When Ellie and Ash move into a beautiful old house in rural Norfolk, England, they believe they’ve found their perfect home. Intrigued by the people next door, Ellie befriends shy but sweet Benjamin and, as time goes by, becomes ever more curious about his elusive sister, Virginia.

Every year, the reputable Queensland institution of St. Ignatius, affectionately called Iggy, hosts a Gala Day. This battle of brains and brawn, where eleven-year-olds vie for a spot inside those hallowed ivory walls, directly affects admissions and determines the path of each and every candidate. But in the cutthroat environment of elite academia, three mothers will stop at nothing to see their boys succeed.

Released from the hospital with her memory still blurred, the only survivor of a horrific car crash meets the brother of one of the victims. They soon suspect that someone will do anything to hide the truth of what happened on the road that night—and why. A serial killer calls up a late-night radio DJ with a gruesome request. Ellie and Ash have moved into a beautiful old house—but it has a mysterious past, and their life in the countryside is about to take a dark turn. A woman is haunted by an event in her past—and tormented by a mysterious killer who won’t let her forget it.

Handsome, grumpy local policeman Ben Taylor doesn't believe in coincidences, and he doesn’t think mysterious newcomer Milla Graham is as innocent as she seems. Why is she really here in Raven’s Edge, and how come she keeps turning up at his crime scenes, causing trouble? Can he solve this murder case without losing himself–or his heart–to the rather distracting Miss Graham?

The small town of Harrod’s Reach has seen its fair share of the macabre, especially inside the decrepit old train tunnel around which the town was built. After a young boy, Sully Dupree, is injured in the abandoned tunnel and left in a coma, the townspeople are determined to wall it up. Deputy sheriff Beth Gardner is reluctant to buy into the superstitions until she finds two corpses at the tunnel’s entrance, each left with strange calling cards inscribed with old lullabies. Soon after, Sully Dupree briefly awakens from his coma.

Seventeen-year-old Natalie Waite longs to escape home for college. Her father is a domineering and egotistical writer who keeps a tight rein on Natalie and her long-suffering mother. When Natalie finally does get away, however, college life doesn’t bring the happiness she expected. Little by little, Natalie is no longer certain of anything - even where reality ends and her dark imaginings begin. Chilling and suspenseful, Hangsaman is loosely based on the real-life disappearance of a Bennington College sophomore in 1946.

Rose, the mother of twentysomething aspiring writer Jules, has waited three months for answers about her daughter’s death. Why was she swimming alone when she feared the water? Why did she stop texting days before she was last seen? When the official investigation rules the death an accidental drowning, the body possibly lost forever in Central America’s deepest lake, an unsatisfied Rose travels to the memoir workshop herself. She hopes to draw her own conclusion—and find closure. When Rose arrives, she is swept into the curious world created by her daughter’s literary hero.

Detective Lauren Pengelly has only been part of the Penzance police force for less than two years, but that’s enough time to know that the sleepy Cornish town doesn’t see many murders. So, when the bones of a woman with a hole in her skull are discovered behind a derelict cottage, she immediately assumes the worst. Rallying her team, Lauren is flooded with a strange sense of relief when the bones turn out to be almost twenty years old, not a recent victim. But it quickly turns to dread when she receives her second heart-stopping call of the day–a little girl, Isla, has been kidnapped.

DI Sheridan Holler is used to solving crimes on Liverpool’s streets, but after a decayed corpse turns up in a cemetery, she finds herself reopening not one but two cold cases. Seven years earlier, two women were gunned down and the only suspect, small-time drug dealer John Lively, was never seen again. Case closed. Until the body in the cemetery is identified as his.

Hours later, the man’s cold body lies in the city mortuary, alongside the woman he couldn’t save. And his sister, unconventional nurse Gemma Tate, tracks down troubled police inspector Sebastian Bell to unravel the truth. Sebastian has enough pressure to solve the murder of an aristocratic heiress without Gemma meddling in his case. But the cryptic sentences she brings him from her brother’s notebook could be a crucial lead. If only they knew what “milky way” meant.

For Helen and George, the remote fixer-upper in Cornwall was supposed to be a dream home, and a way to leave behind the problems they’re both running from. But something about the place feels wrong from day one. And why does Helen have a creeping feeling she’s seen this house before?

When a failed entrepreneur is temporarily left in charge of his aunt's huge gothic home, he knows he must be able to make a profit from it somehow. Murder, he decides, is the only way to do it. For Madingley Grange is the perfect venue for a 1930s murder-mystery weekend, and Simon Hannaford – with the reluctant help of his long-suffering sister – soon hatches a plan for money-spinning mayhem. From the conservatory to the claret cellar, the clues are carefully sprinkled. But when the guests arrive, it is obvious that the game won't be going as planned.

Mum passed recently. It was sudden and unexpected. On the cusp of adulthood, my twin sister, Skye, and I are left with decisions to make that will change our lives forever. As identical twins, we’d normally stick together like glue, but anger and grief gets the better of us and we push and pull in different directions. At an impasse, each of us stubbornly gets our wish. Finding myself alone and without the other half of me, I’m desperately lonely. I need a friend. But, when I find that special someone, I know I’ve made a terrible mistake and trusted the wrong person.

Wealthy racing yard owner Edward de Jersey has spent the last few years of his life reaping the rewards of his criminal mastermind past and spending his free time priming his star horse, Royal Flush, for a Derby win. Having successfully pulled off some of the most lucrative heists in history as 'The Colonel', at the height of his activity, he was one of the most prolific criminals of his time. But, when his financial advisor invests his fortune in an internet company that crashes quickly after, he is left with no choice but to return to his old ways.

For decades, Nick Burns has been haunted by a decision he made as a young soldier in World War I, when a French artist he’d befriended thrust both her paintings and her baby into his hands—and disappeared. In 1974, with only months left to live, Nick enlists Jenny, a college dropout desperate for adventure, to help him unravel the mystery. The journey leads them from Paris galleries and provincial towns to a surprising place: the Museum of Tears, the life’s work of a lonely Italian craftsman.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

In the summer of 1999, Kit and Laura travel to a festival in Cornwall to see a total eclipse of the sun. Kit is an eclipse chaser; Laura has never seen one before. Young and in love, they are certain this will be the first of many they'll share. But in the hushed moments after the shadow passes, Laura interrupts a man and a woman. She knows that she saw something terrible. The man denies it. It is her word against his.

Atlas has lost her way. In a last-ditch effort to pull her life together, she’s working on a community service program rehabbing trails in the Western Sierras. The only plus is that the days are so exhausting that Atlas might just be tired enough to forget that this was one of her dad’s favorite places in the world. Before cancer stole him from her life, that is. Using real names is forbidden on the trail. So Atlas becomes Maps, and with her team—Books, Sugar, Junior, and King—she heads into the wilderness.

The small town of Harrod’s Reach has seen its fair share of the macabre, especially inside the decrepit old train tunnel around which the town was built. After a young boy, Sully Dupree, is injured in the abandoned tunnel and left in a coma, the townspeople are determined to wall it up. Deputy sheriff Beth Gardner is reluctant to buy into the superstitions until she finds two corpses at the tunnel’s entrance, each left with strange calling cards inscribed with old lullabies. Soon after, Sully Dupree briefly awakens from his coma.

For Helen and George, the remote fixer-upper in Cornwall was supposed to be a dream home, and a way to leave behind the problems they’re both running from. But something about the place feels wrong from day one. And why does Helen have a creeping feeling she’s seen this house before?

Handsome, grumpy local policeman Ben Taylor doesn't believe in coincidences, and he doesn’t think mysterious newcomer Milla Graham is as innocent as she seems. Why is she really here in Raven’s Edge, and how come she keeps turning up at his crime scenes, causing trouble? Can he solve this murder case without losing himself–or his heart–to the rather distracting Miss Graham?

Detective Lauren Pengelly has only been part of the Penzance police force for less than two years, but that’s enough time to know that the sleepy Cornish town doesn’t see many murders. So, when the bones of a woman with a hole in her skull are discovered behind a derelict cottage, she immediately assumes the worst. Rallying her team, Lauren is flooded with a strange sense of relief when the bones turn out to be almost twenty years old, not a recent victim. But it quickly turns to dread when she receives her second heart-stopping call of the day–a little girl, Isla, has been kidnapped.

All Samantha wanted was to move back to New York and pursue her music, which was difficult enough being a Chinese girl in Missouri, 1849. Then her fate takes a turn for the worse after a tragic accident leaves her with nothing and she breaks the law in self-defense. With help from Annamae, a runaway slave she met at the scene of her crime, the two flee town for the unknown frontier. But life on the Oregon Trail is unsafe for two girls.

She's an unconventional lady who has traveled the world, practices the art of self-defense most excellently, and has an interesting tattoo in—ahem—a very unusual place. He's a former member of the Metropolitan Police, now a private investigator, who grew up on the poverty-ridden streets of Edinburgh and has worked the dangerous back alleys of London's notorious East End. A vicious murder brings them together in a race against time that takes them from the sordid back streets of London into the elite private clubs of the powerful and rich.

Hours later, the man’s cold body lies in the city mortuary, alongside the woman he couldn’t save. And his sister, unconventional nurse Gemma Tate, tracks down troubled police inspector Sebastian Bell to unravel the truth. Sebastian has enough pressure to solve the murder of an aristocratic heiress without Gemma meddling in his case. But the cryptic sentences she brings him from her brother’s notebook could be a crucial lead. If only they knew what “milky way” meant.

When a failed entrepreneur is temporarily left in charge of his aunt's huge gothic home, he knows he must be able to make a profit from it somehow. Murder, he decides, is the only way to do it. For Madingley Grange is the perfect venue for a 1930s murder-mystery weekend, and Simon Hannaford – with the reluctant help of his long-suffering sister – soon hatches a plan for money-spinning mayhem. From the conservatory to the claret cellar, the clues are carefully sprinkled. But when the guests arrive, it is obvious that the game won't be going as planned.

London, 1921: Mabel Canning is proud to be a modern woman working for the Useful Women’s Agency, carrying out tasks for gentlewomen from flower arranging to washing muddy dogs. But when she answers the door for wealthy widow Rosalind Despard, she almost chokes on her cucumber sandwich when she finds a soldier’s body on the doorstep. As she offers tea to the policemen of Scotland Yard, Mabel can’t resist getting drawn into the investigation.

December 1927. Mystery-writer Marius Quin has one previous bestseller, endless looming mortgage payments, and no idea how to write his next book. When his childhood friend Lady Isabella Montague invites him to an intimate New Year’s Eve party hosted by a narcissistic actor, Marius seizes upon the distraction. With his perpetually glum Basset hound along for the ride, he navigates the snowy lanes to the opulent estate of Everham Hall. As the celebrations begin, fireworks light up the sky, champagne corks pop, and then the host is murdered…

For five grand a month and a million-dollar chaser, Roger Mulligan didn't care how crazy the old geezer was. All he had to do was keep Joseph Perry Shackleford alive and keep him from squandering the estate for a year. But they didn't tell him about the pixies.

It’s 1965 and teenage Frances Adams is at an English country fair with her two best friends. But Frances’s night takes a hairpin turn when a fortune-teller makes a bone-chilling prediction: One day, Frances will be murdered. Frances spends a lifetime trying to solve a crime that hasn’t happened yet, compiling dirt on every person who crosses her path in an effort to prevent her own demise. For decades, no one takes Frances seriously, until nearly sixty years later, when Frances is found murdered, like she always said she would be.

Gela Nathaniel, head of Royal Hastings University’s new Multimedia Art course, must find six students from all walks of life across the United Kingdom for her new master’s program before the university cuts her funding. The students are nothing but trouble from day one. When the examiner, the man hired to grade students’ final workssifts through the students’ final essays, texts, and message boards, he becomes convinced that someone is in danger…or already dead.