When you need a memory to be wiped, call me. Transferring unwanted memories to my own mind is the only form of magic I've ever mastered. But now I'm holding so many memories, I'm not always sure which ones are actually mine anymore. Some of them are sensitive; all of them are private. And there are those who are willing to kill to access the secrets I'm trying to bury....

A siege is approaching, and the city has little time to prepare. The people have no food and no weapons, and the enemy has sworn to slaughter them all. To save the city will take a miracle, but what it has is Orhan. A colonel of engineers, Orhan has far more experience with bridge building than battles, is a cheat and a liar, and has a serious problem with authority. He is, in other words, perfect for the job.

There’s no formal training for battlefield salvage. You just have to pick things up as you go along. Swords, armour, arrows–and the bodies, of course. Over the years, Saevus Corax has picked up a lot of things. Some of them have made him decent money, others have brought nothing but trouble. But it’s a living, and somebody has to deal with the dead. Something else that Saevus has buried is his past. Unfortunately, he didn’t quite succeed.

When the Supreme Being and his son decide that being supreme isn't for them anymore, it's inevitable that things get a bit of a shake-up. It soon becomes apparent that our new owners, the Venturi brothers, have a very different perspective on all sorts of things. Take good and evil, for example. For them, it's an outdated concept that never worked particularly well in the first place.

When struggling riverboat captain Abner Marsh receives an offer of partnership from a wealthy aristocrat, he suspects something’s amiss. But when he meets the hauntingly pale, steely-eyed Joshua York, he is certain. For York doesn’t care that the icy winter of 1857 has wiped out all but one of Marsh’s dilapidated fleet. Nor does he care that he won’t earn back his investment in a decade. York has his own reasons for wanting to traverse the powerful Mississippi. And they are to be none of Marsh’s concern - no matter how bizarre, arbitrary, or capricious his actions may prove.

Tamsyn Muir’s Gideon the Ninth unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap out of the audio, as skillfully animated as arcane revenants. The result is a heart-pounding epic science fantasy. Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse.

STOP. You should not have touched this flyer with your bare hands. NO, don't put it down. It's too late. They're watching you. My name is David Wong. My best friend is John. Those names are fake. You might want to change yours. You may not want to know about the things you'll read on these pages, about the sauce, about Korrok, about the invasion, and the future. But it's too late. You touched the book. You're in the game. You're under the eye. The only defense is knowledge. You need to read this book, to the end. Even the part with the bratwurst. Why?

The story is seen through the eyes of Uhtred, a dispossessed nobleman, who is captured as a child by the Danes and then raised by them so that, by the time the Northmen begin their assault on Wessex, Alfred's kingdom and the last territory in English hands, Uhtred almost thinks of himself as a Dane.

English magicians were once the wonder of the known world, with fairy servants at their beck and call; they could command winds, mountains, and woods. But by the early 1800s they have long since lost the ability to perform magic. They can only write long, dull papers about it, while fairy servants are nothing but a fading memory.

When Michael Moorcock began chronicling the adventures of the albino sorcerer Elric, last king of decadent Melniboné, and his sentient vampiric sword, Stormbringer, he set out to create a new kind of fantasy adventure, one that broke with tradition and reflected a more up-to-date sophistication of theme and style. The result was a bold and unique hero: a rock-and-roll antihero who would channel all the violent excesses of the '60s into one enduring archetype.

Joe Colsco boarded a flight from San Francisco to Chicago to attend a national chemistry meeting. He would never set foot on Earth again. On planet Anyar, Joe is found unconscious on a beach of a large island inhabited by humans where the level of technology is similar to Earth circa 1700. He awakes amid strangers speaking an unintelligible language and struggles to accept losing his previous life and finding a place in a society with different customs, needing a way to support himself and not knowing a single soul.

Fifty thousand gun-toting paladins march behind him, all baptized in angel blood, thirsty to burn unbelievers. Only the janissaries can stand against them. Their living legend, Kevah, once beheaded a magus amid a hail of ice daggers. But ever since his wife disappeared, he spends his days in a haze of hashish and poetry. To save the kingdom, Kevah must conquer his grief and become the legend he once was. But Micah writes his own legend in blood, and his righteous conquest will stop at nothing. When the gods choose sides, a legend will be etched upon the stars.

It's been centuries since the robots of Panga gained self-awareness and laid down their tools; centuries since they wandered, en masse, into the wilderness, never to be seen again; centuries since they faded into myth and urban legend. One day, the life of a tea monk is upended by the arrival of a robot, there to honor the old promise of checking in. The robot cannot go back until the question of "what do people need?" is answered. But the answer to that question depends on who you ask, and how.

The Tower of Babel is the greatest marvel in the world. Immense as a mountain, the ancient Tower holds unnumbered ringdoms, warring and peaceful, stacked one on the other like the layers of a cake. It is a world of geniuses and tyrants, of airships and steam engines, of unusual animals and mysterious machines. Soon after arriving for his honeymoon at the Tower, the mild-mannered headmaster of a small village school, Thomas Senlin, gets separated from his wife, Marya, in the overwhelming swarm of tourists, residents, and miscreants.

In the 1800s, a sailing ship crashes off the coast of Norway. In the 1900s, a Zepellin explores an icy canyon in Antarctica. In the far future, a spaceship sets out for an alien artifact. Each excursion goes horribly wrong. And on every journey, Dr. Silas Coade is the physician, but only Silas seems to realize that these events keep repeating themselves. And it's up to him to figure out why and how. And how to stop it all from happening again.

Niblock House is a rising executive at General Technics, one of a few all-powerful corporations. His work is leading General Technics to the forefront of global domination, both in the marketplace and politically - it's about to take over a country in Africa. Donald Hogan is his roommate, a seemingly sheepish bookworm. But Hogan is a spy, and he's about to discover a breakthrough in genetic engineering that will change the world...and kill him. Society is squeezed into hive-living madness by god-like mega computers and mass-marketed psychedelic drugs.

Created as an experiment by the time-traveling goddess Pallas Athene, the Just City is a planned community populated by over 10,000 children and a few hundred adult teachers from all eras of history, along with some handy robots from the far human future - all set down together on a Mediterranean island in the distant past.

At his death in 1988, Robert A. Heinlein left a legacy that almost single-handedly defined modern science fiction. But one of Heinlein's masterpieces was never finished. In 1955, he began work on Variable Star, a powerful and passionate tale of two young lovers driven apart by pride, power, and the vastness of interstellar time and space. Now, the Heinlein estate has authorized award-winning author Spider Robinson to expand his outline into a full-length novel. And the result is vintage Heinlein.

This is one of the defining novels of English writer Julian Barnes. An entertaining melange of stories starting with a contemporary account of the launch of Noah's Ark takes us into unexpected areas of human foibles, activities, and tendencies.

New York Times best-selling author Alexander McCall Smith, winner of the first-ever Saga Award for Wit, has entertained millions with his beloved No. 1 Ladies' Detective Agency mysteries. Now this phenomenally popular author introduces a fresh series, brimming with the charm and humor his stable of dedicated fans can't get enough of.

With her phenomenal Mage Winds trilogy, bestselling author Mercedes Lackey captivated fans across the country. Now in the first volume of the series sequel, she continues the same storyline, returning readers to a war-torn Valdemar in preparation to confront an ancient Eastern Empire - ruled by a monarch whose magical tactics by be beyond any sorcery known to the western kingdoms.

Arrested on accusations of witchcraft and treason, Chant finds himself trapped in a cold, filthy jail cell in a foreign land. With only his advocate, the unhelpful and uninterested Consanza, he quickly finds himself cast as a bargaining chip in a brewing battle between the five rulers of this small, backwards, and petty nation. Or, at least, that's how he would tell the story. In truth, Chant has little idea of what is happening outside the walls of his cell, but he must quickly start to unravel the puzzle of his imprisonment before they execute him for his alleged crimes.

When Marcus Didius Falco encounters the young and very pretty Sosia Camillina in the Forum, he senses immediately that there is something amiss. When she confesses that she is fleeing for her life, Falco offers to help her and, in doing so, gets himself mixed up in a deadly plot involving stolen ingots, dangerous and dark political machinations, and, most hazardous of all, one Helena Justina - a brash, indomitable senator's daughter connected to the very traitors that Falco has sworn to expose.

An undeciphered language in Crete. A rash of mysterious disappearances, from Bolivia to Japan. An ancient warning at the ruins of Babel. And a new spiritual leader, who claims that human history as we understand it is about to come to an end.

He's insisting he's a Tide Lord and he's begging us to try again...to kill him, that is. When a routine hanging goes wrong, the survivor announces he is Cayal the immortal Prince, a Tide Lord. However, the only known record of the immortal beings of Amyrantha is the Tide Lord Tarot...and everyone knows it is only a parlour-game, an amusement. Arkady Desean, an expert on the legends of the Crasii - a part-animal, part-human race - is sent to interrogate Cayal.

Aliens are spying on Earth from one of the four worlds that make up the Warden Diamond. But it is impossible to send agents to any of the four worlds because of unique microscopic symbionts that make it impossible for visitors to leave the Diamond. Seeking a unique solution, each of the four worlds making up the Diamond is sent a person whose mind has been stripped of everything and who is now controlled by an agent of the Confederacy. Lilith is the first planet to be visited.

It isn’t easy to get a group of bestselling SF authors to write new stories for an anthology, but that’s what Elizabeth Anne Hull has done in this powerhouse book. With original, captivating tales by Greg Bear, Gregory Benford, Ben Bova, David Brin, Cory Doctorow, Neil Gaiman, Joe Haldeman, Harry Harrison, Larry Niven, Vernor Vinge, Gene Wolfe, and others, Gateways is a SF event that will be a must-buy for SF readers of all tastes, from the traditional to the cutting edge; from the darkly serious to the laugh-out-loud funny.

Bandit, murderer, known to all, seen by none...has he killed a thousand men? Has he saved a dozen worlds? His legend is as large as the Rim itself, his trail as elusive as a wisp of starlight in the empty realms of space. The reward for him is the largest in history.

Somewhere on the frontier between thought and reality exists the Discworld, a parallel time and place that might sound and smell very much like our own, but which looks completely different. Particularly as it’s carried though space on the back of a giant turtle (sex unknown). It plays by different rules. But then, some things are the same everywhere. The Disc’s very existence is about to be threatened by a strange new blight: the world’s first tourist, upon whose survival rests the peace and prosperity of the land.

Young Eddie Russett has no ambition to be anything other than a loyal drone of the Collective. With his better-than-average red perception, he could well marry Constance Oxblood and inherit the string works; he may even have enough red perception to make prefect. For Eddie, life looks colorful. Life looks good. But everything changes when he moves with his father, a respected swatchman, to East Carmine. There, he falls in love with a Grey named Jane who opens his eyes to the painful truth behind his seemingly perfect, rigidly controlled society.