Modern stories for modern times, Crash Diet is at once brilliant and bitter, happy and heartbreaking. In 11 stories, acclaimed novelist Jill McCorkle tells the varied tales of today's southern women, the lives they end up leading, and the loves that distract them. Sandra knows that the best revenge is her ex-husband's credit card; Ruthie is stuck owning a motel that the highway has bypassed; Anna is a widow who goes to airports and looks in on other people's lives; Bunny waits eagerly for her absent sister's postcards for advice on how to live.

This story of a young woman's confrontation with death and her past is a poetic study of human relations.

Carson McCullers was all of 23 when she published her first novel, The Heart Is a Lonely Hunter. She became an overnight literary sensation, and soon such authors as Tennessee Williams were calling her "the greatest prose writer that the South [has] produced." The Heart Is a Lonely Hunter tells an unforgettable tale of moral isolation in a small southern mill town in the 1930s.

In the turbulent summer of 1974, Kate Mularkey has accepted her place at the bottom of the eighth-grade social food chain. Then, to her amazement, the "coolest girl in the world" moves in across the street and wants to be her friend. Tully Hart seems to have it all - beauty, brains, ambition. On the surface they are as opposite as two people can be: Kate, doomed to be forever uncool, with a loving family who mortifies her at every turn.

Belly measures her life in summers. Everything good, everything magical happens between the months of June and August. Winters are simply a time to count the weeks until the next summer, a place away from the beach house, away from Susannah, and most importantly, away from Jeremiah and Conrad. They are the boys that Belly has known since her very first summer—they have been her brother figures, her crushes, and everything in between. But one summer, one wonderful and terrible summer, the more everything changes, the more it all ends up just the way it should have been all along.

Perfect Mexican daughters do not go away to college. And they do not move out of their parents' house after high school graduation. Perfect Mexican daughters never abandon their family. But Julia is not your perfect Mexican daughter. That was Olga's role. Then a tragic accident on the busiest street in Chicago leaves Olga dead and Julia left behind to reassemble the shattered pieces of her family. And no one seems to acknowledge that Julia is broken, too. Instead, her mother seems to channel her grief into pointing out every possible way Julia has failed.

Toru, a serious young college student in Tokyo, is devoted to Naoko, a beautiful and introspective young woman, but their mutual passion is marked by the tragic death of their best friend years before. As Naoko retreats further into her own world, Toru finds himself drawn to a fiercely independent and sexually liberated young woman.

Miles Halter is fascinated by famous last words - and tired of his safe life at home. He leaves for boarding school to seek what the dying poet François Rabelais called the “Great Perhaps”. Much awaits Miles at Culver Creek, including Alaska Young, who will pull Miles into her labyrinth and catapult him into the Great Perhaps.

Theodore Finch is fascinated by death, and he constantly thinks of ways he might die. But each time, something good, no matter how small, stops him. Violet Markey lives for the future, counting the days until graduation, when she can escape her Indiana town and her aching grief in the wake of her sister's recent death. When Finch and Violet meet on the ledge of the bell tower at school, it's unclear who saves whom.

After grad school, Shay Dixon feels like she's had enough for awhile. Inspired by her spiritual adviser - a soul-soothing blues player named Nina Simon - Shay calls her estranged mother Nona for the first time in years, and shocks herself by asking if it would be okay to come home for a while.

It begins as an assignment for English class: Write a letter to a dead person. Laurel chooses Kurt Cobain because her sister, May, loved him. And he died young, just like May. Soon, Laurel has a notebook full of letters to the dead - to people like Janis Joplin, Heath Ledger, Amelia Earhart, and Amy Winehouse - though she never gives a single one of them to her teacher. She writes about starting high school, navigating the choppy waters of new friendships, learning to live with her splintering family, falling in love for the first time, and, most important, trying to grieve for May.

For much of her life, Sally Holt has been mystified by the things her older sister, Kathy, seems to have been born knowing. Kathy has answers for all of Sally’s questions about life, about love, and about Billy Barnes, a rising senior and local basketball star who mans the concession stand at the town pool. The girls have been fascinated by Billy ever since he jumped off the roof in elementary school, but Billy has never shown much interest in them until the summer before Sally begins eighth grade.

Other than her real name - Mary-Magdalene Feigenbaum - fifteen-year-old Maggie’s problems seem ordinary. She has tiffs with her too-critical mother, a crush on her cute psychologist, and worries that her only friend - fellow outcast Abigail - is morphing into a popular girl, leaving her behind. But Maggie has a few not-so-ordinary problems. A voice in her head is telling her to kill. And not just anyone. Each time the target is a person who has done something terrible to someone Maggie cares for. You know what you have to do, the voice commands.

When Beatrice Trixie Jordan replies to a personal ad, she meets Jacob Grace, a charming, effervescent 30-something free-spirit writer passionately seeking life. He possesses his own turns of phrase and ways of thinking and feeling that dissonantly harmonize with Trixie's off-center vision. As they rollercoaster through the joys and furies of their wrenching romance, they try to come to terms with the hurt brought about by both of their distant fathers who, in different ways, forsook them.

Judy Lohden is your above-average 16-year-old: sarcastic and vulnerable, talented and uncertain, full of big dreams for a big future. With a singing voice that can shake an auditorium, she should be the star of Darcy Arts Academy, the local performing-arts high school. So why is a girl this promising hiding out in a seedy motel room on the edge of town?

It begins as an assignment for English class: Write a letter to a dead person. Laurel chooses Kurt Cobain because her sister, May, loved him. And he died young, just like May. Soon, Laurel has a notebook full of letters to the dead - to people like Janis Joplin, Heath Ledger, Amelia Earhart, and Amy Winehouse - though she never gives a single one of them to her teacher. She writes about starting high school, navigating the choppy waters of new friendships, learning to live with her splintering family, falling in love for the first time, and, most important, trying to grieve for May.

After grad school, Shay Dixon feels like she's had enough for awhile. Inspired by her spiritual adviser - a soul-soothing blues player named Nina Simon - Shay calls her estranged mother Nona for the first time in years, and shocks herself by asking if it would be okay to come home for a while.

When Beatrice Trixie Jordan replies to a personal ad, she meets Jacob Grace, a charming, effervescent 30-something free-spirit writer passionately seeking life. He possesses his own turns of phrase and ways of thinking and feeling that dissonantly harmonize with Trixie's off-center vision. As they rollercoaster through the joys and furies of their wrenching romance, they try to come to terms with the hurt brought about by both of their distant fathers who, in different ways, forsook them.

Lifeless and wrapped in plastic. This is how Sheryl Lee was first introduced as "Laura Palmer" in the cult television classic, Twin Peaks. Now, Sheryl returns to voice Laura's darkest secrets in the audiobook event that fans of the show have long awaited.

One summer day, Margaux Fragoso meets Peter Curran at the neighborhood swimming pool, and they begin to play. She is seven; he is 51. When Peter invites her and her mother to his house, the little girl finds a child’s paradise of exotic pets and an elaborate backyard garden. Her mother, beset by mental illness and overwhelmed by caring for Margaux, is grateful for the attention Peter lavishes on her, and he creates an imaginative universe for her, much as Lewis Carroll did for his real-life Alice.

Helena Conway has fallen in love. Unwillingly. Unwittingly. But not unprovoked. Kit Isley is everything she's not - unstructured, untethered, and not even a little bit careful. It could all be so beautiful...if he wasn't dating her best friend. Helena must defy her heart, do the right thing, and think of others. Until she doesn't.

Miles Halter is fascinated by famous last words - and tired of his safe life at home. He leaves for boarding school to seek what the dying poet François Rabelais called the “Great Perhaps”. Much awaits Miles at Culver Creek, including Alaska Young, who will pull Miles into her labyrinth and catapult him into the Great Perhaps.

Celine's life is the stuff fairy tales are made of. She's beautiful, talented, and brave. Unfortunately, her tale comes complete with a wicked stepmother! When Violet steps into Celine's life, everything changes, and weird things begin to happen to her - bizarre accidents, strange illnesses, and rabid animal attacks. Celine doesn't feel safe anywhere. It's almost as if some hateful witch is out to get her.

Davie—an ugly duckling growing up in small-town Mississippi—is positive her life couldn’t be any worse. She has the meanest mother in the South, possibly the world, and on top of that, she’s pretty sure she’s ugly. Just when she’s resigned herself to her fate, she sees a movie that will change her life— Sixteen Candles. But in her case, life doesn’t imitate art.

1987. There’s only one person who has ever truly understood fourteen-year-old June Elbus, and that’s her uncle, the renowned painter Finn Weiss. Shy at school and distant from her older sister, June can only be herself in Finn’s company; he is her godfather, confidant, and best friend. So when he dies, far too young, of a mysterious illness her mother can barely speak about, June’s world is turned upside down. But Finn’s death brings a surprise acquaintance into June’s life - someone who will help her to heal....

What if the one person you can't bear to be with is also the one person you can't bear to be without? Jamie McClintock is a free-spirited artist and single mother who has at last found peace and freedom sharing a farmhouse with an elderly man and his young grandson. But when the old man dies suddenly her idyllic country life comes to a halt as the old man's estranged son, Nate, returns to claim the house and his child.

Actress Eden Riley's decision to make a film about her mother plunges her into a shattering confrontation with her own past, irrevocably altering her life and the lives of those she loves. Her mother, Katherine Swift, was a renowned children's author who died when Eden was very young. Now Eden, recovering from a divorce and disillusioned with her glamorous life, returns to the childhood home of the mother she barely knew. She moves in with her uncle, archaeologist Kyle Swift and his wife, Louise. Eden gets more than she bargained for when Kyle gives her the journal her mother had kept from the age of 13 until her death.

In the winter of 1953, Boy Novak arrives by chance in a small town in Massachusetts, looking, she believes, for beauty - the opposite of the life she' s left behind in New York. She marries a local widower and becomes stepmother to his winsome daughter, Snow Whitman. A wicked stepmother is a creature Boy never imagined she' d become, but elements of the familiar tale of aesthetic obsession begin to play themselves out when the birth of Boy' s daughter, Bird, who is dark-skinned, exposes the Whitmans as light-skinned African Americans passing for white.

Venus Johnston has a great job and a long-term, live-in boyfriend who happens to be a drop-dead gorgeous doctor. She also has a weekly beauty-parlor date to keep her long, nappy hair slick and straight. But the tedious hours and harsh chemicals in the salon have long grated on Venus. One frustrating day, she trades in the long hair for a dramatically short, natural cut and sends her commitment-balking boyfriend packing. It's a bold declaration of independence and one that has effects she never could have imagined.

Join three beautiful young women, Valeria, Inda, and Chiquita, as they look for Mr. Right in the bright lights of L.A. Gutsy, graphic, and full of sensual energy, Sister, Sister is Dickey at his best.