Rough-around-the-edges Harriet Morrow has long been drawn to the idea of whizzing around the city on her bicycle as a professional detective, solving crimes for a living without having to take a husband. She seizes the chance when the prestigious Prescott Agency hires her as its first woman operative. The move sparks controversy—with skeptical male colleagues, a high-strung office secretary, and her boss, Mr. Theodore Prescott, all waiting for her to unravel under the pressure.

Wit’s End isn’t just a state of mind. It’s the name of a gravel road, the address of a rundown, off-the-grid cabin, 120 shabby square feet of fixer-upper Patrick Hutchison purchased on a whim in the mossy woods of the Cascade Mountains in Washington state. To say Hutchison didn’t know what he was getting into is no more an exaggeration than to say he’s a man with nearly zero carpentry skills. Well, used to be. You can learn a lot over six years of renovations. CABIN is the story of those renovations, but it's also a love story; of a place, of possibilities, and of the process of construction.

In imagining a Viking, a certain image springs to mind: a barbaric warrior, leaping ashore from a longboat, and ready to terrorize the hapless local population of a northern European town. Yet while such characters define our imagination of the Viking Age today, they were in the minority. Instead, in the time-stopping soils, water, and ice of the North, Eleanor Barraclough excavates a preserved lost world, one that reimagines a misunderstood society.

Every Tudor Queen had ladies-in-waiting. They were her confidantes and her chaperones. Only the Queen's ladies had the right to enter her most private chambers, spending hours helping her to get dressed and undressed, caring for her clothes and jewels, listening to her secrets. But they also held a unique power. A quiet word behind the scenes, an appropriately timed gift, a well-negotiated marriage alliance were all forms of political agency wielded expertly by women.

The London suburb of Croydon, 1964: Helen Hansford is unmarried and in her thirties. Something of a disappointment to her middle-class parents, she’s an art therapist at the Westbury Park psychiatric hospital, where she has been having a rebellious love affair with her colleague Gil, a dashing but married doctor. One spring afternoon they receive a call about a disturbance at a derelict, vine-covered Victorian house a few miles up the road. There the police find a mute, thirty-seven-year-old man called William Tapping, his hair and beard down to his waist.

On the cusp of turning eighty, newly retired pharmacist Augusta Stern is adrift. When she relocates to Rallentando Springs—an active senior community in southern Florida—she unexpectedly crosses paths with Irving Rivkin, the delivery boy from her father’s old pharmacy—and the man who broke her heart sixty years earlier.

At a former sanatorium in the north of Iceland, now a hospital ward, an old nurse, Yrsa, is found murdered. Detective Hulda Hermannsdottir and her boss, Sverrir, are sent to investigate her death. There, they discover five suspects: the chief physician, two junior nurses, a young doctor, and the caretaker, who is arrested following false testimony from one of the nurses, but subsequently released. Less than a week after the murder, the chief physician, is also found dead, having apparently fallen from a balcony.

Burnt out and in need of retreat, a middle-aged woman leaves Sydney to return to the place she grew up, taking refuge in a small religious community hidden away on the stark plains of rural Australia. She doesn't believe in God, or know what prayer is, and finds herself living this strange, reclusive existence almost by accident.

1994: When Gardas Julia Harte and Adrian Clancy are called out to a sleepy housing estate in Cork to investigate a noise complaint, they are entirely unprepared for what they find. What happens next will haunt Julia for the rest of her career, leaving her plagued with nightmares and terrified of the dark. There is a serial killer at work in Cork, one as clever as he is deadly. Julia may not be a detective yet, but after the harrowing events of that night, she is determined to be the one to catch him…

August 2020. Sophia, a young playwright, awaits her father’s verdict on her new show. A famous author whose novels haven’t aged as gracefully into the modern era as he might have hoped, he is completely unaware that the play centers around a vacation the two took years earlier to an island off Sicily, where he dictated to her a new book. Sophia’s play has been met with rave reviews, but her father has studiously avoided reading any of them.

London, 1921: Mabel Canning is proud to be a modern woman working for the Useful Women’s Agency, carrying out tasks for gentlewomen from flower arranging to washing muddy dogs. But when she answers the door for wealthy widow Rosalind Despard, she almost chokes on her cucumber sandwich when she finds a soldier’s body on the doorstep. As she offers tea to the policemen of Scotland Yard, Mabel can’t resist getting drawn into the investigation.

It is spring 1919, and John Sawtelle’s imagination has gotten him into trouble … again. Now John and his newlywed wife, Mary, along with their two best friends and their three dogs, are setting off for Wisconsin’s northwoods, where they hope to make a fresh start—and, with a little luck, discover what it takes to live a life of meaning, purpose and adventure. But the place they are headed for is far stranger and more perilous than they realize, and it will take all their ingenuity, along with a few new friends—human, animal, and otherworldly—to realize their dreams.

Caroline Grant is struggling to accept the end of her marriage when she receives an unexpected bequest. Her beloved great-aunt Lettie leaves her a sketchbook, three keys, and a final whisper...Venice. Caroline’s quest: to scatter Juliet “Lettie” Browning’s ashes in the city she loved and to unlock the mysteries stored away for more than 60 years.

A dazzling collection of eleven interconnected stories from the bestselling, award-winning author of Shrines of Gaiety and Life After Life, with everything that listeners love about her novels—the inventiveness, the verbal felicity, the sharp observations on human nature, and the deeply satisfying emotional wallop.

An exhilarating, twisted tale of desire, suspicion, and obsession between two women staying in the same house in the Dutch countryside during the summer of 1961—a powerful exploration of the legacy of WWII and the darker parts of our collective past.

Lana Fleming’s sister has vanished from the set of TV’s hottest show, and no one seems to care. Desperate for answers, Lana sneaks in as an extra, only to get stranded with Griffin Hart, an A-list action star with a reputation for good abs and bad decisions. Though Griffin didn’t expect to be cast as a librarian’s sidekick in a real-life thriller, he’s weirdly into it—and into her. Even more unsettling—she sees right through his playboy persona. But their meet-cute soon turns deadly when they uncover a Hollywood scandal for the ages.

It’s Valentine’s Day weekend, and Charlotte and Seth are not looking for romance. Armed with emotional-support bear spray, Charlotte is in self-imposed isolation and on guard from men. Having a stalker can do that to a person’s nerves. Just across the hall and giving off woodsy vibes is Seth, a recently divorced arborist. As in today recently. Heights, he’s fine with. Trust? Not so much.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Liv’s happy with life in her thirties. She has two cats, one BFF, and no boyfriend, which is just how she likes it. Plus, she loves working at a not-for-profit software company where she can be her authentically autistic self. This is her happy ever after. But when her beloved firm merges with a repulsive rival, Liv finds herself competing with her sort-of-ex for the top job. Sure, Finn had been Liv’s best friend, with his nerdy good looks and their shared love of Tolkien, but there was that one night, their song, and … well, she doesn’t like to talk about it.

Meet Randi Burnett—she’s brilliant, she’s beautiful, and she works for the bride. Missing groom? Intoxicated in-laws? Crying ring-bearer? You name it, she wrangles it. Too bad her personal life isn’t thriving like her side gig as a bridesmaid for hire. Recently dumped, Randi throws herself into her biggest challenge yet when she’s hired as a maid of honor and pretend best friend for an ice queen bride. There’s just one problem—the best man is infuriating, overprotective, and anti-marriage.

New Brunswick, 1934. When a cook in a logging camp finds an orphaned baby bear, he brings it home to his wife, who names the cub Bruno and raises him alongside her newborn daughter, Pearly. Growing up, Pearly and Bruno share a special bond and become inseparable. While life in the camp can be perilous—loggers are regularly injured or even killed—the Everlasting family form a close-knit community with the woodsmen, who accept and embrace the tame young bear.

Late on a frozen February evening, a young woman is running through the streets of London. Having fled from her abusive boyfriend and with nowhere to go, Jess stumbles onto a forgotten lane where a small, clearly unlived in old house offers her best chance of shelter for the night. The next morning, a mysterious letter arrives and when she can't help but open it, she finds herself drawn inexorably into the story of two lovers from another time.

Selina Lennox is a Bright Young Thing. Her life is a whirl of parties and drinking, pursued by the press and staying on just the right side of scandal, all while running from the life her parents would choose for her. Lawrence Weston is a penniless painter who stumbles into Selina's orbit one night and can never let her go even while knowing someone of her stature could never end up with someone of his. Except Selina falls hard for Lawrence, envisioning a life of true happiness. But when tragedy strikes, Selina finds herself choosing what's safe over what's right.

The London suburb of Croydon, 1964: Helen Hansford is unmarried and in her thirties. Something of a disappointment to her middle-class parents, she’s an art therapist at the Westbury Park psychiatric hospital, where she has been having a rebellious love affair with her colleague Gil, a dashing but married doctor. One spring afternoon they receive a call about a disturbance at a derelict, vine-covered Victorian house a few miles up the road. There the police find a mute, thirty-seven-year-old man called William Tapping, his hair and beard down to his waist.

November 1989. The Berlin Wall has just fallen when the East German couple Inge and Walter, following a secret dream they've harbored all their lives, set out for life in the West. Carl, their son, refuses to keep watch over the family home and instead heads to Berlin, where he lives in his father's car until he is taken in by a group of squatters. Led by a shepherd and his goat, the pack of squatters sets up the first alternative bar in East Berlin and are involved in guerrilla occupations.

When Lee Metoyer is hired to be the new housekeeper, she has no idea that she’s about to become the anchor to a family in an abusive patriarch’s home, setting a mystery in motion that will take decades to uncover. At the age of seventy-two, Lee falls ill and on her deathbed asks Sandy to write her story. The only problem is, Sandy doesn’t know the story. Embarking on a quest to honor Lee’s final wishes, Sandy takes an emotional and thrilling journey, unveiling shocking truths not only about her beloved housekeeper but also her own upbringing.

In this "immersive, densely reported, and altogether remarkable first book [with] the texture and color of a first-rate novel" (New York Times), journalist Doug Bock Clark tells the epic story of the world's last subsistence whalers and the threats posed to a tribe on the brink. Deeply empathetic and richly reported, The Last Whalers is a riveting, powerful chronicle of the collision between one of the planet's dwindling indigenous peoples and the irresistible enticements and upheavals of a rapidly transforming world.

Mrs. King is no ordinary housekeeper. Born into a world of con artists and thieves, she’s made herself respectable, running the grandest home in Mayfair. The place is packed with treasures, a glittering symbol of wealth and power, but dark secrets lurk in the shadows.

Diagnosed with terminal cancer, retired marine biologist Delphine is on the brink of throwing in the towel. She has outlived her PI husband and worries she’s become a burden to her son and his growing family. One night, while contemplating how to go on, Delphine witnesses a violent argument between a man and his girlfriend. When Delphine discovers the woman has gone missing along with her young child, Delphine embarks on a quest to find them.

Thomas Tallis, inspector of provenance, has just arrived in Edinburgh, Scotland, to authenticate The Goldenacre, a masterpiece by iconic Scottish architect and painter Charles Rennie Mackintosh. Still dealing with a miserable divorce and the fallout from a disastrous job in London, Tallis is eager to sign off on the painting and leave. It should be simple, as the painting has been owned by one noble family since the ’20s. But then a horrifying parcel arrives on Tallis’ desk, and the threatening message is clear: Someone doesn’t want him inspecting the painting.

Eighty-year-old Mieke Geborn’s life is one of quiet routine. Widowed for many years, she enjoys the view from her home on the New Jersey shore, visits with friends, and tai chi at the local retirement community. But when her beloved grandson, Will, and his wife, Teru, show up for a visit, things are soon upended. Their marriage is threatening to unravel, and Will has questions for his grandmother—questions about family secrets that have been lost for decades and are now finally rising to the surface.

Sarajevo, spring 1992. Each night, nationalist gangs erect makeshift barricades, splitting the city into ethnic enclaves. Each morning, the people who live there—whether Muslim, Croat, or Serb—push the barriers aside. When violence erupts and becomes, finally, unavoidable, Zora, an artist and teacher, sends her husband and elderly mother to safety in England. She stays behind, reluctant to believe that hostilities will last more than a few weeks. As the city falls under siege, everything she loves about her home is laid to waste, black ashes floating over the rooftops.

It’s 1913 when Mina, the young and carefree daughter of a Jewish merchant, roams into a forest on the edge of the Baltic Sea looking for mushrooms. Instead, she encounters a gang of unruly, charismatic Bolsheviks—an adventure that will become the stuff of familial lore for generations to come. Intending to save her from further corruption, and in an act that forever changes the trajectory of their family’s life, Mina and her eldest brother, Jossel, board a ship to England.

In 1938, a dead whale washes up on the shores of remote Welsh island. For Manod, who has spent her whole life on the island, it feels like both a portent of doom and a symbol of what may lie beyond the island's shores. A young woman living with her father and her sister (to whom she has reluctantly but devotedly become a mother following the death of their own mother years prior), Manod can't shake her welling desire to explore life beyond the beautiful yet blisteringly harsh islands that her hardscrabble family has called home for generations.

Eighty-one-year-old widow Maggie Burkhardt came to the Royal Karnak to escape. But not in quite the same way as most other guests who are relaxing at this hotel on the banks of the Nile. Maggie, a compulsive fixer of other people’s lives, may have found herself in hot water at her last hotel in Switzerland and just might have needed to get out of there fast. But here at the Royal Karnak, under the hot Saharan sun, she has a comfortable suite, a loyal confidante in the hotel manager, Ahmed, and a handful of sympathetic friends. One morning, however, Maggie notices a new arrival at check-in.