Amara's journey has taken her far; from a slave in Pompeii's wolf den to a high-powered courtesan in Rome...though her story is not over yet. While Amara plays for power in Rome's imperial palace, those dearest to her remain in Pompeii. But it is AD 79, and mighty Mount Vesuvius is about to make itself known.

Twenty-year-old Violet Sorrengail was supposed to enter the Scribe Quadrant, living a quiet life among books and history. Now, the commanding general—also known as her tough-as-talons mother—has ordered Violet to join the hundreds of candidates striving to become the elite of Navarre: dragon riders. But when you’re smaller than everyone else and your body is brittle, death is only a heartbeat away...because dragons don’t bond to “fragile” humans. They incinerate them. With fewer dragons willing to bond than cadets, most would kill Violet to better their own chances of success.

When Princess Atalanta is born, a daughter rather than the son her parents hoped for, she is left on a mountainside to die. But even then, she is a survivor. Raised by a mother bear under the protective eye of the goddess Artemis, Atalanta grows up wild and free, with just one condition: if she marries, Artemis warns, it will be her undoing. Although she loves her beautiful forest home, Atalanta yearns for adventure. When Artemis offers her the chance to fight in her name alongside the Argonauts, the fiercest band of warriors the world has ever seen, Atalanta seizes it.

You are born to a king, but marry a tyrant. You stand helplessly as he sacrifices your child to placate the gods. You watch him wage war on a foreign shore and you comfort yourself with violent thoughts of your own. You play the part, fooling enemies who deny you justice. And slowly, you plot. But when your husband returns in triumph, what then? Acceptance or vengeance—death follows both. So you bide your time and force the gods' hands in a wretched game of vengeance.

In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe is a strange child—not powerful, like her father, nor viciously alluring like her mother. Turning to the world of mortals for companionship, she discovers that she does possess power—the power of witchcraft, which can transform rivals into monsters and menace the gods themselves.

This heart-stirring tale of a young slave girl, torn between her love for a handsome aristocrat and her faith in God, transcends genres with its awe-inspiring power and emotional intensity.

Told with humour and heart, Herc gives voice to the silenced characters, in this feminist, queer (and sometimes shocking) retelling of classic Hercules myth.

The only mortal in a family of gods, Medusa is the youngest of the Gorgon sisters. Unlike her siblings, Medusa grows older, experiences change, feels weakness. Her mortal lifespan gives her an urgency that her family will never know.

Daughter of an ousted king, descendant of ancient druids, Gruoch (GREW-ock), has grown up believing that she will be crowned queen of Alba and reclaim the lands of her Pictish kin, a prophecy seemingly fulfilled by her betrothal to Duncan, the heir-elect.

Ariadne, Princess of Crete, grows up greeting the dawn from her beautiful dancing floor and listening to her nursemaid’s stories of gods and heroes. But beneath her golden palace echo the ever-present hoofbeats of her brother, the Minotaur, a monster who demands blood sacrifice. When Theseus, Prince of Athens, arrives to vanquish the beast, Ariadne sees in his green eyes not a threat but an escape. Defying the gods, betraying her family and country, and risking everything for love, Ariadne helps Theseus kill the Minotaur.

Even before they were transformed into Gorgons, Medusa, Stheno, and Euryale were unique among their immortal family. Curious about mortals and their lives, Medusa and her sisters entered the human world in search of a place to belong, yet quickly found themselves at the perilous center of a dangerous Olympian rivalry and learned—too late—that a god's love is a violent one.

In the ancient kingdom of Dumnonia, there is old magic to be found in the whisper of the wind, the roots of the trees, the curl of the grass. King Cador knew this once, but now the land has turned from him, calling instead to his three children. Riva can cure others, but can’t seem to heal her own deep scars. Keyne battles to be accepted for who he truly is—the king’s son. And Sinne dreams of seeing the world, of finding adventure.

When Clytemnestra marries Agamemnon, she ignores the insidious whispers about his family line, the House of Atreus. But when, on the eve of the Trojan War, Agamemnon betrays Clytemnestra in the most unimaginable way, she must confront the curse that has long ravaged their family. In Troy, Princess Cassandra has the gift of prophecy, but carries a curse of her own: No one will ever believe what she sees. When she is shown what will happen to her beloved city when Agamemnon and his army arrives, she is powerless to stop the tragedy from unfolding.

The tellers of Greek myths—historically men—have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil—like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world’s suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over.

Alexander the Great died at the age of thirty-three, leaving behind an empire that stretched from Greece and Egypt to India.After Alexander's death in 323 B.C. his only direct heirs were two unborn sons and a simpleton half-brother. Every long-simmering faction exploded into the vacuum of power. Wives, distant relatives and generals all vied for the loyalty of the increasingly undisciplined Macedonian army. Most failed and were killed in the attempt.