Hart is a marshal, tasked with patrolling the strange and magical wilds of Tanria. It’s an unforgiving job, and Hart’s got nothing but time to ponder his loneliness. Mercy never has a moment to herself. She’s been single-handedly keeping Birdsall & Son Undertakers afloat in defiance of sullen jerks like Hart, who seems to have a gift for showing up right when her patience is thinnest. After yet another exasperating run-in with Mercy, Hart finds himself penning a letter addressed simply to “A Friend”.

Callum Flannelly would rather dive into an open grave than take a stranger to dinner. But he can only inherit the family undertaking business under one condition: He must marry before his 35th birthday. So it’s out of the mortuary and into the dating scene. Lark Thompson came to Galway, Ireland to embrace life, not be reminded of losing her husband by moving in next to a funeral home. Then, the vivacious Texan animator learns of painfully shy Callum’s dilemma and makes it her mission to help him find The One.

As a child, Delia Merriweather believed with all her heart that she was a witch. Because all Merriweather women were witches. There was just one problem: they had no magic. As an adult, Delia no longer believes magic even exists. However, when she accidentally breaks a hex and restores her family’s powers, she’s forced to accept a new reality: she is a witch. And maybe that’s why the crushingly handsome guy next door has been looking at her like he’s expecting her to fly off on a broomstick, cackling into the night.

Ever since she was cursed by a faerie, Theodora Ettings has had no sense of fear or embarrassment—an unfortunate condition that leaves her prone to accidental scandal. Dora hopes to be a quiet, sensible wallflower during the London Season—but when Elias Wilder, the strange, handsome, and utterly ill-mannered Lord Sorcier, discovers her condition, she is instead drawn into peculiar and dangerous faerie affairs.

From the New York Times bestselling author of Starling House comes a moving and genre-defying quest following the reluctant knight whose legend built a nation and the desperate scholar sent back through time to ensure she meets her tragic fate—even if it breaks his heart.

Cordelia knows her mother is . . . unusual. Their house doesn’t have any doors between rooms—there are no secrets in this house—and her mother doesn't allow Cordelia to have a single friend. Unless you count Falada, her mother's beautiful white horse. The only time Cordelia feels truly free is on her daily rides with him. But more than simple eccentricity sets her mother apart. Other mothers don’t force their daughters to be silent and motionless for hours, sometimes days, on end. Other mothers aren’t sorcerers.

When professional—and self-taught—violinist Gwen Jackson plays, she disappears into the peaks and valleys of each song, a quiet passion that never quite explodes into pure emotion. Xander Thorne is the exact opposite. A cellist and a rock star, he’s all about big emotion, but not even his six-foot-four frame can contain his skill, his genius...and an attitude that borders on jerkitude.

Nice Victorian ladies don’t run off to find legendary lost cities. One trifling little arrest shouldn’t have cost Ellie Mallory her job, but it’s only the latest in a line of injustices facing any educated woman with archaeological ambitions. When Ellie stumbles across the map to a mysterious ancient city, she knows she’s holding her chance to revolutionize Pre-Colombian history. There’s just one teensy complication.

Murder is not her department. It’s not like it used to be. Modern-day grim reapers wear business casual, not black cloaks, and they don’t carry scythes, they work for S. C. Y. T. H. E. (Secure Collection, Yielding, and Transportation of Human Essences), where the Department of Natural Causes is the least exciting gig. And that’s how Kathy Valence likes it: boring and predictable. She has enough stress in her personal life; she’s mid-divorce, pregnant, and terrified she doesn’t have what it takes to be a good mom. Then, she goes to pick up a new client and finds his soul is missing.

In the depths of the Finnish wilderness, more than wolves roam the dark woods. When a death goddess attacks their village, best friends Siiri and Aina prove helpless to stop her from dragging Aina into Tuonela, the mythical underworld. Determined to save her beloved Aina, Siiri braves a dangerous journey north, seeking help from the greatest shaman of legend—the only person ever to venture into Tuonela and return alive. There’s only one problem … the stories say he’s dead. In Tuonela, the cruel Witch Queen turns Aina’s every waking moment into a living nightmare.

With ailing family to support, Evie Sage's employment status isn't just important, it's vital. So when a mishap with Rennedawn's most infamous Villain results in a job offer—naturally, she says yes. No job is perfect, of course, but even less so when you develop a teeny crush on your terrifying, temperamental, and undeniably hot boss. Don't find evil so attractive, Evie. But just when she's getting used to severed heads suspended from the ceiling and the odd squish of an errant eyeball beneath her heel, Evie suspects this dungeon has a huge rat . . . and not just the literal kind.

Fonda Lee returns to the acclaimed Green Bone Saga with four prequel short stories that delve into the personal histories of the Kaul and Ayt families.

Nineteen-year-old Signa Farrow, orphaned as a baby, has been raised by a string of guardians, each more interested in her wealth than her well-being—and each has met an untimely end. Her last remaining relatives are the Hawthornes, an eccentric family living at the glittering and gloomy estate of Thorn Grove. Thorn Grove’s patriarch, Elijah, mourns his late wife, Lillian, through wild parties and drink, while eldest son Percy grapples for control of the family’s waning reputation and daughter Blythe suffers from the same mysterious illness that killed her mother.

They say never bargain with the fae. They also say don’t get drunk on fae wine. Yet romance author Edwina Danforth has managed a blunder with both on her first visit to the infamous faelands. Now she's trapped in a magic-fueled bet she barely remembers with a man she’d be happier to forget. The terms? Whoever can bed the most lovers during their month-long dueling book tour wins a coveted publishing contract. The win should be easy for Edwina. She’s known for penning scintillating tales of whirlwind romance. There’s just one problem: her imagination vastly exceeds her bedroom experience.

Maewyn’s fate is sealed when she is chosen to walk the Harvest Way as a sacrifice to the Autumn Court, but this human doesn’t intend to be any fae’s bride, and she’ll kill if need be. Her attempt to slay her betrothed only creates a far worse predicament, though: a magical tether that bonds her to her target instantly.

Hart is a marshal, tasked with patrolling the strange and magical wilds of Tanria. It’s an unforgiving job, and Hart’s got nothing but time to ponder his loneliness. Mercy never has a moment to herself. She’s been single-handedly keeping Birdsall & Son Undertakers afloat in defiance of sullen jerks like Hart, who seems to have a gift for showing up right when her patience is thinnest. After yet another exasperating run-in with Mercy, Hart finds himself penning a letter addressed simply to “A Friend”.

As a child, Delia Merriweather believed with all her heart that she was a witch. Because all Merriweather women were witches. There was just one problem: they had no magic. As an adult, Delia no longer believes magic even exists. However, when she accidentally breaks a hex and restores her family’s powers, she’s forced to accept a new reality: she is a witch. And maybe that’s why the crushingly handsome guy next door has been looking at her like he’s expecting her to fly off on a broomstick, cackling into the night.

Ever since she was cursed by a faerie, Theodora Ettings has had no sense of fear or embarrassment—an unfortunate condition that leaves her prone to accidental scandal. Dora hopes to be a quiet, sensible wallflower during the London Season—but when Elias Wilder, the strange, handsome, and utterly ill-mannered Lord Sorcier, discovers her condition, she is instead drawn into peculiar and dangerous faerie affairs.

As the threat of a common enemy closes in, Ferren finds solace in the commander. While working together in the hope of saving their people, they forge a profound connection that tethers them in unexpected ways. Ferren must decide if she can go back to the stoic existence she once led when he has shown her a taste of the life she deserves.

The mythical Vase of Venus Aurelia hasn’t been seen since 1932, but Margot Rhodes is determined to change that. Drawn by the vase’s supposed magical properties, Margot embarks on her school’s archaeological trip to Pompeii. Sure, it’s her first time holding a shovel, but she’s got something no one else does: lost teenage explorer Van Keane’s journal. Poring over the poetic entries that serve as a map to the vase’s missing shards, Margot finds herself falling in love with the boy who wrote it a century ago.

Callum Flannelly would rather dive into an open grave than take a stranger to dinner. But he can only inherit the family undertaking business under one condition: He must marry before his 35th birthday. So it’s out of the mortuary and into the dating scene. Lark Thompson came to Galway, Ireland to embrace life, not be reminded of losing her husband by moving in next to a funeral home. Then, the vivacious Texan animator learns of painfully shy Callum’s dilemma and makes it her mission to help him find The One.

Myra has a gift many would kidnap, blackmail, and worse to control: she’s a portrait artist whose paintings alter people’s bodies. Guarding that secret is the only way to keep her younger sister safe now that their parents are gone. But one frigid night, the governor’s wife discovers the truth and threatens to expose Myra if she does not complete a special portrait that would resurrect the governor's dead son.

Marlinchen and her two sisters live with their wizard father in a city shifting from magic to industry. As Oblya’s last true witches, she and her sisters are little more than a tourist trap as they treat their clients with archaic remedies and beguile them with nostalgic charm. Marlinchen spends her days divining secrets in exchange for rubles and trying to placate her tyrannical, xenophobic father, who keeps his daughters sequestered from the outside world.

It is 1937, and Laura Ann Langston lives in an America divided—between those who work the mystical arts and those who do not. Ever since the Great Rust, a catastrophic event that blighted the arcane force called the Dynamism and threw America into disarray, the country has been rebuilding for a better future. And everyone knows the future is industry and technology—otherwise known as Mechomancy—not the traditional mystical arts.

Haelewise has always lived under the shadow of her mother, Hedda—a woman who will do anything to keep her daughter protected. For with her strange black eyes and even stranger fainting spells, Haelewise is shunned by her village, and her only solace lies in the stories her mother tells of child-stealing witches, of princes in wolf-skins, of an ancient tower cloaked in mist, where women will find shelter if they are brave enough to seek it. Then, Hedda dies, and Haelewise is left unmoored.

When professional—and self-taught—violinist Gwen Jackson plays, she disappears into the peaks and valleys of each song, a quiet passion that never quite explodes into pure emotion. Xander Thorne is the exact opposite. A cellist and a rock star, he’s all about big emotion, but not even his six-foot-four frame can contain his skill, his genius...and an attitude that borders on jerkitude.

Unable to shift for three months, Mateo Cruz knows all too well. His wolf has taken up residence in his head, taunting him night and day with vividly violent and carnal thoughts. Convinced he's cursed, he needs the help of a powerful witch before he literally goes insane. ​Evie Savoie has always obeyed the house rule of her coven: no werewolves. They're known for being volatile. So, when a distempered, dangerous werewolf strolls into the bar and almost strangles one of her late-night customers, she's ready to bounce him through the door. But she sees the desperation in his eyes....

Max is living the screenwriter dream. He's not even thirty, he's just won an Oscar, and he's dating the gorgeous star of his movie. But after that one magical night, everything crumbles. The movie star dumps him, and his latest screenplay is a blank document that stubbornly refuses to write itself. So Max decides to disappear into the middle of nowhere and maybe obscurity. He's just getting settled into his new life when suddenly someone is trying to kill him.

Psyche, princess of Myce­nae, was born with a prophecy that she will one day conquer a great monster. Rejecting her royal duties, Psyche spends her youth mastering blade and bow, preparing for her destiny. Tales of her beauty and rebellious nature reach even the goddess Aphrodite, who decides to teach Psyche a lesson. Aphro­dite commands Eros, the god of desire, to deliver a cruel love curse. After eons watching humanity misuse his gifts, the last thing Eros wants is to become involved in the chaos of the mortal world.

There’s something magical about Yarrow, Kentucky. The three empathic witches of the Haywood family are known for their shadow garden—from strawberries that taste like chocolate to cherry tomatoes imbued with the flavors of basil and oregano. Their magic can cure any heartache, and the fruits of their garden bring a special quality to the local bourbon distillery. On one day every year, a shot of Bonner bourbon will make your worst memory disappear. But the Haywoods will never forget the Bonners’ bitter betrayal.