Everyone has a story to tell. But does Janice have the power to unlock her own? She can’t recall what started her collection. Maybe it was in a fragment of conversation overheard as she cleaned a sink? Before long (as she dusted a sitting room or defrosted a fridge) she noticed people were telling her their stories. Perhaps they had always done so, but now it is different, now the stories are reaching out to her and she gathers them to her.

Òdòdó's hometown of Timbuktu has been conquered by the warrior king of Yorùbáland. Already shunned as social pariahs, living conditions for Òdòdó and the other women in her blacksmith guild grow even worse under Yorùbá rule.Then Òdòdó is abducted. She is whisked across the Sahara to the capital city of Ṣàngótẹ̀, where she is shocked to discover that her kidnapper is none other than the vagrant who had visited her guild just days prior. But now that he is swathed in riches rather than rags, Òdòdó realizes he is not a vagrant at all.

On paper, Gemma's life is just like any other successful, single thirtysomething. Her students adore her. She lives in a cute beachside cottage next door to the world's sweetest neighbor, Margie. And she's definitely caught the eye of Karim, the resident hot PE teacher at her school. But every day of her life, she can't get one thing out of her mind: the baby she gave up for adoption when Gemma was just sixteen years old. This is the year that Baby--the only name Gemma has for her little girl--will turn eighteen. And it might be the year she actually meets her daughter face-to-face.

Louis Comfort Tiffany, famous for his stained-glass windows, is planning a unique installation at the Paris World’s Fair, the largest in history. At their fifth-floor studio on Fourth Avenue, the artists of the Women’s Division of the Tiffany Glass Company are already working longer shifts to finish the pieces that Tiffany hopes will prove that he is the world’s finest artist in glass. Known as the “Tiffany Girls,” these women are responsible for much of the design and construction of Tiffany’s extraordinary glassworks, but none receive credit.

2019: Lucy awakens from a dream to find her hands around her ex-lover’s throat. Horrified, she flees to her older sister’s house on the Australian coast, hoping she can help explain the strangely vivid nightmare that preceded the attack—but Jess is nowhere to be found. As Lucy awaits her return, the rumors surrounding Jess’s strange small town start to emerge. Numerous men have gone missing at sea, spread over decades. A tiny baby was found hidden in a cave. And sailors tell of hearing women’s voices on the waves.

Everyone has a story to tell. But does Janice have the power to unlock her own? She can’t recall what started her collection. Maybe it was in a fragment of conversation overheard as she cleaned a sink? Before long (as she dusted a sitting room or defrosted a fridge) she noticed people were telling her their stories. Perhaps they had always done so, but now it is different, now the stories are reaching out to her and she gathers them to her.

Evelyn Maltravers understands exactly how little she's worth on the marriage mart. As an incurable bluestocking from a family tumbling swiftly toward ruin, she knows she'll never make a match in a ballroom. Her only hope is to distinguish herself by making the biggest splash in the one sphere she excels: on horseback. In haute couture. But to truly capture London's attention she'll need a habit-maker who's not afraid to take risks with his designs - and with his heart.

It has been twenty-four years since a young Helena spent a magical holiday in Cyprus, where she fell in love for the first time. When the now crumbling house, 'Pandora', is left to her by her godfather, she returns to spend the summer there with her family. Yet, as soon as Helena arrives at Pandora, she knows that its idyllic beauty masks a web of secrets that she has kept from William, her husband, and Alex, her son. At the difficult age of thirteen, Alex is torn between protecting his beloved mother, and growing up. And equally, desperate to learn the truth about his real father.

When 24-year-old Kareela discovers she's pregnant with a child she isn't sure she wants, her struggle to understand her place in the world as a person who is half-Black, half-white—yet feels neither—is amplified. Her mother, Evelyn, fled to Canada with her husband and their first-born child during the politically charged Jamaican exodus in the 1980s, only to realize they'd come to a place where Black men are viewed with suspicion—a constant and pernicious reality Evelyn watches her husband and son navigate daily. Years later, Evelyn's mother-in-law, Violet, moves in.

Sunny and his kinfolk were content with their way of life. During the dry season, their clan lived alone. They hunted whenever they chose, gathered an array of plants, told stories, and took part in debates. In the rainy season, they united with the rest of their tribe. They formed a temporary city, feasted, held dances, and played games.

Working in a museum under a false identity is Brigitte’s only hope. Until she meets Isabelle Valette, who confides in hushed tones that she is part of the Resistance. And when her new friend tells her of a train leaving Paris that can take children to safety, Brigitte knows her daughter must be on it, even if it breaks her heart. But getting Sophie onto the train is dangerous. If they are caught smuggling a Jewish child out of Paris, they will be killed. And with the enemy closing in, can Brigitte get her beloved daughter to safety before it is too late?

It's 1983 and seventeen-year-old Grace Clark has just lost her mother when she begrudgingly accompanies her estranged father to an archeological dig at Olduvai Gorge on the Serengeti plains of Tanzania. Here, seventy-year-old Mary Leakey enlists Grace to sort and pack her fifty years of work and memories. Their interaction reminds Mary how she pursued her ambitions of becoming an archeologist in the 1930s by sneaking into lectures and working on excavations.

Divorcee Jenna Scott moves to a quiet California fishing village during the first Gulf War to make a new life in a house inherited from her grandfather. Her next-door neighbor recommends widowed handyman Rick Alvarez to fix her leaky roof. Jenna is intimidated by his good looks and annoyed by his self-assurance, but disarmed by his affection for his young son. She is still hurting from her ex-husband's betrayal and resists the attraction between them.

A piece of paper destroyed me. It was one day...one moment...one letter. One lie. That's all it took to change the course of my life. Now he's back. And he thinks I'm the one who broke him. Someone is lying. And it's not me. But it's not him either. We need to learn to trust again. Sometimes, however, I think trust should be considered a four-letter word. Note to listeners: This book is a stand-alone novel.

Meet Tom. Or Dr O’Grady, as he used to be called. When you pass him on the street, most people don’t even give him a second glance. You see, Tom isn’t living his best life. Burdened by grief, he’s only got his loyal dog, Bette Davis, for company and a rucksack containing his whole world. Then there’s Ruth and her son, DJ, who no longer have a place to call home. But Ruth believes that you can change the world by helping one person at a time - and Tom needs her help. There are a thousand ways to find your home - you just need to be brave enough to look for them.

September is at her wits' end. There's never enough money to support her boyfriend and herself. September has nothing to look forward to. Then the letter comes. September has inherited a house from a great-aunt she never knew she had. It would make sense to sell it. But when sees the place - the orange gate, the garden, the tree, the bumble-bee door knocker - she doesn't want to let it go. Not yet. Then the members of the book club arrive, and she begins to discover the story of the family she didn't know. And to make new friends.

It’s the summer of 1919, and Ellen O’Brien has her whole life ahead of her. Young, in love and leaving home for her first job, the future seems full of shining possibility. But war is brewing, and before long, Ellen and everyone around her are swept up by it. As Ireland is torn apart by the turmoil, Ellen finds herself facing the ultimate test of love and loyalty. A hundred years later and Clare Farrell has inherited a dilapidated old farmhouse in County Meath.

Giving all the “Little Women” the stories they deserve at last, this imaginative historical novel and companion to the much-loved classic draws Meg, Beth, and Amy March from behind the shadow of Jo—Louisa May Alcott’s alter-ego and the “author” of Little Women—as vibrant and unforgettable characters grappling with societal strictures, queer love, motherhood, chronic illness, artistic ambition, and more.

A heartbreaking novel of love, betrayal, and a secret passed down through a family. Inspired by an incredible true story. Perfect for fans of The Tattooist of Auschwitz, We Were the Lucky Ones, and The Alice Network.

Florence Ellsworth reluctantly lives in the shadow of her family’s notoriety. Mortified that her widower father is on the hunt for his fourth wife, she accepts an engagement to a staid clergyman in the desperate hope for propriety. But she’s unprepared when her sire’s newly hired attorney proves to be young, sincere, and handsome.