In an England fuelled by stories, the knight and the witch are fated to fall in love and doom each other over and over, the same tale retold over hundreds of lifetimes. Simran is a witch of the woods. Vina is a knight of the Queen’s court. When the two women begin to fall for each other, how can they surrender to their desires, when to give in is to destroy each other? As they seek a way to break the cycle, a mysterious assassin begins targeting tales like theirs. To survive, the two will need to write a story stronger than the one that fate has given to them.

Husbands Don and Rodney have lived a good long life. Together they’ve experienced the highest highs of love and family, and lows so low that they felt like the end of the world. Now, the world is ending for real. A wandering black hole is coming for Earth and in a month everything and everyone they’ve ever known will be gone.

Mallory Fontaine is a fraud. Though she comes from a long line of witches, the only magic she possesses is the ability to see ghosts, which is rarely as useful as one would think. She and her sister have maintained the family business, eking out a paltry living by selling fraudulent spells to gullible buyers and conducting tours of the infamous mansion where the first of the Saphir murders took place. Mallory is a self-proclaimed expert on Count Bastien Saphir who brutally killed three of his wives more than a century ago. But she never expected to meet Bastien's great-grandson and heir.

There's a shortage of men in the kingdom of Amarra. After a failed rebellion against the matriarchy, most noblemen in the country are dead. Now the women of Amarra must obtain their husbands (should they want one) by kidnapping them from other kingdoms. Olerra, a warrior princess vying for the throne, is determined to prove her worth by kidnapping a husband. And not just any husband. To outmaneuver her treacherous cousin, she needs the best. Fortunately, the second-born prince of their greatest enemy is widely known for both his looks and his sweet, docile temperament.

Folklore 517: Local Legends and Urban Myths, taught by a woman called the Professor. Most students believe the Professor’s stories are just fiction, but Holland St. James has always been convinced that magic is real. When she tracks down a local legend named the Watch Man, who can supposedly tell you when you’ll die, the world finally makes sense. Except that the Watch Man tells her she will die at midnight tomorrow unless she finds an ancient object called the Alchemical Heart.

In a sprawling mansion filled with peculiar treasures, January Scaller is a curiosity herself. As the ward of the wealthy Mr. Locke, she feels little different from the artifacts that decorate the halls: carefully maintained, largely ignored, and utterly out of place. Then she finds a strange book. A book that carries the scent of other worlds and tells a tale of secret doors, of love, adventure, and danger. Each page turn reveals impossible truths about the world, and January discovers a story increasingly entwined with her own.

Juliet Nightingale is lucky to be alive. Months after a freak accident involving lightning, she’s fully recovered but is left feeling that something is missing from her life. Something big. Impulsively, she decides to take a solo summer road trip, hoping that the journey will lead her down a path that will help her discover exactly what it is that she’s searching for.

Celia discovered her talent for magic on the day her beloved oldest brother Argent left home. Furious at him for abandoning her in a war-torn land, she lashed out, not realizing her childish, angry words would suddenly become imbued with the power of prophecy, dooming him to a life without love. While Argent wanders the world, forced to seek only fame and glory instead of the love and belonging he truly desires, Celia attempts to undo the curse she placed on him. Yet even as she grows from a girl to a woman, she cannot find the solution.

When Samantha Payne’s grandfather dies, she figures she won’t even get a mention in the will. After all, she hasn’t seen him in fourteen years, not since her father took his own life after being accused of murdering a child at their lakefront cottage. Her grandfather always insisted her father was innocent, despite Sam having caught him burying the child’s body, his clothing streaked with blood.

Welcome to Elsewhere. The beaches are marvelous. It’s quiet and peaceful. You can’t get sick, and you’ll never turn even a day older . . . This is where fifteen-year-old Liz Hall ends up, after she has died. It is a place so like Earth yet completely different. Here, Liz will age backward from the day of her death until she becomes a baby and returns to Earth. But Liz wants to turn sixteen, not fourteen again. She wants to get her driver’s license. She wants to graduate from high school and go to college.

In the treacherous waters surrounding Kirkrell, sailors hunting magic whales live in fear of the finfolk—bloodthirsty sea fae who sink ships and curse bloodlines. Nineteen-year-old Annie, as heir to the city's preeminent whaling company, is determined to carry on her parents' life's work. But she keeps a secret from everyone: she's cursed to transform into a monster, with scales spreading up her arms and claws growing from her fingertips.

The night Lyssa Cadogan's brother was murdered by a faerie-made monster known as the Beast, she made him a promise: she would find a way to destroy the immortal creature and avenge his death. For thirteen years, she has been hunting faeries and the abominations they created. But in all that time, the one Beast she is most desperate to find has never resurfaced. Until she meets Alderic Casimir de Laurent, a melodramatic dandy with a coin purse bigger than his brain. Somehow, he has found the monster’s lair, and—even more surprising—retrieved one of its claws.

In 1893, there's no such thing as witches. There used to be, in the wild, dark days before the burnings began, but now witching is nothing but tidy charms and nursery rhymes. If the modern woman wants any measure of power, she must find it at the ballot box. But when the Eastwood sisters - James Juniper, Agnes Amaranth, and Beatrice Belladonna - join the suffragists of New Salem, they begin to pursue the forgotten words and ways that might turn the women's movement into the witch's movement.

Ella is a haunting. Murdered at sixteen, her ghost is furiously trapped in her father's house, invisible to everyone except her stepmother and stepsisters. Even when she discovers how to untether herself from her prison, there are limits. She cannot be seen or heard by the living people who surround her. Her family must never learn she is able to leave. And at the stroke of every midnight, she finds herself back on the staircase where she died.

At Demdike College of Witchcraft, Orlando is an outcast. Not just for being the only shapeshifter in a college of witches. Not just for being a really bad shapeshifter, with no control over their magic or when their body switches between male and female forms. But because their girlfriend Elizabeth died - and it was Lando's fault.