In Victorian London, Genevieve Timmons poses as a spiritualist to swindle wealthy mourners—until one misstep lands her in a jail cell awaiting the noose. Then a stranger arrives to make her a peculiar offer. The lord he serves, Mr. Pemberton, has been inconsolable since the tragic death of his beautiful bride-to-be. If Genevieve can perform a séance persuasive enough to bring the young lord peace, she will win her freedom.

Edinburgh, 1911: When Maud McIntyre and her lady’s maid, Daisy, form a detective agency, they never dream their first case will take place at a glamorous house in the Scottish Highlands. But when the duchess of Duddingston, concerned that a notorious jewelry thief will target her lavish weekend party, employs Maud to go undercover as a guest to find the culprit, the agency has its first case to solve....

Feisty, passionate Beatrice Steele has never fit the definition of a true lady, according to the strict code of conduct that reigns in Swampshire, her small English township—she is terrible at needlework, has absolutely no musical ability, and her artwork is so bad it frightens people. Nevertheless, she lives a perfectly agreeable life with her marriage-scheming mother, prankster father, and two younger sisters— beautiful Louisa and forgettable Mary. But she harbors a dark secret: She is obsessed with the true crime cases she reads about in the newspaper.

Miss Mildred Percy is a spinster. She does not dance, she has long stopped dreaming, and she certainly does not have adventures. That is, until her great uncle has the audacity to leave her an inheritance, one that includes a dragon’s egg. The egg—as eggs are wont to do—decides to hatch, and Miss Mildred Percy is suddenly thrust out of the role of “spinster and general wallflower” and into the unprecedented position of “spinster and keeper of dragons.” But England has not seen a dragon since…well, ever.

Librarian Sylvia Ashe knows nothing about her past, having grown up without a father and a mother who refused to discuss him. When she stumbles upon a diary that suggests she's descended from magicians, she's skeptical. After all, magicians are special, and she's just an ordinary woman who loves books. She seeks answers from a member of the most prominent family of magicians, but she quickly learns that finding the truth won't be easy, especially when he turns out to be as artless as her, and more compelling and dangerous than books.

After an eventful first few months in Provence, it seems Penelope is finally settling into her delightful new life, complete with a gorgeous love interest in the mayor of St. Merlot. When Penelope and the mayor attend a glamorous gallery opening, Penelope’s biggest worry is embarrassing herself in front of her date. But the evening takes a horrifying turn when a controversial expat painter, Roland Doncaster, chokes to death.

As the London Daily Gazette’s popular gossip columnist, she is extremely adept at sneaking into houses, assuming disguises and overseeing a vast network of spies to ensure she stays abreast of the beau monde’s comings and goings. If it sometimes seems as though she was hiding behind the settee during a particularly fierce quarrel between a husband and his wife, it’s most likely because she was hiding behind the settee during their fierce quarrel.

Spring, 1905: Free-spirited like the Thoroughbreds she rides across the Kentucky countryside, Stella takes adventure by the reins when she's asked to attend a mysterious wedding in rural England. But once she arrives at the lush Morrington Hall estate, her cold and ambitious father confesses that he won't only give away his best racehorses as gifts - he has also arranged to give away his daughter as bride to the Earl of Atherly's financially strapped son. Stella refuses to be sold off like a prized pony. Yet despite a rough start, there's something intriguing about her groom-to-be.

The Earl of Wrexford possesses a brilliant scientific mind, but boredom and pride lead him to reckless behavior. He does not suffer fools gladly. So when pompous, pious Reverend Josiah Holworthy publicly condemns him for debauchery, Wrexford unsheathes his rapier-sharp wit and strikes back. As their war of words escalates, London's most popular satirical cartoonist, A. J. Quill, skewers them both.

The daughter of a baronet and minor heiress, Rosalind Thorne was nearly ruined after her father abandoned the family. To survive in the only world she knew, she began to manage the affairs of some of London society's most influential women, who rely on her wit and discretion. So when artistocratic wastrel Jasper Aimesworth is found dead in London's most exclusive ballroom, Almack's, Rosalind must use her skills and connections to uncover the killer.

Agenor, Lord Protector of the Fae Isles and right hand of the Mother herself, doesn’t expect anything to still surprise him after twelve centuries of life. Finding a taunting note from an anonymous thief in his wardrobe is enough to rouse his curiosity, though. Enough to do the unthinkable—write back. Then he finds out he’s been exchanging letters with a humble human. Worse, a human challenging him to his face.

A murdered opera singer. A duke drenched in her blood. For Bow Street Officer Hugh Marsden, the brutal killing is a straightforward case. Ever since his exile from polite society, the chance to arrest a high and mighty peer of the realm has never presented itself. Hugh won't snub the opportunity now. But Audrey Sinclair, the Duchess of Fournier, is certain her husband is wrongly accused, and she's determined to prove it to the arrogant Bow Street officer, even if she must employ her most peculiar ability—or perhaps curse—to guide her investigation. After all, a duchess can do as she pleases.

Shy aspiring artist Imogene Chively has just had a successful Season in London, complete with a suitor of her father's approval. Imogene is ambivalent about the young gentleman until he comes to visit her at the Chively estate with his younger brother in tow. When her interest is piqued, however, it is for the wrong brother.

Kitty Talbot needs a fortune. Or rather, she needs a husband who has a fortune. Left with her father’s massive debts, she has only twelve weeks to save her family from ruin. Kitty has never been one to back down from a challenge, so she leaves home and heads toward the most dangerous battleground in all of England: the London season. Kitty may be neither accomplished nor especially genteel—but she is utterly single-minded; imbued with cunning and ingenuity, she knows that risk is just part of the game.

Hadrian Blackwater, a warrior with nothing to fight for, is paired with Royce Melborn, a thieving assassin with nothing to lose. Hired by an old wizard, they must steal a treasure that no one can reach. The Crown Tower is the impregnable remains of the grandest fortress ever built and home to the realm’s most prized possessions. But it isn’t gold or jewels that the wizard is after, and if he can just keep them from killing each other, they just might succeed.

Twelve-year-old Eon has been training for years. His intensive study of Dragon Magic, based on Oriental astrology, involves two kinds of skills: sword-work and magical aptitude. He and his master hope that he will be chosen as a Dragoneye - an apprentice to one of the 12 energy dragons of good fortune.

But Eon has a dangerous secret. He is actually Eona, a 16-year-old girl who has been masquerading as a 12-year-old boy for the chance to become a Dragoneye.

On the outskirts of London sits a seemingly innocuous institution with a secretive aim—train young women to distract, disrupt, and discredit the patriarchy. Outraged by a powerful politician’s systematic attack on women’s rights, the Academy summons its brightest—and most bitter—pupil to infiltrate the odious man’s inner circle. A deal is struck: bring down the viscount, and Miss Euphemia Flite will finally earn her freedom.

Miss Clara Marie Stanton's family may be eccentric, but they certainly aren't insane. London, England, 1860: When Clara's ex-fiancé begins to spread rumors that her family suffers from hereditary insanity, it's all she can do to protect them from his desperate schemes, society's prejudice, and a lifetime in an asylum. Then Clara's grandfather Drosselmeyer brings on an apprentice with a mechanical leg, and all pretense of normalcy takes wing.

Feisty, passionate Beatrice Steele has never fit the definition of a true lady, according to the strict code of conduct that reigns in Swampshire, her small English township—she is terrible at needlework, has absolutely no musical ability, and her artwork is so bad it frightens people. Nevertheless, she lives a perfectly agreeable life with her marriage-scheming mother, prankster father, and two younger sisters— beautiful Louisa and forgettable Mary. But she harbors a dark secret: She is obsessed with the true crime cases she reads about in the newspaper.

The options for the penniless daughter of a deceased earl are few indeed in Regency England. So, following the suspicious death of her father and the discovery that she and her much younger sister have been left without income or home, Lady Caroline takes a post as a lady's companion to the wealthy widow Frogerton. Just as Caroline is getting accustomed to her new position, her aunt, Lady Eleanor Greenwood, invites her and her employer to a house party in the countryside to celebrate her youngest daughter's birthday. But all is not well at the Greenwood estate.