The Contemporaries
Travels in the 21st-Century Art World
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Narrated by:
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Tom Parks
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By:
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Roger White
About this listen
It's been nearly a century since Marcel Duchamp exhibited a urinal and called it art. Since then painting has been declared dead several times over, and contemporary art has now expanded to include just about any object, action, or event: dance routines, slideshows, functional hair salons, seemingly random accretions of waste. In the meantime being an artist has gone from a join-the-circus fantasy to a plausible vocation for scores of young people in America. But why - and how and by whom - does all this art get made? How is it evaluated? And for what, if anything, will today's artists be remembered?
In The Contemporaries, Roger White, himself a young painter, serves as our spirited, skeptical guide through this diffuse, creative world. White takes us into the halls of the RISD graduate program, where students learn critical lessons that go far beyond how to apply paint to canvases. In New York we meet the neophytes who assist established artists - and who walk the fine line between "assistance" and "making the art". In Milwaukee White trails a group of friends trying to create a viable scene where rent is cheap but where the spotlight rarely shines. And he gives us an intimate perspective on three wildly different careers: that of Dana Schutz, an emerging star who is revitalizing painting; that of Mary Walling Blackburn, whose challenging art defies market forces; and that of Stephen Kaltenbach, a '70s wunderkind who is back on the critical radar, perhaps in spite of his own willful obscurity.
From young artists trying to elbow their way in to those working hard at dropping out, White's essential audiobook offers a once-in-a-generation glimpse of the inner workings of the American art world at a moment of unparalleled ambition, uncertainty, and creative exuberance.
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Great Read
- By JP Beyler on 02-15-18
By: Ed Hardy, and others
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You Say to Brick
- The Life of Louis Kahn
- By: Wendy Lesser
- Narrated by: Will Damron
- Length: 15 hrs and 8 mins
- Unabridged
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Born to a Jewish family in Estonia in 1901 and brought to America in 1906, the architect Louis Kahn grew up in poverty in Philadelphia; by the time of his death in 1974, he was widely recognized as one of the greatest architects of his era. Yet this enormous reputation was based on only a handful of masterpieces, all built during the last 15 years of his life.
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A book about architect needs pictures
- By Kristin Olson-garewal on 10-15-17
By: Wendy Lesser
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Art Is Life
- Icons and Iconoclasts, Visionaries and Vigilantes, and Flashes of Hope in the Night
- By: Jerry Saltz
- Narrated by: Jerry Saltz, Mark Bramhall
- Length: 16 hrs and 1 min
- Unabridged
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Jerry Saltz is one of our most-watched writers about art and artists and a passionate champion of the importance of art in our shared cultural life. Since the 1990s he has been an indispensable cultural voice: Witty and provocative, he has attracted contemporary listeners to fine art as few critics have.
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WRONG for audio program
- By Karen Lehrer on 11-07-22
By: Jerry Saltz
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LEGO
- A Love Story
- By: Jonathan Bender
- Narrated by: Jeremy Gage
- Length: 8 hrs and 48 mins
- Unabridged
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There are 62 LEGO bricks for every person in the world, and at age 30, Jonathan Bender realized that he didn't have a single one of them. While reconsidering his childhood dream of becoming a master model builder for The LEGO Group, he discovers the men and women who are skewing the averages with collections of hundreds of thousands of LEGO bricks. What is it about the ubiquitous, brightly colored toys that makes them so hard for everyone to put down?
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Be careful if you already like Lego
- By Matthew Center on 03-14-11
By: Jonathan Bender
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The Art of Rivalry
- Four Friendships, Betrayals, and Breakthroughs in Modern Art
- By: Sebastian Smee
- Narrated by: Bob Souer
- Length: 10 hrs and 22 mins
- Unabridged
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Rivalry is at the heart of some of the most famous and fruitful relationships in history. The Art of Rivalry follows eight celebrated artists, each linked to a counterpart by friendship, admiration, envy, and ambition. All eight are household names today. But to achieve what they did, each needed the influence of a contemporary - one who was equally ambitious but who possessed sharply contrasting strengths and weaknesses.
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Death by bob souer
- By SKWAD on 01-18-18
By: Sebastian Smee
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Space Odyssey
- Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece
- By: Michael Benson
- Narrated by: Todd McLaren
- Length: 17 hrs and 55 mins
- Unabridged
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Regarded as a masterpiece today, 2001: A Space Odyssey received mixed reviews. Despite the success of Dr. Strangelove, director Stanley Kubrick wasn't yet recognized as a great filmmaker, and 2001 was radically innovative, with little dialogue and no strong central character. Author Michael Benson explains how 2001 was made, telling the story primarily through the two people most responsible for the film, Kubrick and science fiction legend Arthur C. Clarke. Benson interviewed Clarke many times, and has also spoken at length with Kubrick's widow, Christiane.
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A Book Wholly Equal to its Subject
- By Reggie on 04-17-19
By: Michael Benson
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The Lost Painting
- The Quest for a Caravaggio Masterpiece
- By: Jonathan Harr
- Narrated by: Campbell Scott
- Length: 6 hrs and 22 mins
- Unabridged
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An Italian village on a hilltop near the Adriatic coast, a decaying palazzo facing the sea, and in the basement, cobwebbed and dusty, lit by a single bulb, an archive unknown to scholars. Here, a young graduate student from Rome, Francesca Cappelletti, makes a discovery that inspires a search for a work of art of incalculable value, a painting lost for almost two centuries.
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an incredible and complex story unfolds seamlessly
- By Jeremiah on 10-31-05
By: Jonathan Harr
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The Geography of Genius
- A Search for the World's Most Creative Places from Ancient Athens to Silicon Valley
- By: Eric Weiner
- Narrated by: Eric Weiner
- Length: 14 hrs and 10 mins
- Unabridged
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In The Geography of Genius, acclaimed travel writer Weiner sets out to examine the connection between our surroundings and our most innovative ideas. He explores the history of places, like Vienna of 1900, Renaissance Florence, ancient Athens, Song Dynasty Hangzhou, and Silicon Valley, to show how certain urban settings are conducive to ingenuity.
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Very, very disappointing
- By Tamara Greer on 06-08-16
By: Eric Weiner
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In Montmartre
- Picasso, Matisse and the Birth of Modernist Art
- By: Sue Roe
- Narrated by: Emma Bering
- Length: 12 hrs and 51 mins
- Unabridged
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A lively and deeply researched group biography of the figures who transformed the world of art in bohemian Paris in the first decade of the 20th century. In Montmartre is a colorful history of the birth of Modernist art as it arose from one of the most astonishing collections of artistic talent ever assembled. It begins in October 1900, as a teenage Pablo Picasso, eager for fame and fortune, first makes his way up the hillside of Paris’s famous windmill-topped district.
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Florid narrative history with suspect details
- By Keith on 10-30-19
By: Sue Roe
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Where the Heart Beats
- John Cage, Zen Buddhism, and the Inner Life of Artists
- By: Kay Larson
- Narrated by: Jason Wineinger
- Length: 15 hrs and 25 mins
- Unabridged
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Composer John Cage sought the silence of a mind at peace with itself - and found it in Zen Buddhism, a spiritual path that changed both his music and his view of the universe. "Remarkably researched, exquisitely written", Where the Heart Beats weaves together "a great many threads of cultural history" (Maria Popova, Brain Pickings) to illuminate Cage’s struggle to accept himself and his relationship with choreographer Merce Cunningham. Freed to be his own man, Cage originated exciting experiments that set him at the epicenter of a new avant-garde forming in the 1950s.
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Mind Expansion
- By Robert Keith on 04-04-15
By: Kay Larson
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Draft No. 4
- On the Writing Process
- By: John McPhee
- Narrated by: John McPhee
- Length: 6 hrs and 49 mins
- Unabridged
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Draft No. 4 is an elucidation of the writer's craft by a master practitioner. In a series of playful but expertly wrought essays, John McPhee shares insights he's gathered over his career and refined during his long-running course at Princeton University, where he has launched some of the most esteemed writers of several generations. McPhee offers a definitive guide to the crucial decisions regarding structure, diction, and tone that shape nonfiction pieces and presents extracts from some of his best-loved work, subjecting them to wry scrutiny.
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McPhee is the Craft
- By Darwin8u on 09-19-17
By: John McPhee
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Everybody Thought We Were Crazy
- Dennis Hopper, Brooke Hayward, and 1960s Los Angeles
- By: Mark Rozzo
- Narrated by: Jason Culp
- Length: 12 hrs and 9 mins
- Unabridged
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Los Angeles in the 1960s: riots in Watts and on the Sunset Strip, wild weekends in Malibu, late nights at The Daisy discotheque, openings at the Ferus Gallery, and the convergence of pop art, rock and roll, and the New Hollywood. At the center of it all, one inspired, improbable, and highly combustible couple—Dennis Hopper and Brooke Hayward—lived out the emblematic love story of ’60s L.A.
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Wonderful!
- By Rob on 06-07-22
By: Mark Rozzo
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The Humor Code
- A Global Search for What Makes Things Funny
- By: Peter McGraw, Joel Warner
- Narrated by: Peter Berkrot
- Length: 8 hrs and 45 mins
- Unabridged
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Dr. Peter McGraw, founder of the Humor Research Lab at the University of Colorado Boulder, teamed up with journalist Joel Warner on a far-reaching search for the secret behind humor. Their journey spanned the globe, from New York to Japan, from Palestine to the Amazon. Meanwhile, the duo conducted their own humor experiments along the way-to wince-worthy, hilarious, and illuminating results.
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Real research and a scientific theory of humor!
- By Dianne on 05-22-15
By: Peter McGraw, and others
What listeners say about The Contemporaries
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Marion Gast
- 09-06-18
Worth listening to despite poor narration.
Very interesting book but terrible performance. I cringed everytime the narrator mispronounced famous artist’s names and spelled out R-I-S-D instead of saying riz-dee as the school is commonly known.
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1 person found this helpful
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- Bob Madden
- 07-21-22
Loved it
Great information and though it only scratches the surface of contemporary art.... I now feel better equipped to explore!
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- Amazon Customer
- 06-05-16
Not what I was expecting
Is there anything you would change about this book?
I really struggled with this book, after reading the description and listening to the intro I was hoping that i would be more of a description of contemporary artists and their art, which it was towards the end. But most of the book was a discussion of graduate school which for me was like stepping back into time.
Was The Contemporaries worth the listening time?
Not really, I don't think I would have actaully read the book if I had just bought it or checked it out of the library.
Any additional comments?
I think is a great discussion about graduate school and would probably be a good book for undergraduate artists to read but I felt like it was bipolar in a sense. It wanted to be about contemporary art but it wanted to talk about where it came from. The beginning didn't sync with the end and I was hoping for more discussion like the end.
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- Lucas Graham
- 03-26-16
Captures the movement with anecdotes
There were a couple times when I wondered why the author spent so much time on a specific artist or event. I realized though, that it's impossible to effectively describe an art movement by talking about the movement itself. He captures the essence of the movement with very specific anecdotes. It's very effective in this case.
I'm an aspiring artist and trying to choose my best path forward. This book didn't give me clear guidance, but it helped remove some of my infatuation with art school.
The style of the narration was perfect for this book. The narrator spoke as if he was telling a kind of funny story (which he was.) He was upbeat, a little playful, not silly, or over the top.
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- Grant
- 06-26-15
moments of interest
unclear what qualifies Whites case studies for their central role in his anthropological narrative. His musings are sometimes insightful but largely parrot the conclusions already fostered elsewhere. A good intro for the complete novice but possibly frustrating (especially as it goes on) for to those already somewhat familiar.
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2 people found this helpful
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- Jenny Jenkins
- 06-17-15
Mispronunciations Spoil This Reading!
Would you consider the audio edition of The Contemporaries to be better than the print version?
Sorry to say, no. The narrator is fine but mispronounces names that are common in the art world. Audio books need editors and the equivalent of proofreaders, and this book is a case in point. Audible, wake up! Mispronunciations in an audio book are the equivalent of sloppy typos in an otherwise fine book. They break the mood, they bring you back to the reality that the narrator is not actually the author and is not actually an authority on anything. In an audio book, that is really, really bad.
Some examples: An entire chapter is set at RISD for an exploration of the MFA program. Rather than pronounce the art school's name "Riz-dee" as everyone does if they have ever heard of it before, the narrator pronounces each letter separately: "R I S D". William de Kooning is pronounced with a long O.
How did the narrator detract from the book?
I gave the book one star to note how important the mispronunciations are. But it's not the narrator's fault. It's the producers' fault. Someone must be listening and advising and providing feedback to any performer for the production to be as good as it should be.
Any additional comments?
Publishers, you should do oversight of the audio version to ensure this kind of absurdity doesn't happen. You spend so much time and money on publishing a book. Why let these silly errors undermine those efforts? Audio books play a huge part in generating interest and buzz in all forms of a book. But how can I recommend this audio book to my friends? They would laugh at the absurdity of not knowing how RISD is pronounced in a book purportedly expert in the current art world.
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14 people found this helpful
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- Marie Hardin-McGregor
- 06-02-16
Read anything else
The narrator was fine but this book is so out of touch I was shocked it was published in 2015.
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1 person found this helpful