In Shakespeare's most controversial play, the opposing values of justice and mercy must be resolved. Antonio promises money to help his friend Bassanio woo Portia. He borrows the sum needed from the cruel Shylock, but there will be a dreadful penalty if the loan is not repaid. The golden world of Portia's Belmont calls forth some of Shakespeare's most lyrical love poetry. But the dark shadow of Shylock is never far from the heart of this brilliant comedy as it moves toward its courtroom climax.

Shakespeare's most sophisticated comedy is a riotous tale of hopelessly unrequited passions and mistaken identity. Duke Orsino is in love with the noblewoman Olivia. She, however, has fallen for his servant Cesario, who is actually Viola, a woman disguised as a man, who loves Orsino: Confusion is rife. Meanwhile, Olivia's arrogant steward Malvolio is cruelly tricked by her uncle Sir Toby Belch, his friend Sir Andrew Aguecheek, and the maidservant Maria into believing his mistress loves him.

Sir Ian McKellen, fresh from his performance as Gandalf in Lord of the Rings, is Prospero, and heads a strong cast in Shakespeare’s last great play. The wronged duke raises a tempest to shipwreck his old opponents on his island so that he can ensure justice is done. With Emilia Fox as Miranda, Scott Handy in the pivotal role of the sprite Ariel, and Ben Owukwe as Caliban.

Ronald Pickup, Angela Pleasance, and Maxine Audley star in this BBC Radio 4 1971 production of Shakespeare’s famous tragedy of the Prince of Denmark. Written over 400 years ago, Hamlet still remains one of the most powerful, influential, and thrilling tragedies in the English language.

Chaos and confusion mount to a crescendo in a wild and fast-paced comedy of mistaken identity, one of Shakespeare's earliest plays. Young Antipholus of Syracuse is searching the world for his identical twin brother, separated from him at birth. With him is his servant Dromio, who lost his twin brother at the same time. The pair arrive in Ephesus where, unbeknownst to them, their twins are living.

The young and virtuous physician's daughter Helena desperately loves Count Bertram, but he regards her as beneath his notice. When Helena cures the king of France of a mortal illness, he rewards her with Bertram's hand, but before their marriage can be consummated the count flees. To win her husband back again, Helena forms a daring and resourceful plan. A plot to unmask the strutting soldier Parolles makes up another strand in this sometimes disturbing comedy of deception and disguise.

The fabulously rich Timon believes all his friends to be as open-hearted and generous as himself. When his wealth suddenly evaporates, however, he discovers the truth and his altruism turns to a bitter hatred of mankind. Stirred up by the cynical Apemantus, Timon retreats to the woods where he plots the destruction of Athens, the city that had formerly seemed to embody everything pleasurable and civilized. The cosmic scope of his hatred is communicated in a series of powerful and disturbing dramatic tableaux.

The young king of Navarre and three of his courtiers have vowed to lock themselves away for three years of study and fasting, and to forswear the company of women for this period. No sooner is their vow made than it is tested, however, as the princess of France and three of her ladies arrive in Navarre on a diplomatic mission. The young men fall instantly and hopelessly in love, and the tension between their vow and their passion forms the subject of this charming and sparkling early comedy.

King John of England is pitted against the united powers of France, Brittany, Austria, and the Papacy. Will England be destroyed by his fatal indecision? As alliances are made, broken, and remade, the paranoid and erratic John reveals his weakness and reliance on those around him - including his powerful mother, Queen Elinor, and Faulconbridge, the cynical and witty bastard son of the dead King Richard I.

Macbeth, one of Shakespeare's most popular plays, is among the most powerful and influential tragedies in the English language. Promised a golden future as ruler of Scotland by three sinister witches, Macbeth murders the king in order to succeed to the throne. Tortured by his conscience and fearful of discovery, he becomes fatally enmeshed in a web of treachery and deceit.

Imogen, the daughter of King Cymbeline, is persecuted by her wicked stepmother, the Queen, and by Cloten, the Queen's doltish son. Disguised as a boy, she sets out to find her husband, the banished Posthumus. On her journey, she unwittingly meets her two brothers, stolen from the court as infants. Posthumus, meanwhile, has been convinced by the villainous Iachimo that Imogen is unchaste and agrees to a test of her faithfulness.

Proteus loves Julia in Verona, Valentine loves Silvia in Milan. But when Proteus meets Silvia, he falls for her too, and the heartbroken Julia sets out in pursuit. This delightful and sometimes disquieting early comedy of love lost and found offers lyrical poetry, disguise, clowning, outlaws, and a most unreliable dog.

Love triumphs in As You Like It, Shakespeare's joyous comic adventure! Rosalind, arguably Shakespeare's greatest female character, is banished from court and follows her exiled father into the untamed Forest of Arden. Disguised as a man for safety, Rosalind's great wit and good nature show through her male trappings as she engages with fools and philosophers adrift in the woods, and ultimately falls in love.

The tragedy of King Lear receives an outstanding performance in an all-star cast led by Britain’s senior classical actor, Paul Scofield. He is joined by Alec McCowen as Gloucester, Kenneth Branagh as The Fool, Harriet Walter as Gonerill, Sara Kestelman as Regan and Emilia Fox as Cordelia. This is the ninth recording of Shakespeare plays undertaken by Naxos AudioBooks in conjunction with Cambridge University Press, and is directed by John Tydeman. It was released to mark the 80th birthday of Paul Scofield in January 2002.

In Othello, Shakespeare creates powerful drama from a marriage between the exotic Moor Othello and the Venetian lady Desdemona. Shakespeare builds many differences into his hero and heroine, including race, age, and cultural background. Yet most audiences believe the couple’s strong love would overcome these differences were it not for Iago, who sets out to destroy Othello.