Thomas, a young German musician, is dying. His older boyfriend, a renowned Italian writer named Leo, finds it impossible to watch the slow and inevitable demise of his lover. So, he condemns himself to wandering the earth instead, moving cities every few weeks in the hope of finding the dividing line between the living and the dead.

Set in a remote village in the north of England, Open, Heaven unfolds over the course of one year in which two teenage boys meet and transform each other’s lives. James—a sheltered, shy sixteen-year-old—is alone in his newly discovered sexuality, full of an unruly desire but entirely inexperienced. As he is beginning to understand himself and his longings, he also realizes how his feelings threaten to separate him from his family and the rural community he has grown up in. He dreams of another life, fantasizing about what lies beyond the village’s leaf-ribboned boundaries.

Most people don’t even notice them—three tiny figures sitting at the end of a long pier in the corner of one of the most famous paintings in the world. Most people think it’s just a depiction of the sea. But Louisa, an artist herself, knows otherwise and she is determined to find out the story of these three enigmatic figures. Twenty-five years earlier, in a distant town, a group of teenagers find refuge from their difficult home lives by spending their days laughing and telling stories out on a pier.

January 1942. The Avallon Hotel & Spa has always offered elegant luxury in the wilds of West Virginia, its mountain sweetwater washing away all of high society’s troubles. Local girl-turned-general manager June Porter Hudson has guided the Avallon skillfully through the first pangs of war. The Gilfoyles, the hotel’s aristocratic owners, have trained her well. But when the family heir makes a secret deal with the State Department to fill the hotel with captured Axis diplomats, June must persuade her staff to offer luxury to Nazis. With a smile.

Virginia, 1864—Libby Steadman’s husband has been away for so long that she can barely conjure his voice in her dreams. While she longs for him in the night, fearing him dead in a Union prison camp, her days are spent running a gristmill with her teenage niece, a hired hand, and his wife, all the grain they can produce requisitioned by the Confederate Army. It’s an uneasy life in the Shenandoah Valley, the territory frequently changing hands, control swinging back and forth like a pendulum between North and South, and Libby awakens every morning expecting to see her land a battlefield.

Dev Deshpande has always believed in fairy tales. So it’s no wonder then that he’s spent his career crafting them on the long-running reality dating show Ever After. As the most successful producer in the franchise’s history, Dev always scripts the perfect love story for his contestants, even as his own love life crashes and burns. But then the show casts disgraced tech wunderkind Charlie Winshaw as its star.

Doctor Jack Troy was born and raised in Faha, but his responsibilities for the sick and his care for the dying mean he has always been set apart from the town. His eldest daughter, Ronnie, has grown up in her father’s shadow, and remains there, having missed one chance at love – and passed up another offer of marriage from an unsuitable man. But in the Advent season of 1962, as the town readies itself for Christmas, Ronnie and Doctor Troy’s lives are turned upside down when a baby is left in their care.

In the heart of the Maine woods, an experienced Appalachian Trail hiker goes missing. She is forty-two-year-old Valerie Gillis, who has vanished 200 miles from her final destination. Alone in the wilderness, Valerie pours her thoughts into fractured, poetic letters to her mother as she battles the elements and struggles to keep hoping. At the heart of the investigation is Beverly, the determined Maine State Game Warden tasked with finding Valerie, who leads the search on the ground.

Birdie’s keeping it together; of course she is. So she’s a little hungover, sometimes, and she has to bring her daughter, Emaleen, to her job waiting tables at an Alaskan roadside lodge, but she’s getting by as a single mother in a tough town. Still, Birdie can remember happier times from her youth, when she was free in the wilds of nature. Arthur Neilsen, a soft-spoken and scarred recluse who appears in town only at the change of seasons, brings Emaleen back to safety when she gets lost in the woods. Most people avoid him, but to Birdie, he represents everything she’s ever longed for.

It’s the height of the industrial revolution and ten years into Lenore’s marriage to steel magnate Henry, their relationship has soured. When Henry’s ambitions take them from London to the remote British moorlands to host a hunting party, a shocking carriage accident brings the mysterious Carmilla into their lives. Carmilla, who is weak and pale during the day but vibrant at night. Carmilla, who stirs up something deep within Lenore. And before long, girls from the local villages fall sick, consumed by a terrible hunger . . .

In a strange little home built into the branches of a grove of trees, live three robots—fatherly inventor android Giovanni Lawson, a pleasantly sadistic nurse machine, and a small vacuum desperate for love and attention. Victor Lawson, a human, lives there too. They’re a family, hidden and safe. The day Vic salvages and repairs an unfamiliar android labelled “HAP,” he learns of a shared dark past between Hap and Gio–a past spent hunting humans. When Hap unwittingly alerts robots from Gio’s former life to their whereabouts, the family is no longer hidden and safe.

Sybil Van Antwerp has throughout her life used letters to make sense of the world and her place in it. Most mornings, around half past ten, Sybil sits down to write letters—to her brother, to her best friend, to the president of the university who will not allow her to audit a class she desperately wants to take, to Joan Didion and Larry McMurtry to tell them what she thinks of their latest books, and to one person to whom she writes often yet never sends the letter.

What is the difference between men and women? Jennifer Finney Boylan, bestselling author of She’s Not There and co-author of Mad Honey with Jodi Picoult, examines the divisions—as well as the common ground—between the genders, and reflects on her own experiences, both difficult and joyful, as a transgender American.

2019: Lucy awakens from a dream to find her hands around her ex-lover’s throat. Horrified, she flees to her older sister’s house on the Australian coast, hoping she can help explain the strangely vivid nightmare that preceded the attack—but Jess is nowhere to be found. As Lucy awaits her return, the rumors surrounding Jess’s strange small town start to emerge. Numerous men have gone missing at sea, spread over decades. A tiny baby was found hidden in a cave. And sailors tell of hearing women’s voices on the waves.

Sixteen years old and enslaved since she was born, Junie has spent her life on Bellereine Plantation in Alabama, cooking and cleaning alongside her family, and tending to the white master’s daughter, Violet. Her daydreams are filled with poetry and faraway worlds, while she spends her nights secretly roaming through the forest, consumed with grief over the sudden death of her older sister, Minnie. When wealthy guests arrive from New Orleans, hinting at marriage for Violet and upending Junie’s life, she commits a desperate act.

Gabriel Piña knows who he is: a college goalkeeper, a future Liga MX or MLS star, and definitely straight. He’s starting his freshman year with a lot of eyes on him and even more potential, but he’s got this. Nothing will have him straying off the path to greatness. That is, until his philosophy classmate Vale volunteers to tutor him. Vale, the same guy who Gabi, in a moment of history repeating itself, might’ve kissed very briefly—and only once—just to help him out at a party.

A Language of Limbs is a breathtaking spin on a will-they-won’t-they love story; it is a tender epic that explores the weight of a choice, the love of community, and how joy is found in even the darkest corners.

On a morning much like any other, 30-something queer Brooklynite Wilder makes a miraculous discovery: suddenly, as if by magic, they can understand every language in the world. Dazed and disconnected, Wilder is found and taken in by a small coven of trans witches who have all become Awakened with mystical powers of their own.

Set in a remote village in the north of England, Open, Heaven unfolds over the course of one year in which two teenage boys meet and transform each other’s lives. James—a sheltered, shy sixteen-year-old—is alone in his newly discovered sexuality, full of an unruly desire but entirely inexperienced. As he is beginning to understand himself and his longings, he also realizes how his feelings threaten to separate him from his family and the rural community he has grown up in. He dreams of another life, fantasizing about what lies beyond the village’s leaf-ribboned boundaries.

It’s 1989, and Joe Agabian and his best friend Ronnie set out to spend their first summer working in the hedonistic gay paradise of Fire Island Pines. Joe is desperate to let loose and finally move beyond the heartbreak of having lost his boyfriend to the HIV/AIDS epidemic. The two friends are quickly taken in by a pair of quirky, older house cleaners. But something seems off, and Joe starts to suspect the two older men of being up to something otherworldly. In truth, Howie and Lenny are members of a secret disco witch coven tasked with protecting the island.

Benigno “Benny” Caldera knows an orphaned Boricua blacksmith in 1910s New York City can’t call himself an artist. But the ironwork tank he creates for famed Coney Island playground, Luna Park, astounds everyone, especially the eccentric side-show proprietor who commissioned it. Benny’s work earns him an invitation to join the show’s eclectic crew of performers—his first welcome in the city—and share in their astonishing secret: the tank Benny built is a cage for their newest exhibit, a living, breathing, in-the-flesh merman stolen from the banks of the East River under a gleaming full moon.

Arden isn’t excited about moving. Los Angeles was an easy place to fit in and find a supportive queer community. But Winifred, Michigan? That sounds like a much more difficult place to exist. Pasadena, California, is the perfect city for Gabe’s reinvention. Everyone knew everything about him in small-town S elby, Illinois. Gabe, who wants to be out and proud, can’t wait to relocate. When Arden and Gabe randomly meet in the lobby of a motel in Nebraska, it feels like fate.

The Brooke family are gathering in their eighteenth-century ancestral home—twenty bedrooms of carved Sussex sandstone—to bury Philip: husband, father, and the blinding sun around which they have orbited their entire lives.

Griffon Keming’s second parents saved him from his abusive family. They taught him how to be trans, paid for his transition, and tried to love him as best they could. But Griffon’s new parents had troubles of their own—both were deeply scarred by the lives they lived before Griffon, the struggles they faced to become themselves, and the failed revolution that drove them from their homeland. When they died, they left an unfillable hole in his heart.

Up-and-coming stage actress Margaret Shoard has just taken a bow as Lady Macbeth, the role she has always believed was destined for her. At home, she plays wife to her best friend Wesley, even if she doesn’t hold his sole attention romantically. After a public breakdown threatens all she holds dear, Margaret’s doctor prescribes her uppers—just a little help to get through the days.

Jane Crowe is an ordinary peasant girl who never dreamed she would work for the infamous Lord of the Greenwood. But when she’s forced out of her home, she has no choice but to turn to Robin Hood for help—and he makes her an irresistible offer. He needs a pair of eyes in the King’s Houses, and quiet, unassuming Jane—who has spent her whole life going unnoticed—will be the perfect spy. At first, Jane’s work for Robin seems straightforward. She whispers to him about the nobles at King’s Houses and all their secrets, including the new Sheriff of Nottingham.

When his grandfather dies, Jay travels south with his family to the property they’ve inherited, a once flourishing farm that has fallen into disrepair. The trees are diseased, the fields parched from months of drought. Jay’s father, Jack, sends him out to work the land, or whatever land is left. Over the course of these hot, dense days, Jay finds himself drawn to Chuan, the son of the farm’s manager, different from him in every way except for one.

Sybil Van Antwerp has throughout her life used letters to make sense of the world and her place in it. Most mornings, around half past ten, Sybil sits down to write letters—to her brother, to her best friend, to the president of the university who will not allow her to audit a class she desperately wants to take, to Joan Didion and Larry McMurtry to tell them what she thinks of their latest books, and to one person to whom she writes often yet never sends the letter.

Hollis Brown is stuck. Born to a blue-collar American Dream, Hollis lives in a rotting small town where no one can afford to leave. Hollis's only bright spots are his two best friends, cool girls Annie and Yulia, and the thrill of fighting his classmates. As if his circumstances couldn’t get worse, a chance encounter with a mysterious stranger named Walt results in a frightening trap. After unknowingly making a deal at the crossroads, Hollis finds himself losing control of his body and mind, falling victim to possession.

When Darby finds himself unemployed and in need of a fresh start, he moves back to the small Illinois town he left behind. But Oak Falls has changed almost as much as he has since he left. One thing is familiar: In Between Books, Darby’s refuge growing up and eventual high school job. When he walks into the bookstore now, Darby feels an eerie sense of déjà vu—everything is exactly the same. Even the newspapers are dated 2009. And behind the register is a teen who looks a lot like Darby did at sixteen. . . who just might give Darby the opportunity to change his own present for the better