Poet Ocean Vuong’s debut novel is a shattering portrait of a family, a first love, and the redemptive power of storytelling. On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late 20s, the letter unearths a family’s history that began before he was born - a history whose epicenter is rooted in Vietnam - and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of personal and social loss, embodying the paradox of sitting in grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends with the meaning of family and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, these poems circle fragmented lives to find both restoration as well as the epicenter of the break.

In his haunting and fearless debut, Ocean Vuong walks a tightrope of historic and personal violences, creating an interrogation of the American body as a borderless space of both failure and triumph. At once vulnerable and redemptive, dreamlike and visceral, compassionate and unforgiving, these poems seek a myriad existence without forgetting the prerequisite of self-preservation in a world bent on extinguishing its othered voices. Vuong's poems show, through breath, cadence, and unrepentant enthrallment, that a gentle palm on a chest can calm the most necessary of hungers.

Gail Baines is having a bad day. To start, she loses her job—or quits, depending on whom you ask. Tomorrow her daughter, Debbie, is getting married, and she hasn’t even been invited to the spa day organized by the mother of the groom. Then, Gail’s ex-husband, Max, arrives unannounced on her doorstep, carrying a cat, without a place to stay, and without even a suit. But the true crisis lands when Debbie shares with her parents a secret she has just learned about her husband to be. It will not only throw the wedding into question but also stir up Gail and Max’s past.

Most people don’t even notice them—three tiny figures sitting at the end of a long pier in the corner of one of the most famous paintings in the world. Most people think it’s just a depiction of the sea. But Louisa, an artist herself, knows otherwise and she is determined to find out the story of these three enigmatic figures. Twenty-five years earlier, in a distant town, a group of teenagers find refuge from their difficult home lives by spending their days laughing and telling stories out on a pier.

Yiyun Li meets life’s deepest sorrows as she imagines a conversation between a mother and child in a timeless world. Composed in the months after she lost a child to suicide, Where Reasons End trespasses into the space between life and death as mother and child talk, free from old images and narratives. Deeply moving, these conversations portray the love and complexity of a relationship. Written with originality, precision, and poise, Where Reasons End is suffused with intimacy, inescapable pain, and fierce love.

Yiyun Li’s remarkable, defiant work of radical acceptance as she considers the loss of her son James. Things in Nature Merely Grow is a testament to Li’s indomitable spirit.

Keru and Nate are college sweethearts who marry despite their family differences: Keru’s strict, Chinese, immigrant parents demand perfection (“To use a dishwasher is to admit defeat,” says her father), while Nate’s rural, white, working-class family distrusts his intellectual ambitions and his “foreign” wife. Some years into their marriage, the couple invites their families on vacation.

On the surface, Denny Voss’s life in rural Minnesota is a quiet one. At thirty years old, he lives at home with his elderly mother and his beloved blind and deaf Saint Bernard, George. He cleans up roadkill to help pay the bills. Though his prospects are limited by a developmental delay—the result of an accident at birth—Denny has always felt that he has “a good life.” So how did he wind up being charged with the murder of a mayoral candidate—after crashing a sled full of guns into a tree?

Over his decades of experience as a therapist and mindfulness meditation practitioner, Dr. Christopher Germer has learned a paradoxical lesson: We all want to avoid pain, but letting it in and responding compassionately to our own imperfections are essential steps on the path to healing. This wise and eloquent book illuminates the power of self-compassion and offers creative, scientifically grounded strategies for putting it into action.

In the heart of the Maine woods, an experienced Appalachian Trail hiker goes missing. She is forty-two-year-old Valerie Gillis, who has vanished 200 miles from her final destination. Alone in the wilderness, Valerie pours her thoughts into fractured, poetic letters to her mother as she battles the elements and struggles to keep hoping. At the heart of the investigation is Beverly, the determined Maine State Game Warden tasked with finding Valerie, who leads the search on the ground.

On a warm day in September 2000, a woman named Zanhua gave birth to twin girls in a small hut behind her brother’s home in China’s Hunan province. The twins, Fangfang and Shuangjie, were welcome additions to her family but also not her first children. Living under the shadow of China’s notorious one-child policy, Zanhua and her husband decided to leave one twin in the care of relatives, hoping each toddler on their own might stay under the radar. But, in 2002, Fangfang was violently snatched away.

On her wedding day in San Juan, Puerto Rico, in 1968, Rafaela Acuña y Daubón has mild misgivings, but she marries Peter Brennan Jr. anyway in a blaze of romantic optimism. She has no way of knowing how dramatically her life will change when she uproots her young family to start over in the American Midwest, unleashing a fleet of disappointments. In the 1980s, against the backdrop of her mother’s isolation in St. Louis, Missouri, Rafaela’s daughter, Ruth, wants only to belong. Eager to fit in, Ruth lets go of her language, habits, and childhood memories of Puerto Rico. I

John, an impoverished Scottish minister, has accepted a job evicting the lone remaining occupant of an island north of Scotland—Ivar, who has been living alone for decades, with only the animals and the sea for company. Though his wife, Mary, has serious misgivings about the errand, he decides to go anyway, setting in motion a chain of events that neither he nor Mary could have predicted.

One winter morning, Kyungha receives an urgent message from her friend Inseon to visit her at a hospital in Seoul. Inseon has injured herself in an accident, and she begs Kyungha to return to Jeju Island, where she lives, to save her beloved pet—a white bird called Ama. A snowstorm hits the island when Kyungha arrives. She must reach Inseon’s house at all costs, but the icy wind and squalls slow her down as night begins to fall. She wonders if she will arrive in time to save the animal—or even survive the terrible cold that envelops her with every step.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of personal and social loss, embodying the paradox of sitting in grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends with the meaning of family and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, these poems circle fragmented lives to find both restoration as well as the epicenter of the break.

Poet Ocean Vuong’s debut novel is a shattering portrait of a family, a first love, and the redemptive power of storytelling. On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late 20s, the letter unearths a family’s history that began before he was born - a history whose epicenter is rooted in Vietnam - and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation.

In his haunting and fearless debut, Ocean Vuong walks a tightrope of historic and personal violences, creating an interrogation of the American body as a borderless space of both failure and triumph. At once vulnerable and redemptive, dreamlike and visceral, compassionate and unforgiving, these poems seek a myriad existence without forgetting the prerequisite of self-preservation in a world bent on extinguishing its othered voices. Vuong's poems show, through breath, cadence, and unrepentant enthrallment, that a gentle palm on a chest can calm the most necessary of hungers.

Before Arin, Genevieve Yang was an only child. Living with her parents and grandmother in a single-room flat inworking-class Singapore, Genevieve is saddled with an unexpected sibling when Arin appears, the shameful legacy of a grandfather long believed to be dead. As the girls grow closer, they must navigate the intensity of life in a brutally competitive place where the insistence on achievement demands constant sacrifice.

In the wake of a catastrophic storm, Cora sets off with her nine-year-old daughter, Maia, to register her son's birth. Her husband, Gordon, a local doctor, respected in the community but a terrifying and controlling presence at home, intends for her to name the infant after him. But when the registrar asks what she'd like to call the child, Cora hesitates...

From a dazzling new talent, the story of a newly divorced young mother forced to reckon with the secrets of her own childhood when she brings her daughters back to the big house where she was raised.

Ever since her dad left them twenty years ago, it’s just been Madeline Hill and her mom on their farm in Coalfield, Tennessee. While she sometimes admits it’s a bit lonely and a less exciting life than she imagined for herself, it’s mostly OK. Mostly. Then one day Reuben Hill pulls up in a PT Cruiser and informs Madeline that he believes she’s his half sister.

In San Francisco in 1866, an Irish nun, abandoned following a torrid relationship with a Chilean aristocrat, gives birth to a daughter named Emilia del Valle. Raised by a loving stepfather, Emilia grows into an independent thinker and a self-sufficient young woman. To pursue her passion for writing, she is willing to defy societal norms. At the age of seventeen, she begins to publish pulp fiction using a man’s pen name. When these fictional worlds can no longer satisfy her sense of adventure, she turns to journalism, convincing an editor at The Daily Examiner to hire her.

On her wedding day in San Juan, Puerto Rico, in 1968, Rafaela Acuña y Daubón has mild misgivings, but she marries Peter Brennan Jr. anyway in a blaze of romantic optimism. She has no way of knowing how dramatically her life will change when she uproots her young family to start over in the American Midwest, unleashing a fleet of disappointments. In the 1980s, against the backdrop of her mother’s isolation in St. Louis, Missouri, Rafaela’s daughter, Ruth, wants only to belong. Eager to fit in, Ruth lets go of her language, habits, and childhood memories of Puerto Rico. I

Equal parts funny and tender, What Will People Think? is a heart-bursting exploration of what it means to discover and embrace the hidden parts of yourself, and how love in all forms can make you whole.

Yetunde awakens aboard a slave ship en route to the United States with the spirit of her dead sister as her only companion. Desperate to survive the hell that awaits her at their destination, Yetunde finds help in an unexpected form—the Devil himself. The Devil, seeking a way to reenter the pearly gates of heaven, decides to prove himself to an indifferent God by protecting Yetunde and granting her a piece of his supernatural power. In return, Yetunde makes an incredible sacrifice.

Ireland 1973, a baby boy is found on the beach of a close-knit fishing village. Fisherman Ambrose Bonnar offers to bring the child into his own family: his son, Declan, wife, Christine, and up the lane, Christine's sister and aging father. The townspeople remain fascinated by the baby, now named Brendan, as he grows into a strange yet charismatic young man.

His family farm and the surrounding community now emptied by war, young Hani embarks on an epic quest–assisted by a brooding yet brilliant donkey–to find his lost sister in the ruins of Troy. Some war stories transcend time and circumstance, and so it is with the resourceful and heartbroken Hani, who must employ every bit of intelligence, every scrap of ingenuity, and ultimately every ounce of his spirit and humor to withstand the forces of civilization’s collapse.

Nic wants nothing more than to move on—from her sister’s disappearance and the state it’s left her in. But then one day, Jules’s sister, Jenna Connor, walks into her life and offers Nic something she hasn’t felt in a long time: hope. What follows is a gripping tale of two sisters who will do anything to find their missing halves, even if it means destroying everything they’ve ever known.

“The afternoon of September first, dishwater-gray and rainy, a man named Dale Figgo picked up a hitchhiker on Gus Grissom Boulevard in Tangelo Falls, Florida. The hitchhiker, who reminded Figgo of Danny DeVito, asked for a lift to the interstate. Figgo said he’d take him there after finishing an errand.” Thus begins Fever Beach, with an errand that leads—in pure Hiaasen-style—into the depths of Florida at its most Floridian: a sun-soaked bastion of right-wing extremism, white power, greed, and corruption.