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The Common Reader Volume 1
- 26 Essays on Jane Austen, George Eliot, Conrad, Montaigne and Others
- Narrated by: Joan Walker
- Length: 8 hrs and 41 mins
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From 1918 to 1941, even as she penned masterpiece upon masterpiece, Virginia Woolf kept a diary. She poured into it her thoughts, feelings, concerns, objections, interests, and disappointments -resulting in 26 volumes that give unprecedented insight into the mind of a genius. Collected here are the passages most relevant to her work and writing.
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Unfortunate choice of narrator
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Not an easy read but worth it
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Flaw in audio; other wise good
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From 1918 to 1941, even as she penned masterpiece upon masterpiece, Virginia Woolf kept a diary. She poured into it her thoughts, feelings, concerns, objections, interests, and disappointments -resulting in 26 volumes that give unprecedented insight into the mind of a genius. Collected here are the passages most relevant to her work and writing.
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Flaw in audio; other wise good
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Publisher's summary
This is Virginia Woolf’s first collection of essays, published in 1925. In them, she attempts to see literature from the point of view of the ‘common reader’ - someone whom she, with Dr Johnson, distinguished from the critic and the scholar. She read, and wrote, as an outsider: a woman set to school in her father’s library, denied the educational privileges of her male siblings - and with no fixed view of what constitutes ‘English literature’. What she produced is an eccentric and unofficial literary and social history from the 14th to the 20th centuries, with an excursion to ancient Greece thrown in.
She investigates medieval England (The Paston Letters and Chaucer), tsarist Russia (The Russian Point of View), Elizabethan Playwrights, Jane Austen, Jane Eyre and Wuthering Heights, Modern Fiction and the Modern Essay. When she published this book Woolf’s fame as a novelist was already established: now she was hailed as a brilliant interpretative critic. Here, she addresses ‘the common reader’ in the remarkable prose and with all the imagination and gaiety that are the stamps of her genius.
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The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
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IS THAT NOT SO?
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The Jane Austen Collection
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- By: Jane Austen
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Renowned as much for her wit and satirical social commentary as for her stories of love and romance, Jane Austen remains unfailingly relevant and one of Britain’s best loved authors. In this Audible Original collection, an all-star list of narrators (Billie Piper, Claire Foy, Emma Thompson, Florence Pugh and Gugu Mbatha-Raw) capture Austen’s pin-sharp humour and tone in these dramatisations of her six beloved novels accompanied by a full cast.
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Not a faithful rendition
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Dietrich
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- Narrated by: Ed Harris
- Length: 1 hr and 11 mins
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It’s the summer of ’77 in New York City, and the only thing more unnerving than the scorching heatwave is the rampant murder, leaving washed-up homicide detective Richard Dietrich on edge. When Dietrich investigates a brutal mob hit the brass doesn’t want him to solve, he goes from phoning it in to getting in over his head. Caught up in a mysterious second homicide with an even more perplexing perpetrator, Dietrich starts to second guess his instincts—and his memory—as he searches for answers at the bottom of a bottle.
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Very good!
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All the Ugly and Wonderful Things
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As the daughter of a drug dealer, Wavy knows not to trust people, not even her own parents. It's safer to keep her mouth shut and stay out of sight. Struggling to raise her little brother, Donal, eight-year-old Wavy is the only responsible adult around. Obsessed with the constellations, she finds peace in the starry night sky above the fields behind her house until one night her stargazing causes an accident. After witnessing his motorcycle wreck, she forms an unusual friendship with one of her father's thugs, Kellen, a tattooed ex-con with a heart of gold.
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So many 'hard to listen to' moments
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By: Bryn Greenwood
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What listeners say about The Common Reader Volume 1
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- simbagirl
- 11-27-23
Impressive. Virginia Woolf was a generous. Her stream of conciousness kind of writting is unmatched.
I have nothing much to say. She is a genius. Am moving to Collection part two now.
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- Drone Boy
- 05-26-21
Wonderful Listen
This volume contains some of Woolf's most important and influential essays: "Modern Fiction", "Jane Austen", "George Eliot", "Jane Eyre and Wuthering Heights." The narrator's voice suits Woolf's writing style down to a T, so it is great to see Woolf's non-fiction making its way into the audiobook domain.
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- Jeff L. Keehr
- 10-31-22
Appreciations with little to back them up
Before the days of real criticism, reviewers would often simply say that a book was good and gush about this or that. There were no concrete examples or biographical background or references to influences and other reviews. That's what I found in this so-called common reader. The title suggests that it was written for the unscholarly reader who just enjoys reading. I found the prose crabbed and convoluted and almost unreadable, so I'm not sure who this common reader is. Most of these essays are dated and not worth reading today. Her opinions are contrary to popular opinion, which is not necessarily bad except when there is an army of professors and intellectuals who are against you. I got tricked into reading this by the lectures of David Thorburn, whom is now on my avoid list. This woman obviously had a great mind -- I love 'A Room of One's Own' -- but she also was incredibly repressed and unable to overcome her mental problems. Why she remains in the Western canon at this point is beyond me.
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