As a girl, Amane realizes with horror that her parents “copulated” in order to bring her into the world, rather than using artificial insemination, which became the norm in the mid-twentieth century. Amane strives to get away from what she considers an indoctrination in this strange “system” by her mother, but her infatuations with both anime characters and real people have a sexual force that is undeniable.

What happened to feminism in the twenty-first century? This question feels increasingly urgent after a period of cultural and legislative backlash, when widespread uncertainty about the movement’s power, focus, and currency threatens decades of progress. Sophie Gilbert identifies an inflection point in the late 1990s and early 2000s, when the energy of third-wave and “riot grrrl” feminism collapsed into a regressive period of hyper-objectification, sexualization, and infantilization.

From her cell in a mysterious convent, a woman writes the story of her life in whatever she can find—discarded ink, dirt, and even her own blood. A lower member of the Sacred Sisterhood, deemed an unworthy, she dreams of ascending to the ranks of the Enlightened at the center of the convent and of pleasing the foreboding Superior Sister. Outside, the world is plagued by catastrophe—cities are submerged underwater, electricity and the internet are nonexistent, and bands of survivors fight and forage in a cruel, barren landscape. Inside, the narrator is controlled, punished, but safe.

Joannie hadn’t been on a date in seven years when Johnny invites Joannie and her daughter to dinner. His house is beautiful, his son is sweet, and their first kiss is, well, it’s not the best, but Joannie could convince herself it was nice enough. But when Joannie’s childhood crush, a summer-camp fling turned famous billionaire, crash-lands his hot-air balloon in Johnny’s swimming pool, Joannie dives in.

Having recently moved both herself and her formidable perfume bottle collection into a tiny bungalow in Los Angeles, mid-list author Astrid Dahl finds herself back in the Zoom writer’s group she cofounded, Sapphic Scribes, after an incident that leaves her and her career lightly canceled. But she temporarily forgets all that by throwing herself into a few sexy distractions—like Ivy, a grad student researching 1950s lesbian pulp who smells like metallic orchids, or her new neighbor, Penelope, who smells like patchouli.

If she’s being honest, Sammie Lucas is scared of her son. Working from home in the close quarters of their Florida house, she lives with one wary eye peeled on Samson, a sullen, unknowable boy who resists her every attempt to bond with him. Uncertain in her own feelings about motherhood, she tries her best—driving, cleaning, cooking, prodding him to finish projects for school—while growing increasingly resentful of Monika, her confident but absent wife.

Elsie Hoffman has been engaged to her college boyfriend for a year and a half. Ginny Holtz has been in love with Elsie for almost a decade and a half. When Elsie discovers her fiancé already planned their wedding and honeymoon as a surprise and she’s expected to be in a white dress in seven days, she swiftly realizes she’s let herself become too comfortable with a future she never wanted. She breaks things off, and a week later is on a plane to the Caribbean for her non-refundable honeymoon with her best friend Ginny instead.

In the summer of 2016, a divisive presidential election was underway, and a new breed of right-wing rage was on the rise. Emily Witt, who would soon publish her first book on sex in the digital age, had recently quit antidepressants for a more expansive world of psychedelic experimentation. From her apartment in Brooklyn, she began to catch glimpses of the clandestine nightlife scene thrumming around her.

Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day–partner, parent, creator, muse–and the truths every performance masks, especially from those who think they know us most intimately.

Bunny Simpson is at his usual post behind the counter at a Denver cigarette store when his volatile friend Jerry presents an opportunity: 500 dollars to beat a guy up. Jerry has been dealing steroids to Helen, a lawyer, who is getting rapidly stronger just as she gets more erratic, vengeful towards her cheating ex-husband who she asks Jerry to attack. Bunny’s relatively solid conscience isn’t enough to stop him from biting—Ray, his beloved quasi-uncle, is behind on rent for the apartment they share, and Bunny will do anything to bail him out.

Miranda’s parents live in a dilapidated house in rural France that they share with two llamas, eight ducks, five chickens, two cats, and a freezer full of food dating back to 1983. This wry, propulsive story about a singularly eccentric family and the sibling rivalry, generational divides, and long-buried secrets that shape them, is a glorious debut novel from a seasoned playwright with immense empathy and a flair for dialogue.

Before Anna Delvey, before the Tinder Swindler, there was Kari Ferrell. Adopted at a young age by a Mormon family in Utah, Kari struggled with questions of self-worth and identity as one of the few Asian Americans in her insulated community, leading her to run with the “bad crowd” in an effort to fit in. Soon, stealing from superstores turned into picking up men (and picking their pockets), and before she knew it, Kari had graduated from petty theft to Utah’s most wanted list. Though Kari was able to escape the Southwest, she couldn’t outrun her new moniker: the Hipster Grifter.

It’s the height of the industrial revolution and ten years into Lenore’s marriage to steel magnate Henry, their relationship has soured. When Henry’s ambitions take them from London to the remote British moorlands to host a hunting party, a shocking carriage accident brings the mysterious Carmilla into their lives. Carmilla, who is weak and pale during the day but vibrant at night. Carmilla, who stirs up something deep within Lenore. And before long, girls from the local villages fall sick, consumed by a terrible hunger . . .

The #1 New York Times bestselling authors and award-winning podcasters Glennon Doyle, Abby Wambach, and Amanda Doyle created We Can Do Hard Things—the guidebook for being alive—to help fellow travelers find their way through life.

A dazzling novel about one young woman’s summer of infinite possibility . . .

Bunny Simpson is at his usual post behind the counter at a Denver cigarette store when his volatile friend Jerry presents an opportunity: 500 dollars to beat a guy up. Jerry has been dealing steroids to Helen, a lawyer, who is getting rapidly stronger just as she gets more erratic, vengeful towards her cheating ex-husband who she asks Jerry to attack. Bunny’s relatively solid conscience isn’t enough to stop him from biting—Ray, his beloved quasi-uncle, is behind on rent for the apartment they share, and Bunny will do anything to bail him out.

One morning, Jessa-Lynn Morton walks into the family taxidermy shop to find that her father has committed suicide, right there on one of the metal tables. Shocked and grieving, Jessa steps up to manage the failing business, while the rest of the Morton family crumbles. Her mother starts sneaking into the shop to make aggressively lewd art with the taxidermied animals. Her brother Milo withdraws, struggling to function. And Brynn, Milo's wife - and the only person Jessa's ever been in love with - walks out without a word.

It’s spring of 2020 and Rachel Bloomstein—mother of three, recent divorcée, and Brooklynite—is stuck inside. But her newly awakened sexual desire and lust for a new life refuse to be contained. Leaning on her best friend Lulu to show her the ropes, Rachel dips a toe in the online dating world, leading to park dates with younger men, flirtations with beautiful women, and actual, in-person sex. None of them, individually, are perfect . . . hence her rotation. But what if one person could perfectly cater to all her emotional needs?

If she’s being honest, Sammie Lucas is scared of her son. Working from home in the close quarters of their Florida house, she lives with one wary eye peeled on Samson, a sullen, unknowable boy who resists her every attempt to bond with him. Uncertain in her own feelings about motherhood, she tries her best—driving, cleaning, cooking, prodding him to finish projects for school—while growing increasingly resentful of Monika, her confident but absent wife.

Faruq Zaidi, a young journalist processing the recent death of his father, a devout Muslim, takes the opportunity to embed himself in a cult called “the nameless.” Based in the California redwoods and shepherded by an enigmatic Vietnam War veteran named Odo, the nameless adhere to the 18 Utterances, including teachings such as “all suffering is distortion” and “see only beauty.”

Joannie hadn’t been on a date in seven years when Johnny invites Joannie and her daughter to dinner. His house is beautiful, his son is sweet, and their first kiss is, well, it’s not the best, but Joannie could convince herself it was nice enough. But when Joannie’s childhood crush, a summer-camp fling turned famous billionaire, crash-lands his hot-air balloon in Johnny’s swimming pool, Joannie dives in.

Award-winning journalist Alexis Madrigal sculpts an intricate tableau of the city of Oakland that is at once a groundbreaking big-idea book, a deeply researched work of social and political history, and an intimate portrait of an essential American city that has been at the crossroads of the defining themes of the twenty-first century. Oakland’s stories encompass everything from Silicon Valley’s prominence and the ramifications of a compulsively digital future to the underestimated costs of technological innovation on local communities.

Girlie Delmundo is the greatest content moderator in the world, and despite the setbacks of financial crises, climate catastrophe, and a global pandemic, she’s going places: she’s getting a promotion. Now thanks to her parent company Paragon’s purchase of Fairground—the world’s preeminent virtual reality content provider—she’s on the way to becoming an elite VR moderator, playing in the big leagues and, if her enthusiastic bosses are to be believed, moderating the next stage of human interaction.

Raised in Connecticut, adopted twins Drita and Petrit (aka Pete) had no connection to their Albanian heritage. Their lives were all about Barbie dolls, the mall, and roller skating at the local rink. Although they were inseparable during their childhood, their paths diverged once they became teenagers: Drita was a good girl with good manners who was going to attend a good college; Pete was a bad boy going nowhere fast. Even their twinhood was not enough to keep them together.

It’s a Friday night in a campus bar in Berkeley, fall of 2000, and Percy Marks is pontificating about music again. Hall and Oates is on the jukebox, and Percy—who has no talent for music, just lots of opinions about it—can’t stop herself from overanalyzing the song, indulging what she knows to be her most annoying habit. But something is different tonight. The guy beside her at the bar, fellow student Joe Morrow, is a songwriter. And he could listen to Percy talk all night. Joe asks Percy for feedback on one of his songs—and the results kick off a partnership that will span years.

“Ask anyone non-Northern, they’ll only know Donny as punchline of a joke or place they changed trains once ont way to London.” But Doncaster’s also the home of Rach, Shaz, and Kel, bezzies since childhood and Donny lasses through and through. Never mind that Rach is skeptical of Shaz’s bolder plots; or that Shaz, who comes from a rougher end of town, feels left behind when the others begin plotting a course to uni; or that Kel sometimes feels split in two trying to keep the peace―the girls are inseparable, their friendship as indestructible as they are.

In Rooms for Vanishing, the violence of war has fractured the universe for the Altermans, a Jewish family from Vienna. Moving across decades, and across the world, the novel finds the Altermans alone in their separate futures, haunted by the loss of their loved ones, each certain that they are the sole survivor of their family.

Nia and Jade had been inseparable ever since their best friend, Michal, introduced them at her tenth birthday party. But now it's been three years since Michal died of cancer—since the brutal fight Nia and Jade had—and they're barely on speaking terms. Until Nia reads a letter Michal wrote for her twenty-ninth birthday, asking her and Jade to go on the southern Jewish history road trip they'd planned before she died.

A coma can change a man, but the world Jack Jr. awakens to is one he barely recognizes. His advertising job is history, his Manhattan apartment is gone, and the love of his life has left him behind. He’s been asleep for two years; with no one to turn to, he realizes it’s been ten years since he last saw his family.

In this tense, gripping novel by a star of Korean literature, Oghi wakes from a coma after causing a devastating car accident that took his wife's life and left him paralyzed and badly disfigured. His caretaker is his mother-in-law, a widow grieving the loss of her only child. Oghi is neglected and left alone in his bed. His world shrinks to the room he lies in and his memories of his troubled relationship with his wife, a sensitive, intelligent woman who found all of her life goals thwarted except for one: cultivating the garden in front of their house.