From the USA Today bestselling author of Nora Goes Off Script, a novel about a former adolescent TV punch line who has left her awkwardness in the rearview mirror thanks to a fake-it-till-you-make-it mantra that has her on the cusp of success, until she tells a lie that sets her on a crash course with her past, spending a week on Long Island with the last man she thinks might make her believe in love.

Maya Killgore is twenty-three and still in the process of figuring out her life. Conor Harkness is thirty-eight, and Maya cannot stop thinking about him. It’s such a cliché, it almost makes her heart implode: older man and younger woman; successful biotech guy and struggling grad student; brother’s best friend and the girl he never even knew existed. As Conor loves to remind her, the power dynamic is too imbalanced. Any relationship between them would be problematic in too many ways to count, and Maya should just get over him.

Good things happen at the lake. That’s what Alice’s grandmother says, and it’s true. Alice spent just one summer there at a cottage with Nan when she was seventeen—it’s where she took that photo, the one of three grinning teenagers in a yellow speedboat, the image that changed her life. Now Alice lives behind a lens. As a photographer, she’s most comfortable on the sidelines, letting other people shine. Lately though, she’s been itching for something more, and when Nan falls and breaks her hip, Alice comes up with a plan for them both: another summer in that magical place, Barry’s Bay.

Fast-paced, thrilling, and emotional, Atmosphere is Taylor Jenkins Reid at her best: transporting listeners to iconic times and places, creating complex protagonists, and telling a passionate and soaring story about the transformative power of love—this time among the stars.

Emma Wheeler desperately longs to be a screenwriter. She’s spent her life studying, obsessing over, and writing romantic comedies—good ones! That win contests! But she’s also been the sole caretaker for her kind-hearted dad, who needs full-time care. Now, when she gets a chance to re-write a script for famous screenwriter Charlie Yates—The Charlie Yates! Her personal writing god!—it’s a break too big to pass up.

Sadie Montgomery never saw what was coming . . . Literally! One minute she’s celebrating the biggest achievement of her life—placing as a finalist in the North American Portrait Society competition—the next she’s lying in a hospital bed diagnosed with a “probably temporary” condition known as face blindness. She can see, but every face she looks at is now a jumbled puzzle of disconnected features. Imagine trying to read a book upside down and in another language. This is Sadie’s new reality.

Lenny’s a bit of a mess at the moment. Ever since cancer stole away her best friend, she has been completely lost. She’s avoiding her concerned parents, the apartment she shared with her best friend, and the ever-laminated “live again” list of things she’s promised to do to survive her grief. But maybe if she acts like she has it all together, no one will notice she’s falling apart. The only gigs she can handle right now are temporary babysitting jobs, and she just landed a great one, helping overworked, single mom Reese and her precocious daughter, Ainsley.

Helen Carpenter can’t quite seem to bounce back. Newly divorced at thirty-two, her life has fallen apart beyond her ability to put it together again. So when her annoying younger brother, Duncan, convinces her to sign up for a hardcore wilderness survival course in the backwoods of Wyoming—she hopes it’ll be exactly what she needs.

Scottie Price just started a new job and it's a real sausage fest. She's the only woman on a team filled with Brads and Chads. Expecting a bachelor pad atmosphere, she is quickly corrected when she finds out everyone is happily married. In an effort to impress her boss, Scottie mentions her nonexistent husband in a company meeting. But eagle-eyed Chad points out her lack of wedding ring.

Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years—or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century.

Ali Morris is a professional organizer whose own life is a mess. Her mom died two years ago, then her husband left, and she hasn’t worn pants with a zipper in longer than she cares to remember. No one is more surprised than Ali when the first time she takes off her wedding ring and puts on pants with hardware—overalls count, right?—she meets someone. Or rather, her dog claims a man for her, in the same way he claimed his favorite of her three children: by peeing on him. Ethan smiles at Ali like her pants are just right—like he likes what he sees.

Cassie Hanwell was born for emergencies. As one of the only female firefighters in her Texas firehouse, she's seen her fair share of them, and she's excellent at dealing with other people's tragedies. But when her estranged and ailing mother asks her to uproot her life and move to Boston, it's an emergency of a kind Cassie never anticipated. The tough, old-school Boston firehouse is as different from Cassie's old job as it could possibly be. Hazing, a lack of funding, and poor facilities mean that the firemen aren't exactly thrilled to have a "lady" on the crew.

Despite managing bookstores on the same Boston street, Josie Klein and Ryan Lawson have never interacted much—Josie’s store focuses on serious literature, and Ryan’s sells romance only. But when the new owner of both stores decides to combine them, the two are thrust into direct competition. Only one manager will be left standing, decided by who turns the most profit over the summer.

After getting ditched at the altar, every “I do” makes me want to scream. Which is a problem, considering I’m an associate editor at Bride magazine. Just when I thought my job couldn’t get any worse, I got roped into being a last-minute bridesmaid... and paired with Wilder Hayes.

There's no such thing as a perfect guy, but Xavier Rush comes disastrously close. A gorgeous veterinarian giving Greek god vibes—all while cuddling a tiny kitten? Immediate yes. That is until Xavier opens his mouth and proves that even sculpted gods can say the absolute wrong thing. Like, really wrong. Of course, there’s nothing Samantha loves more than proving an asshole wrong . . . unless, of course, he can admit he made a mistake.

From the USA Today bestselling author of Nora Goes Off Script, a novel about a former adolescent TV punch line who has left her awkwardness in the rearview mirror thanks to a fake-it-till-you-make-it mantra that has her on the cusp of success, until she tells a lie that sets her on a crash course with her past, spending a week on Long Island with the last man she thinks might make her believe in love.

Good things happen at the lake. That’s what Alice’s grandmother says, and it’s true. Alice spent just one summer there at a cottage with Nan when she was seventeen—it’s where she took that photo, the one of three grinning teenagers in a yellow speedboat, the image that changed her life. Now Alice lives behind a lens. As a photographer, she’s most comfortable on the sidelines, letting other people shine. Lately though, she’s been itching for something more, and when Nan falls and breaks her hip, Alice comes up with a plan for them both: another summer in that magical place, Barry’s Bay.

Maya Killgore is twenty-three and still in the process of figuring out her life. Conor Harkness is thirty-eight, and Maya cannot stop thinking about him. It’s such a cliché, it almost makes her heart implode: older man and younger woman; successful biotech guy and struggling grad student; brother’s best friend and the girl he never even knew existed. As Conor loves to remind her, the power dynamic is too imbalanced. Any relationship between them would be problematic in too many ways to count, and Maya should just get over him.

Scottie Price just started a new job and it's a real sausage fest. She's the only woman on a team filled with Brads and Chads. Expecting a bachelor pad atmosphere, she is quickly corrected when she finds out everyone is happily married. In an effort to impress her boss, Scottie mentions her nonexistent husband in a company meeting. But eagle-eyed Chad points out her lack of wedding ring.

Fast-paced, thrilling, and emotional, Atmosphere is Taylor Jenkins Reid at her best: transporting listeners to iconic times and places, creating complex protagonists, and telling a passionate and soaring story about the transformative power of love—this time among the stars.

Emma Wheeler desperately longs to be a screenwriter. She’s spent her life studying, obsessing over, and writing romantic comedies—good ones! That win contests! But she’s also been the sole caretaker for her kind-hearted dad, who needs full-time care. Now, when she gets a chance to re-write a script for famous screenwriter Charlie Yates—The Charlie Yates! Her personal writing god!—it’s a break too big to pass up.

Mona and Duncan used to be best friends. Now they can’t stand each other. Too bad that’s not a good enough excuse to miss their two families’ annual trip to the cabin. But things get really complicated when they accidentally drive through a wormhole together on the way. Look what playing nice and carpooling gets you. Now they’re stranded indoors by an epic storm and stuck in an alternate timeline where things are just slightly ... off.

Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years—or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century.

Sadie Montgomery never saw what was coming . . . Literally! One minute she’s celebrating the biggest achievement of her life—placing as a finalist in the North American Portrait Society competition—the next she’s lying in a hospital bed diagnosed with a “probably temporary” condition known as face blindness. She can see, but every face she looks at is now a jumbled puzzle of disconnected features. Imagine trying to read a book upside down and in another language. This is Sadie’s new reality.

Joni Lark has a secret. She’s one of the most coveted songwriters in LA, and yet she can’t write. There’s an emptiness inside her, and nothing seems to fill it. When she returns to her hometown of Vienna Shores, North Carolina, she hopes that the sand, the surf, and the concerts at The Revelry, her family’s music venue, will spark inspiration. But when Joni gets there, nothing is how she left it. Her best friend is hiding something, her mother’s memories are fading fast, and The Revelry is closing.

In the wake of a catastrophic storm, Cora sets off with her nine-year-old daughter, Maia, to register her son's birth. Her husband, Gordon, a local doctor, respected in the community but a terrifying and controlling presence at home, intends for her to name the infant after him. But when the registrar asks what she'd like to call the child, Cora hesitates...

Hannah Brooks looks more like a kindergarten teacher than somebody who could kill you with a wine bottle opener. Or a ballpoint pen. Or a dinner napkin. But the truth is, she’s an Executive Protection Agent (aka "bodyguard"), and she just got hired to protect superstar actor Jack Stapleton from his middle-aged, corgi-breeding stalker.

Dani Dorfman has somehow made it to her thirties without knowing what she wants to do with her life. So when an office romance ends poorly and gets her fired, she applies for a job in Amsterdam, idly dreaming of escaping the mess she’s created, but never imagining she'll actually get it. Except she does. By the end of her first week in Amsterdam, she’s never felt more adrift or alone. Then she crashes her bike into her high school ex-boyfriend—and suddenly life is blooming with new opportunities.

Lenny’s a bit of a mess at the moment. Ever since cancer stole away her best friend, she has been completely lost. She’s avoiding her concerned parents, the apartment she shared with her best friend, and the ever-laminated “live again” list of things she’s promised to do to survive her grief. But maybe if she acts like she has it all together, no one will notice she’s falling apart. The only gigs she can handle right now are temporary babysitting jobs, and she just landed a great one, helping overworked, single mom Reese and her precocious daughter, Ainsley.

There's no such thing as a perfect guy, but Xavier Rush comes disastrously close. A gorgeous veterinarian giving Greek god vibes—all while cuddling a tiny kitten? Immediate yes. That is until Xavier opens his mouth and proves that even sculpted gods can say the absolute wrong thing. Like, really wrong. Of course, there’s nothing Samantha loves more than proving an asshole wrong . . . unless, of course, he can admit he made a mistake.