Mark Gatiss ( Sherlock, Doctor Who, Game of Thrones) reads chilling tales by the unsung master of the classic ghost story: E. F. Benson. There's nothing sinister about a London bus. Nothing supernatural could occur on a busy train platform. There's nothing terrifying about a little caterpillar. And a telephone, what could be scary about that? Don't be frightened of the dark corners of your room. Don't be alarmed by a sudden inexplicable chill.

When a carousing Englishman disgraces the consecrated effigy of Hanuman, a leprous "Silver Man" marks him with a hideous curse. The ensuing night brings new terrors to the house of the doomed man.

The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

All children mythologize their birth... So begins the prologue of reclusive author Vida Winter's beloved collection of stories, long famous for the mystery of the missing thirteenth tale. The enigmatic Winter has always kept her violent and tragic past a secret. Now old and ailing, she summons a biographer to tell the truth about her extraordinary life: Margaret Lea, a young woman for whom the secret of her own birth remains an ever-present pain.

Four seekers have come to the ugly, abandoned old mansion: Dr. Montague, an occult scholar looking for solid evidence of the psychic phenomenon called haunting; Theodora, his lovely and lighthearted assistant; Eleanor, a lonely, homeless girl well acquainted with poltergeists; and Luke, the adventurous future heir of Hill House.

At the heart of these stories, as with all the best of Lovecraft’s work, is the belief that the Earth was once inhabited by powerful and evil gods, just waiting for the chance to recolonise their planet. Cthulhu is one such god, lurking deep beneath the sea until called into being by cult followers who – like all humans – know not what they do.

It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

Orphaned at an early age, Philip Ashley is raised by his benevolent older cousin, Ambrose. Resolutely single, Ambrose delights in Philip as his heir, a man who will love his grand home as much as he does himself. But the cosy world the two construct is shattered when Ambrose sets off on a trip to Florence. There he falls in love and marries—and there he dies suddenly.

Set on Egdon Heath, a fictional barren moor in Wessex, Eustacia Vye longs for the excitement of city life but is cut off from the world in her grandfather's lonely cottage. Clym Yeobright who has returned to the area to become a schoolmaster seems to offer everything she dreams of: passion, excitement and the opportunity to escape. However, Clym's ambitions are quite different, and marriage only increases Eustacia's destructive restlessness, drawing others into a tangled web of deceit and unhappiness.

Sir Derek Jacobi reads a collection of tales from the master of ghost stories, M. R. James, whose stories have for many years inspired the BBC's A Ghost Story for Christmas TV adaptations. M. R. James was described as "a man who, in company with Sheridan le Fanu, is the best ghost-story writer England has ever produced".

The powerful sense of evil – darkness, creepy hairy presences, cloaks, hoods, talons and tentacles – pervades these classic ghost stories by M.R. James. A Cambridge scholar himself, James explored what happens when academics dabble in things they don’t understand and unleash forces of which they know nothing.

Machen's novella The Great God Pan is often cited as one of Lovecraft's most notable influences. In it, Dr. Raymond's ultimate goal is to devise a way to open the mind of man so that he may experience all the world has to offer. He calls this "seeing the great god Pan". After much study of the human mind, he devises an experiment that involves minor brain surgery. He performs this experiment on a young woman named Mary, but when she awakens she is terrified and mentally crippled.

First published in the US in 1988 and in the UK in 1990, The Wine-Dark Sea contains eight unsettling stories that explore protagonists' fears and desires, at once illogical and terrifying, and culminate in a disturbing and enigmatic ending. Aickman's "strange stories" (his preferred term for them) are a subtle exploration of psychological displacement and paranoia; his characters ordinary people that are gradually drawn into the darker recesses of their own minds. For fans of the horror genre, Robert Aickman is a must read.

A mysterious depiction of masked revellers at the Venice carnival hangs in the college rooms of Oliver's old professor in Cambridge. On this cold winter's night, its eerie secret is revealed by the ageing don. The dark art of the Venetian scene, instead of imitating life, has the power to entrap it. To stare into the painting is to play dangerously with the unseen demons it hides, and become the victim of its macabre beauty....

Powers of Darkness is an incredible literary discovery. In 1900, Icelandic publisher and writer Valdimar Asmundsson set out to translate Bram Stoker's world-famous 1897 novel Dracula. Called Makt Myrkranna (literally, 'Powers of Darkness'), this Icelandic edition included an original preface written by Stoker himself. Makt Myrkranna was published in Iceland in 1901 but remained undiscovered outside of the country until 1986, when Dracula scholarship was astonished by the discovery of Stoker's preface to the book.