaiden, sold by her parents to the palace for the lack of five baskets of dye, befriends the emperor's lonely new wife and gets more than she bargained for.

Somewhere on the frontier between thought and reality exists the Discworld, a parallel time and place which might sound and smell very much like our own, but which looks completely different. Collected together for the first time are seven full-cast BBC Radio dramatisations of Terry Pratchett’s novels, with star-studded casts including Martin Jarvis, Sheila Hancock, Anton Lesser, Philip Jackson, Alex Jennings and Mark Heap.

Colombo, 1990. Maali Almeida—war photographer, gambler, and closet queen—has woken up dead in what seems like a celestial visa office. His dismembered body is sinking in the serene Beira Lake and he has no idea who killed him. In a country where scores are settled by death squads, suicide bombers, and hired goons, the list of suspects is depressingly long, as the ghouls and ghosts with grudges who cluster round can attest. But even in the afterlife, time is running out for Maali.

In 1893, there's no such thing as witches. There used to be, in the wild, dark days before the burnings began, but now witching is nothing but tidy charms and nursery rhymes. If the modern woman wants any measure of power, she must find it at the ballot box. But when the Eastwood sisters - James Juniper, Agnes Amaranth, and Beatrice Belladonna - join the suffragists of New Salem, they begin to pursue the forgotten words and ways that might turn the women's movement into the witch's movement.