Instructed to abandon her intellectual life and avoid stimulating company, she sinks into a still-deeper depression invisible to her husband, who believes he knows what is best for her. Alone in the yellow-wallpapered nursery of a rented house, she descends into madness.

Inside a hidden panel in an antique desk, a man discovers a long braid of hair. And the contemplation of this head of hair drives him mad. Do spirits really come back to inhabit the forms they left in this world?

In the secluded Dutch territory of Sleepy Hollow, nebbish schoolmaster Ichabod Crane competes with the town hero for the hand of Katrina Van Tassel, the 18-year-old daughter and sole child of a wealthy farmer. As Crane leaves a party at the Van Tassel's farm one autumn evening, he is pursued by the Headless Horseman, an apparition said to be the ghost of a Hessian trooper snuffed out by a stray cannonball.

H. P. Lovecraft is arguably the most important horror writer of the 20th century. Culled from his 1927 essay "Supernatural Horror in Literature”, Lovecraft acknowledges those authors and stories that he feels are the very finest the horror field has to offer, including Washington Irving, Edgar Allan Poe, Henry James, Rudyard Kipling, Bram Stoker, Robert Louis Stevenson, Guy de Maupassant, Ambrose Bierce, and Arthur Conan Doyle. This chilling collection includes 20 works, each prefaced by Lovecraft's own opinions and insights in each author’s work.

Rip Van Winkle lived in a quiet colonial town, and had a habit of attending to everyone else's chores. Henpecked and poor, he goes squirrel hunting in the woods one day, only to exit twenty years later.

An ancient alchemist drags out his weary life in search of the elixir of immortality. But, when his vengeful assistant quaffs the mixture, he discovers that the effects of the draft of immortality may never wear off. Mary Shelley explores the concept of immortality, following a character that never ages through a ponderous and thought provoking life.

Benjamin Button was literally born an old man. He lived a backwards life, for his body grew younger as the years passed him by. Come and listen to the original, unabridged story by F. Scott Fitzgerald which inspired the movie.

An invisible alien parasite slowly takes over the penetrating mind of a French nobleman. He slowly loses control over his thoughts, his words, and his deeds. Is it insanity? Or is it the Horla?

Inspector Nayland Smith has unearthed a plot that could mean the end of civilization as we know it. He's just arrived in London, chasing the greatest criminal mind ever to come from the East. But when he arrives to warn Sir Crichton Davies that he is in danger, he finds he is too late. Sir Crichton has become the first victim of the insidious Dr. Fu-Manchu.

In The Invisible Man, a scientist theorizes that if a person's refractive index is changed to exactly that of air his body does not absorb or reflect light, then he will not be visible. He successfully carries out this procedure on himself, but cannot become visible again, becoming mentally unstable as a result. In The Time Machine, we follow the Time Traveller to the year 802,701 A.D.. He finds a golden race of small, soft, innocent people. But what is it that lurks in the dark shadows?

One of the most revered works in English literature, Great Expectations traces the coming of age of a young orphan, Pip, from a boy of shallow aspirations into a man of maturity. From the chilling opening confrontation with an escaped convict to the grand but eerily disheveled estate of bitter old Miss Havisham, all is not what it seems in Dickens’ dark tale of false illusions and thwarted desire.

This final play from the pen of Oscar Wilde is a stylish send-up of Victorian courtship and manners, complete with assumed names, mistaken lovers, and a lost handbag. Jack and Algernon are best friends, both wooing ladies who think their names are Ernest, "that name which inspires absolute confidence". Wilde's effervescent wit, scathing social satire, and high farce make this one of the most cherished plays in the English language.

Bradbury's Mars is a place of hope, dreams, and metaphor - of crystal pillars and fossil seas - where a fine dust settles on the great, empty cities of a silently destroyed civilization. It is here the invaders have come to despoil and commercialize, to grow and to learn - first a trickle, then a torrent, rushing from a world with no future toward a promise of tomorrow. The Earthman conquers Mars...and then is conquered by it, lulled by dangerous lies of comfort and familiarity, and enchanted by the lingering glamour of an ancient, mysterious native race.

The story tells the tale of an introverted academic who happens upon a strange whistle while exploring a cemetery on the East Anglian coast. When blown, the whistle unleashes a supernatural force that terrorises its discoverer. Montague Rhodes James was a noted British mediaeval scholar and provost of King's College, Cambridge (1905–1918) and of Eton College (1918–1936). He is best remembered for his ghost stories which are widely regarded as among the finest in English literature.

When an eccentric Englishman named Phileas Fogg makes a daring wager that he can circle the globe in just eighty days, it’s the beginning of a breathlessly-paced world tour. With his devoted servant Passepartout at his side, Fogg sets off on an adventurous journey filled with amazing encounters and wild mishaps. Pursued all the way by the bumbling Detective Fix, who believes the two travelers are bank robbers on the run, Fogg and Passepartout must use every means of transportation known to 19th-century man - including a hot-air balloon, a locomotive, and an elephant - to win the bet.

H. P. Lovecraft is arguably the most important horror writer of the 20th century. Culled from his 1927 essay "Supernatural Horror in Literature”, Lovecraft acknowledges those authors and stories that he feels are the very finest the horror field has to offer, including Washington Irving, Edgar Allan Poe, Henry James, Rudyard Kipling, Bram Stoker, Robert Louis Stevenson, Guy de Maupassant, Ambrose Bierce, and Arthur Conan Doyle. This chilling collection includes 20 works, each prefaced by Lovecraft's own opinions and insights in each author’s work.

Edgar Allan Poe, the master of terror, wrote some of literature's most entertaining and influential short stories, works that invented or anticipated modern detective novels, science fiction, and the horror genre. Tales of Terror collects nine of Poe's best-loved stories, all performed in chilling, highly dramatic readings by Jack Foreman. This collection includes such classics as "The Tell-Tale Heart", "The Pit and the Pendulum", "The Fall of the House of Usher", and what many consider his masterpiece, "The Murders in the Rue Morgue."

Ghost stories date back centuries, but those written in the Victorian era have a unique atmosphere and dark beauty. Michael Sims, whose previous Victorian collections Dracula’s Guest (vampires) and The Dead Witness (detectives) have been widely praised, has gathered twelve of the best stories about humanity’s oldest supernatural obsession. The Phantom Coach includes tales by a surprising and often legendary cast, including Charles Dickens, Margaret Oliphant, Henry James, Rudyard Kipling, and Arthur Conan Doyle, as well as lost gems by forgotten masters such as Mary E. Wilkins Freeman and W. F. Harvey. Amelia B. Edwards’s chilling story gives the collection its title, while Ambrose Bierce ("The Moonlit Road"), Elizabeth Gaskell ("The Old Nurse’s Story"), and W. W. Jacobs ("The Monkey’s Paw") will turn you white as a sheet. With a skillful introduction to the genre and notes on each story by Sims, The Phantom Coach is a spectacular collection of ghostly Victorian thrills.

A big, brilliant, spooky collection of classic and contemporary ghost stories that will make you hesitate before turning off that light.

This volume features William F Harvey's original undead hand story "The Beast with Five Fingers" that sparked many movies including Sam Raimi's "The Evil Dead". Poe's classic "The Tell Tale Heart" is joined by Lovecraft's creepy tale of alienation "The Outsider", and a chilling Dickens ghost story "The Signalman".

Now, Bram Stoker's Dracula - the pinnacle of Gothic horror for generations - rises again. When young English lawyer Jonathan Harker arrives in Transylvania on the eve of Saint George's Day, he cannot shake a strange feeling of uneasiness. The air grows colder as he arrives at his destination: the castle of Count Dracula. Jonathan has been summoned by the count for business, and while he finds his new host obliging and polite, he can't help but notice the man's pallid skin, odd lack of appetite, and long daytime absences.

A mysterious island, shrouded in fear, evil, and darkness. Here the amoral General Zaroff hunts. And what, you ask, is the most dangerous game? It is the manner and substance of his nightly killings.

Wharton's most erotic and lyrical novel, Summer explores a daring theme for 1917, a woman's awakening to her sexuality. Eighteen-year-old Charity Royall lives in the small town of North Dormer, ignorant of desire until the arrival of architect Lucius Harney. Like the succulent summer landscape in the Berkshires around them, Charity's romance is lush and picturesque, but its consequences are harsh and real.

In what many refer to as one of the first and greatest science fiction thrillers, a mysterious stranger wanders into an inn, wrapped head-to-toe in bandages. What lies beneath the bandages is something even more mysterious. As Wells tackles issues of identity, deception, and the deterioration of the human mind, listeners will be drawn into the story of the mysterious man, whose own mistakes end up whisking him into a whirlwind of deceit, terror, and even murder. In the end, the question will be asked: when your sense of self and identity vanish, who will you become?

Flann O'Brien's most popular and surrealistic novel concerns an imaginary, hellish village police force and a local murder.

Weird, satirical, and very funny, its popularity has suddenly increased with the mention of the novel in the TV series Lost.

Mark Gatiss ( Sherlock, Doctor Who, Game of Thrones) reads chilling tales by the unsung master of the classic ghost story: E. F. Benson. There's nothing sinister about a London bus. Nothing supernatural could occur on a busy train platform. There's nothing terrifying about a little caterpillar. And a telephone, what could be scary about that? Don't be frightened of the dark corners of your room. Don't be alarmed by a sudden inexplicable chill.

This dark psychological fantasy is more than a moral tale. It is also a product of its time, drawing on contemporary theories of class, evolution and criminality, and the secret lives behind Victorian propriety, to create a unique form of urban Gothic.

The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

Machen's novella The Great God Pan is often cited as one of Lovecraft's most notable influences. In it, Dr. Raymond's ultimate goal is to devise a way to open the mind of man so that he may experience all the world has to offer. He calls this "seeing the great god Pan". After much study of the human mind, he devises an experiment that involves minor brain surgery. He performs this experiment on a young woman named Mary, but when she awakens she is terrified and mentally crippled.

The story tells the tale of an introverted academic who happens upon a strange whistle while exploring a cemetery on the East Anglian coast. When blown, the whistle unleashes a supernatural force that terrorises its discoverer. Montague Rhodes James was a noted British mediaeval scholar and provost of King's College, Cambridge (1905–1918) and of Eton College (1918–1936). He is best remembered for his ghost stories which are widely regarded as among the finest in English literature.