Frederick Fife was born with an extra helping of kindness in his heart. If he borrowed your car, he’d return it washed with a full tank of gas. The problem is there’s nobody left in Fred’s life to borrow from. At eighty-two, he’s desperately lonely, broke, and on the brink of homelessness. But Fred’s luck changes when, in a bizarre case of mistaken identity, he takes the place of grumpy Bernard Greer at the local nursing home. Now he has warm meals in his belly and a roof over his head—as long as his poker face is in better shape than his prostate and that his look-alike never turns up.

It's 1990 in London and Tom Hargreaves has it all: a burgeoning career as a reporter, fierce ambition and a brisk disregard for the "peasants"—ordinary people, his readers, easy tabloid fodder. His star seems set to rise when he stumbles across a sensational scoop: a dead child on a London estate, grieving parents beloved across the neighborhood, and the finger of suspicion pointing at one reclusive family of Irish immigrants and “bad apples”: the Greens. At their heart sits Carmel: beautiful, otherworldly, broken, and once destined for a future beyond her circumstances.

The women of the Cohen family are in crisis. Triggered by the death of their patriarch, Rudy, the glue that held them all together, everyone’s lives soon take a dramatic turn. Shelly, the younger of the two Cohen sisters, runs off to the West Coast to immerse herself in the emerging (and lucrative) world of technology. Her sister, Nancy, gets married at the age of twenty-one to a traveling salesman with a shadowy lifestyle, while their mother, Frieda, hurls herself into a boozy, troubled existence in Miami, trying to forget the past even as it haunts her.

For fans of Cottonmouths by Kelly J. Ford comes Negative Girl: an evocative, moody, neo-noir thriller that explores obsession and people dying across America's forgotten spaces.

Able God works for low pay at a four-star hotel where he must flash his “toothpaste-white smile” for wealthy guests. When not tending to the hotel’s overprivileged clientele, he muses over self-help books and draws life lessons from the game of chess.

What you see isn’t always what you get. Take Ainsley. The gorgeous mother of two lives a picture-perfect life with her husband, Ben—aspiring politician and heir to a candy fortune—in suburban Washington, DC. But in reality, Ainsley has no idea what she’s doing and is terrified someone will figure out who she really is and where she came from.

Born into the Waorani tribe of Ecuador’s Amazon rainforest, Nemonte Nenquimo had a singular upbringing. She was taught about plant medicines, foraging, oral storytelling, and shamanism by her elders. She played barefoot in the forest until she was a teenager and left to study with an evangelical missionary group in the city. But after Nemonte’s ancestors began appearing in her dreams, pleading with her to return and embrace her own culture, she listened. Nemonte returned to the forest and traditional ways of life and became one of the most forceful voices in climate change activism.

Examining murder from an insider’s perspective, Matt Murphy—a former senior deputy district attorney and current ABC News legal analyst—discusses cases from his career, how they strained his personal life, and how he found peace seeking justice for victims and their families. Part taxonomy of murder, part prosecutor’s handbook, and part personal memoir, The Book of Murder goes through a dozen cases and his recollections of his 26 years in the Orange County DA’s office (17 in the Homicide Unit).

Socially awkward Chloe Cooper divides her time between dog walking, bartending, caring for her ailing mother, and at a safe distance, watching people and inventing the stories of their lives. Like Chloe’s new neighbors: glamorous influencer Jemma Spengler and Jemma’s husband, Adam, a renowned surgeon. They’re attractive, wealthy, and in a house of open windows, so exposed.

With a play opening on Broadway, and every reason to smile, Sarah Ruhl has just survived a high-risk pregnancy when she discovers the left side of her face is completely paralyzed. She is assured that 90 percent of Bell’s palsy patients experience a full recovery—like Ruhl’s own mother. But Sarah is in the unlucky ten percent. And for a woman, wife, mother, and artist working in theater, the paralysis and the disconnect between the interior and exterior brings significant and specific challenges.

In A Kid from Marlboro Road, past and present intermingle as family stories are told and retold. The narrative careens between the prior generation’s colorful sojourns in the Bronx and Hell’s Kitchen and the softer world of Gibson, the town on Long Island where they live now. There are scenes in the Rockaways, at Belmont racetrack, and in Montauk. Edward Burns’s buoyant first novel is a bildungsroman, yet out of one boy’s story a collective warmth emerges, a certain kind of American tale, raucous and joyous.

In September of 1892, Oscar Wilde and his family retreated to the idyllic Norfolk countryside for a holiday. His wife, Constance, has every reason to be happy: two beautiful sons, a stellar reputation as an advocate for progressive causes, and a delightfully charming and affectionate husband and father, who is perhaps the most famous man in England. But as an assortment of houseguests arrive, including an aristocratic young wannabe poet named Lord Alfred Douglas, Constance gradually—and then all at once—comes to see that her husband's heart is elsewhere.

After experiencing a terrible loss, New York City psychiatrist Meredith McCall feels painfully adrift. When she crosses paths with a man with whom she has a tragic connection, she follows him, sparking an unhealthy obsession with Gabriel Wright. How is he doing so well while her life is in shambles? But when Gabriel walks into her office as a patient, seemingly unaware of who she is, she knows it crosses all ethical and moral bounds to treat him. Yet, Meredith can’t bring herself to turn him away and becomes further entangled.

Always on the periphery, looking on, young Frankie Howe was never quite sure enough of herself to take center stage—after all, life had already judged her harshly. Now old, Frankie finds it easier to forget the life that came before. Then Damian, a young Irish caretaker, arrives at her London flat, there to keep an eye on her as she recovers from a fall. A memory is sparked, and the past crackles into life as Damian listens to the story Frankie has kept stored away all these years.

It is an unseasonably warm Sunday in November 1957. Katheen, a college tennis champion turned Delaware housewife, decides not to join her flagrantly handsome life insurance salesman husband, Virgil, or their two young boys, at church. Instead, she takes a dip in the kidney-shaped swimming pool of their apartment complex. And then she won’t come out.

Barely 30, Lynette is exhausted. Saddled with bad credit and juggling multiple jobs, some illegally, she’s been diligently working to buy the house she lives in with her mother and developmentally disabled brother Kenny. Portland’s housing prices have nearly quadrupled in 15 years, and the owner is giving them a good deal. Lynette knows it’s their last best chance to own their own home - and obtain the security they’ve never had. While she has enough for the down payment, she needs her mother to cover the rest of the asking price.

Willy Vlautin's award-winning novel Lean on Pete, a moving and compassionate story about a 15-year-old boy's unlikely connection to a failing racehorse as he struggles to find a place to call home - now a major motion picture from A24, the studio behind Moonlight and Lady Bird. Fifteen-year-old Charley Thompson wants a home, food on the table, and a high school he can attend for more than part of a year. But as the son of a single father working in warehouses across the Pacific Northwest, Charley's been pretty much on his own.

With "echoes of Of Mice and Men" (The Bookseller, UK), The Motel Life explores the frustrations and failed dreams of two Nevada brothers - on the run after a hit-and-run accident - who, forgotten by society, and short on luck and hope, desperately cling to the edge of modern life.

From the porch of his home, Charles Lamosway has watched the life he might have had unfold across the river on Maine’s Penobscot Reservation. On the far bank, he caught brief moments of Roger and Mary raising their only child, Elizabeth from the day she came home from the hospital to her early twenties. But there’s always been something deeper and more dangerous than the river that divides him from this family and the rest of the tribal community. It’s the secret that Elizabeth is his daughter, a secret Charles is no longer willing to keep.

Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack.

Gela Nathaniel, head of Royal Hastings University’s new Multimedia Art course, must find six students from all walks of life across the United Kingdom for her new master’s program before the university cuts her funding. The students are nothing but trouble from day one. When the examiner, the man hired to grade students’ final workssifts through the students’ final essays, texts, and message boards, he becomes convinced that someone is in danger…or already dead.

Timothy C. Winegard’s The Horse is an epic history unlike any other. Its story begins more than 5,500 years ago on the windswept grasslands of the Eurasian Steppe; when one human tamed one horse, an unbreakable bond was forged and the future of humanity was instantly rewritten, placing the reins of destiny firmly in human hands. Since that pivotal day, the horse has carried the history of civilizations on its powerful back.

What you see isn’t always what you get. Take Ainsley. The gorgeous mother of two lives a picture-perfect life with her husband, Ben—aspiring politician and heir to a candy fortune—in suburban Washington, DC. But in reality, Ainsley has no idea what she’s doing and is terrified someone will figure out who she really is and where she came from.

Born into the Waorani tribe of Ecuador’s Amazon rainforest, Nemonte Nenquimo had a singular upbringing. She was taught about plant medicines, foraging, oral storytelling, and shamanism by her elders. She played barefoot in the forest until she was a teenager and left to study with an evangelical missionary group in the city. But after Nemonte’s ancestors began appearing in her dreams, pleading with her to return and embrace her own culture, she listened. Nemonte returned to the forest and traditional ways of life and became one of the most forceful voices in climate change activism.

Frederick Fife was born with an extra helping of kindness in his heart. If he borrowed your car, he’d return it washed with a full tank of gas. The problem is there’s nobody left in Fred’s life to borrow from. At eighty-two, he’s desperately lonely, broke, and on the brink of homelessness. But Fred’s luck changes when, in a bizarre case of mistaken identity, he takes the place of grumpy Bernard Greer at the local nursing home. Now he has warm meals in his belly and a roof over his head—as long as his poker face is in better shape than his prostate and that his look-alike never turns up.

From the New York Times bestselling author of Midnight in Chernobyl comes the definitive, dramatic, minute-by-minute story of the Challenger disaster, based on fascinating in-depth reporting and new archival research—a riveting history that flows like a thriller.

Washington’s End begins where most biographies of George Washington leave off, with the first president exiting office after eight years and entering what would become the most bewildering stage of his life. Embittered by partisan criticism and eager to return to his farm, Washington assumed a role for which there was no precedent at a time when the kings across the ocean yielded their crowns only upon losing their heads. In a different sense, Washington would lose his head, too.

Able God works for low pay at a four-star hotel where he must flash his “toothpaste-white smile” for wealthy guests. When not tending to the hotel’s overprivileged clientele, he muses over self-help books and draws life lessons from the game of chess.

Gail Baines is having a bad day. To start, she loses her job—or quits, depending on whom you ask. Tomorrow her daughter, Debbie, is getting married, and she hasn’t even been invited to the spa day organized by the mother of the groom. Then, Gail’s ex-husband, Max, arrives unannounced on her doorstep, carrying a cat, without a place to stay, and without even a suit. But the true crisis lands when Debbie shares with her parents a secret she has just learned about her husband to be. It will not only throw the wedding into question but also stir up Gail and Max’s past.

For decades, Nick Burns has been haunted by a decision he made as a young soldier in World War I, when a French artist he’d befriended thrust both her paintings and her baby into his hands—and disappeared. In 1974, with only months left to live, Nick enlists Jenny, a college dropout desperate for adventure, to help him unravel the mystery. The journey leads them from Paris galleries and provincial towns to a surprising place: the Museum of Tears, the life’s work of a lonely Italian craftsman.