Hap Collins looks like a good ol’ boy. But even in his misspent youth, his best pal is Leonard Pine, who is Black, gay, and the ultimate outsider. Inseparable friends, Hap and Leonard climb into the boxing ring, visit their families, get in bar fights, and just go fishing - all the while confronting racists, righting wrongs, and eating a whole lot of delicious food.

When Bill and his friends accidentally witness a homicide by two hitmen known only as Fat Boy and Cobra Man, everyone but Bill is slaughtered. After escaping by the skin of his teeth, Bill runs to his Uncle Hank, who reluctantly gets involved, and together, they begin a clandestine takedown of Fat Boy and Cobra Man that leads them to something much darker, much more unspeakable than simple murder or revenge. Waltz of Shadows, a novel not for the feint of heart, is Lansdale at his darkest.

It's 1933 in East Texas and the Depression lingers in the air like a slow-moving storm. When a young Harry Collins and his little sister stumble across the body of a black woman who has been savagely mutilated and left to die in the bottoms of the Sabine River, their small town is instantly charged with tension. When a second body turns up, this time of a white woman, there is little Harry can do from stopping his Klan neighbors from lynching an innocent black man.

Charlie Garner has a bad feeling. His ex-wife, Meg, has been missing for over a week and one quick peek into her home shows all her possessions packed up in boxes. Neighbors claim she’s running from bill collectors, but Charlie suspects something more sinister is afoot. Meg was last seen working at the local donut shop, a business run by a shadow group most refer to as ‘The Saucer People’; a space-age, evangelist cult who believe their compound to be the site of an extraterrestrial Second Coming.

After a botched holdup, Bill, a not-too-bright bungler who has been living with his dead mother in order to collect her social security checks, hides out in a traveling freak show populated by a bizarre assortment of bearded ladies, hermaphrodites, dogmen, and a mysterious frozen man.

Throughout history and infinite dimensions, there exists a secret group of supernatural investigators operating on the fringes of society, lurking in the shadows, working strange cases with little reward. They are hardboiled zombies and ghosts, mythological creatures, ass-kicking vampires, tortured humans, and uncanny sleuths whose normal is the bizarre and weird.

John Shaw just wanted to go fishing and live off the land—now he is one of only a few survivors involved in a horrific crash between a locomotive and a flying saucer. Stranded in an unforgiving environment, desperate to survive, he and the remaining passengers must outrun and outsmart the alien life forms that are picking them off one by one.

When Hap and Leonard are called in on a strange request (subduing a meth-hopped hog) by a desperate young lady, they quickly learn this woman is part of a fringe group: The Hatchet Girls, who have pledged their allegiance to a crazed and grudge-bearing leader bent on bloody societal revenge. The timing couldn't be worse to be caught in such a vile, sticky wicket of a case: both boys are wrapped up in their domestic lives: Leonard is in the midst of wedding planning with fiancee, Pookie.

Daniel Russell was only 13 years old when his father tried to kill them both by driving their car into Moon Lake. Miraculously surviving the crash - and growing into adulthood - Daniel returns to the site of this traumatic incident in the hopes of recovering his father's car and bones. As he attempts to finally put to rest the memories that have plagued him for years, he discovers something even more shocking among the wreckage that has ties to a twisted web of dark deeds, old grudges, and strange murders.

Part of a secret government organization designed to protect civilians, Elvis Presley and a handful of hardcore warriors set out to save the world from an invasion of hive-minded, shape-shifting vampire-like creatures from a dark dimension who have taken up residence in a New Orleans junkyard.

From the dusty Great Depression to the far future to the Wild West to the era of big-fin automobiles, soda shops, and double features, as well as dark journey on an icy ocean full of ravenous sharks and a fantastic shipwreck that leads its survivors into a nightmarish Lovecraftian world of monsters and mystery, Joe R. Lansdale returns with a pack of stories for your consumption and enjoyment.

Quarry doesn't kill just anybody these days. He restricts himself to targeting other hitmen, availing his marked-for-death clients of two services: eliminating the killers sent after them, and finding out who hired them…and then removing that problem, as well. So far he's rid of the world of nobody who would be missed. But this time he finds himself zeroing in on the grieving family of a missing cheerleader. Does the hitman's hitman have the wrong quarry in his sights?

A comet, red and smiling with jagged teeth, flashes across the sky. People try to leave but find they are trapped by some acidic goo surrounding the entire drive-in. They grow hungry, homicidal, and suicidal. Then along comes the Popcorn King, a jiving, rhyming creature formed by blue-white lightning, with four arms and a popcorn bucket on its head.

Harry Wilkes is plagued by visions - images of murdered bodies and violent assaults - that are triggered by everyday noises. The smallest noise can trigger a vision of violence from the past; it doesn't matter how long ago it took place. Since childhood he's fought to suppress these visions, and he has changed his habits in order to avoid the nightmares. But when he rescues a drunk from a bar fight, he makes a life-long friend who will help him learn how to use his strange ability to his advantage

The West Texas desert towns of Inferno and Bordertown have been slowly dying. The Snake River isn’t the only thing that divides them. Racism and gang wars have turned the sun-scorched flatlands into a powder keg. If anything can unite them now, it’s the UFO that comes crashing through the clouds. It brings with it a young alien named Daufin, a fugitive who has taken human form. She knows the terror that awaits this planet—because it’s looking for her.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

When Hap and Leonard are called in on a strange request (subduing a meth-hopped hog) by a desperate young lady, they quickly learn this woman is part of a fringe group: The Hatchet Girls, who have pledged their allegiance to a crazed and grudge-bearing leader bent on bloody societal revenge. The timing couldn't be worse to be caught in such a vile, sticky wicket of a case: both boys are wrapped up in their domestic lives: Leonard is in the midst of wedding planning with fiancee, Pookie.

It's 1933 in East Texas and the Depression lingers in the air like a slow-moving storm. When a young Harry Collins and his little sister stumble across the body of a black woman who has been savagely mutilated and left to die in the bottoms of the Sabine River, their small town is instantly charged with tension. When a second body turns up, this time of a white woman, there is little Harry can do from stopping his Klan neighbors from lynching an innocent black man.

Hap Collins looks like a good ol’ boy. But even in his misspent youth, his best pal is Leonard Pine, who is Black, gay, and the ultimate outsider. Inseparable friends, Hap and Leonard climb into the boxing ring, visit their families, get in bar fights, and just go fishing - all the while confronting racists, righting wrongs, and eating a whole lot of delicious food.

When Bill and his friends accidentally witness a homicide by two hitmen known only as Fat Boy and Cobra Man, everyone but Bill is slaughtered. After escaping by the skin of his teeth, Bill runs to his Uncle Hank, who reluctantly gets involved, and together, they begin a clandestine takedown of Fat Boy and Cobra Man that leads them to something much darker, much more unspeakable than simple murder or revenge. Waltz of Shadows, a novel not for the feint of heart, is Lansdale at his darkest.

John Shaw just wanted to go fishing and live off the land—now he is one of only a few survivors involved in a horrific crash between a locomotive and a flying saucer. Stranded in an unforgiving environment, desperate to survive, he and the remaining passengers must outrun and outsmart the alien life forms that are picking them off one by one.

Jack Parker knows all too well how treacherous turn-of-the-century East Texas can be. His parents did not survive a smallpox epidemic. His grandfather was murdered. Now his sister Lula has been kidnapped by a criminal who may believe wearing a dead man's clothes protects them both from death. With bounty hunter Shorty, a charismatic and cunning dwarf, and Eustace, a gravedigging son of an ex-slave, the heartbroken young Jack sets off on an epic quest to rescue his sister from the corrupt men who control much of the new territory.

Sunset Jones has just killed her husband. Never mind that he was raping her. Pete Jones was constable of a small sawmill settlement called Camp Rapture where no woman refuses her husband. So everyone is angrily surprised when Sunset becomes the new constable and investigates murders in which her late husband might be implicated. Yet, no one is more surprised than Sunset when the murders lead her, not only to the conclusion of the case, but to a well of inner strength she never knew she had.

Thirteen-year-old Stanley Mitchel Jr. spends most of his time helping his family run the town's drive-in movie theater, reading ten-cent comics, and playing with his dog Nub. Life in East Texas circa 1958 is not very exciting until Stanley discovers a stash of crumbling old love letters in a pile of burnt rubble behind the drive-in. As Stanley reads through the letters, he finds himself in the middle of a town mystery and discovering the secrets of his sleepy town.

Charlie Garner has a bad feeling. His ex-wife, Meg, has been missing for over a week and one quick peek into her home shows all her possessions packed up in boxes. Neighbors claim she’s running from bill collectors, but Charlie suspects something more sinister is afoot. Meg was last seen working at the local donut shop, a business run by a shadow group most refer to as ‘The Saucer People’; a space-age, evangelist cult who believe their compound to be the site of an extraterrestrial Second Coming.

In the field of country noir—the dark side of rural and small-town America—Lansdale staked his claim to East Texas with The Nightrunners. A '66 Chevy bears down on the countryside, with a carful of vicious teenagers and evil of Biblical proportions, in this terrifying morality tale of sex and violence.