When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

In 1921, Marian Arnold, the heiress to a brewing baron’s empire, seeks solace in the glass butterfly house on her family’s Wisconsin estate as Prohibition and the deaths of her parents cast a long shadow over her shrinking world. When Marian’s sanctuary is invaded by nightmarish visions, she grapples with the line between hallucinations of things to come and malevolent forces at play in the present. With dead butterflies as the killer’s ominous signature, murders unfold at a steady pace. Marian, fearful she might be next, enlists the help of her childhood friend Felix.

In the sultry heart of New Orleans, a city haunted by the legacy of Jack the Ripper’s reign of terror in London, a new menace emerges. The year is 1918, and the Axman of New Orleans prowls the cobblestone streets, targeting the city’s large population of Sicilian immigrants. Retired detective Giancarlo Rabito is reluctantly drawn into the shadows, entangled in the pursuit of the Axman, challenging the wide-spread belief that the Mafia is responsible.

1969. When Mattie Taylor’s twin brother was killed in Vietnam, she lost her best friend and the only person who really understood her. Now, news that her mother is dying sends Mattie back home, despite blaming her father for Mark’s death. Mama’s last wish is that Mattie would read some old letters stored in a trunk, from people Mattie doesn’t even know. Mama insists they hold the answers Mattie is looking for.

After the Great War, American heiress Ruby Vaughn made a life for herself running a rare bookstore alongside her octogenarian employer and house mate in Exeter. She’s always avoided dwelling on the past, even before the war, but it always has a way of finding her. When Ruby is forced to deliver a box of books to a folk healer living deep in the Cornish countryside, she is brought back to the one place she swore she’d never return. A more sensible soul would have delivered the package and left without rehashing old wounds. But no one has ever accused Ruby of being sensible.

Iowa, 1903. All of Monticello believes Otis Taylor has been away fostering his musical genius. But the truth is that his father exiled him long ago, rejecting Otis's appearance and the scars that came with it. Now that he is the last living Taylor, Otis has covertly returned to settle his family's affairs and rid himself of his past for good. However, he soon discovers that he may not have been the only abandoned Taylor and begins a tireless search for his missing toddler niece.

After life threw Maggie Walker a few curveballs, she’s happy to be back in the small, Berkshires town where she spent so much time as a child. Marlowe holds many memories for her, and now it also offers a fresh start. Maggie has always loved gardening, so it’s only natural to sign on to help Violet Bloom set up a community garden. When opening day arrives, Violet is nowhere to be found, and the gardeners are restless. Things go from bad to worse when Maggie finds a boot buried in one of the plots… and there’s a body attached to it.

After eight years in India, Oxford's most eligible bachelor, Edmund Price, has come out of the shadows to run for Parliament and is in search of an Egyptologist to value a newly acquired collection. Expecting a renowned Oxford professor, Edmund instead finds himself entangled with Ami, the professor's determined daughter. As they delve into the treasures, their connection deepens, but trouble emerges when a golden griffin—rumored to bear the curse of Amentuk—surfaces, and they're left to wonder if the curse really is at play, or if something more nefarious is hiding among the shadows . . .

When Kathleen 'Kick' Kennedy left London four years ago, Europe was facing war and Billy Cavendish, the man she loved, had told her he could never marry her. Now, as London stands a shell of its former self, Kick returns to volunteer with the Red Cross, determined to do what she can for the city that holds a part of her heart, and to reconnect with Billy - despite what London society thinks of her.

When Ryan's dying father gives him a sealed shoebox with instructions to open once he's passed, Ryan can only speculate on what's inside. The last thing he expects is for his father to take his own life, or for the shoebox to contain ten thousand dollars cash. But the money isn't for Ryan; it's for someone named Jamie Norton. When Ryan learns Jamie is an old friend of the family with a shady past, he looks to his mother for answers.

In 1885 London, Lillian Freemont embarks on a treacherous journey to reunite with her long-lost niece, Alice, who was abandoned at the Foundling Hospital eight years ago. Fueled by her sister’s plea and armed with the gold token that identifies her niece, Lillian teams up with investigative reporter Matthew McGivern to expose the grim reality of the shadowed streets of London. As Lillian and Matthew unravel the mystery of Alice’s disappearance, their partnership blossoms into one of shared purpose and undeniable attraction.

Based on true crimes, The Specimen is a mesmerizing story about one woman’s search for truth and vengeance in the darkest of places—where the deadliest secrets lie hidden in plain sight on a freshly dusted shelf.

Jack Ludlum, who relies on his brawn to get things done, is now paired with his archenemy, Jill Jarred, a brilliant investigator with keen intuition. As they delve into the secret world of incels and white supremacists, and conflict between local authorities and the FBI rages, a media frenzy further complicates the mission.

Summer, 1958. Vivienne Rhodes thinks she’s finally landed her break playing Helen of Troy in Apex Pictures’ big-budget epic, A Thousand Ships, an anticipated blockbuster meant to resurrect the failing studio. Naturally, she’s devastated when she arrives on the remote Italian island of Tavalli and finds herself cast as the secondary character, Cassandra—while her nemesis, the fiancé-stealing Lottie Lawrence, America’s supposed “sweetheart,” is playing the lead role instead.

Left with an estate on the brink of bankruptcy after their father's death, Lady Marigold Fairfax and her brother open a private investigation firm marketed to the elite . . . to spy on the elite. Dubbed The Imposters, Ltd., their anonymous group soon becomes the go-to for the crème of society when they want answers delivered surreptitiously. But the many secrets Marigold learns about her peers pale in comparison to her shock when she and her brother are hired to investigate her best friend's father as a potential traitor.

When German bombs set London ablaze, BBC radio correspondent Hugh Collingwood reports on the Blitz, eager to boost morale while walking the fine line between truth and censorship. But the Germans are not the only ones Londoners have to fear as a series of murders flame up amid the ashes. The deaths hit close to home for Hugh, and Aleida needs his help to locate her missing son. As they work together, they grow closer and closer, both to each other and the answers they seek. But with bombs falling and continued killings, they may be running out of time.