Archer Read is 27 and desperate to find his place in life. Five months ago, he quit his soul-destroying accounting job in Ohio and moved to Manhattan with dreams of making it on Broadway. And now he has nothing to show for it but a string of rejections. Even for a ray-of-sunshine like Archer, hope can only go so far.

Lucy’s brother, Mikey, is dead. Two years ago, when he left their small Eastern Colorado town and moved west to Denver, he’d intended to bring Lucy along. But Lucy has only just arrived, and too late. She arrives in search of Helen, a woman Mikey loved. But when Lucy moves in across the hall, she finds nothing is as she expected.

By day, Joe is a hotel accountant, invisibly sitting behind their desk and playing by the rules. By night, donned in sequins, they take to the stage as Misty Divine, a star of the London drag scene. But when Misty’s drag mother, Lady Lady, is found dead in her dressing room beside a poisoned box of chocolates, Misty and her fellow performers become the prime suspects.

It’s 1989, and Joe Agabian and his best friend Ronnie set out to spend their first summer working in the hedonistic gay paradise of Fire Island Pines. Joe is desperate to let loose and finally move beyond the heartbreak of having lost his boyfriend to the HIV/AIDS epidemic. The two friends are quickly taken in by a pair of quirky, older house cleaners. But something seems off, and Joe starts to suspect the two older men of being up to something otherworldly. In truth, Howie and Lenny are members of a secret disco witch coven tasked with protecting the island.

The newly nameless narrator of Make Sure You Die Screaming has rejected the gender binary, has flamed out with a vengeance at their corporate gig, is most likely brain damaged from a major tussle with their now ex-boyfriend, and is on a bender to end all benders. A call from their mother with the news that their MAGA-friendly, conspiracy-theorist father has gone missing launches the narrator from Chicago to deep red Arkansas in a stolen car.

The notoriously eccentric Lord Christopher Eden is a “man of unusual make” and even more unusual habits: he prefers to live far from the prying eyes and ears of the ton, and would rather have the comfortable company of his childhood cook and his aged butler than the swarm of servants and hangers-on befitting a man of his station. But Christopher’s pleasant, if occasionally lonely life is upended when he receives word from his lawyers that, according to his late father’s will, he must find a wife by the end of the Season if he intends to keep his family’s fortune and the Eden estate.

The venerated Reverend Doctor John Freeman did not raise his son, Davis, to be touched by any man, let alone a white man. He did not raise his son to whisper that man’s name with tenderness. But on the eve of his wedding, all Davis can think about is how beautiful he wants to look when he meets his beloved Everett at the altar. Never mind that his mother, who died decades before, and his father, whose anger drove Davis to flee their home in Chagrin Falls, Ohio, for a freer life in New York City, won’t be there to walk him down the aisle.

Daily interactions between Jacob and Daniel are a powder keg of sexual tension and uncertainty. A recent Morehouse graduate and Brooklyn transplant, Jacob fears that accepting the truth of his sexuality will disappoint the hopes his parents have for him to lead a respectable life. Grieving the death of his mother while searching for answers about a father he has never known, Daniel, an Atlanta native, has resigned himself to the reality that men who love men don’t have happy endings.

It’s 1999, and best friends Sal and Charo are striving to hold on to their dreams in a New York determined to grind them down. Sal is a book-loving science nerd trying to grow beyond his dead-end job in a new city, but he’s held back by tragic memories from his past in Santo Domingo. Free-spirited Charo is surprised to find herself a mother at twenty-five, partnered with a controlling man, working at the same supermarket for years, her world shrunk to the very domesticity she thought she’d escaped in her old country.

On a morning much like any other, 30-something queer Brooklynite Wilder makes a miraculous discovery: suddenly, as if by magic, they can understand every language in the world. Dazed and disconnected, Wilder is found and taken in by a small coven of trans witches who have all become Awakened with mystical powers of their own.

A Language of Limbs is a breathtaking spin on a will-they-won’t-they love story; it is a tender epic that explores the weight of a choice, the love of community, and how joy is found in even the darkest corners.

It’s about time roommates Alejandro and Kenny get married. Or at least, that’s what all their close friends and family think when they announce their engagement. The kicker? The two are faking their whole relationship so Alejandro can get a green card. But if Han was going to marry anyone, it would be his ride or die since second grade. Han has never been able to put down roots, and the only one who truly breaks through his walls is Kenny.

Meet Ethan and Gabe. A devoted couple for years, they have successful careers, an adorable daughter, and a house in the New Jersey suburbs. Sure, they may have drifted to different ends of the political spectrum, but their marriage still has its spark. Then one night Ethan makes an announcement: he wants to run for Congress as a Republican—but only if he has progressive Gabe’s blessing.

In Darkmotherland, Nepali writer Samrat Upadhyay has created a novel of infinite embrace—filled with lovers and widows, dictators and dissidents, paupers, fundamentalists, and a genderqueer power player with her eyes on the throne—in an earthquake-ravaged dystopian reimagining of Nepal.

When Darby finds himself unemployed and in need of a fresh start, he moves back to the small Illinois town he left behind. But Oak Falls has changed almost as much as he has since he left. One thing is familiar: In Between Books, Darby’s refuge growing up and eventual high school job. When he walks into the bookstore now, Darby feels an eerie sense of déjà vu—everything is exactly the same. Even the newspapers are dated 2009. And behind the register is a teen who looks a lot like Darby did at sixteen. . . who just might give Darby the opportunity to change his own present for the better