Hart is a marshal, tasked with patrolling the strange and magical wilds of Tanria. It’s an unforgiving job, and Hart’s got nothing but time to ponder his loneliness. Mercy never has a moment to herself. She’s been single-handedly keeping Birdsall & Son Undertakers afloat in defiance of sullen jerks like Hart, who seems to have a gift for showing up right when her patience is thinnest. After yet another exasperating run-in with Mercy, Hart finds himself penning a letter addressed simply to “A Friend”.

Callum Flannelly would rather dive into an open grave than take a stranger to dinner. But he can only inherit the family undertaking business under one condition: He must marry before his 35th birthday. So it’s out of the mortuary and into the dating scene. Lark Thompson came to Galway, Ireland to embrace life, not be reminded of losing her husband by moving in next to a funeral home. Then, the vivacious Texan animator learns of painfully shy Callum’s dilemma and makes it her mission to help him find The One.

Ever since she was cursed by a faerie, Theodora Ettings has had no sense of fear or embarrassment—an unfortunate condition that leaves her prone to accidental scandal. Dora hopes to be a quiet, sensible wallflower during the London Season—but when Elias Wilder, the strange, handsome, and utterly ill-mannered Lord Sorcier, discovers her condition, she is instead drawn into peculiar and dangerous faerie affairs.

After losing both their parents, Bristol Keats and her sisters struggle to stay afloat in their small, quiet town of Bowskeep. When Bristol begins to receive letters from an “aunt” she’s never heard of who promises she can help, she reluctantly agrees to meet—and discovers that everything she thought she knew about her family is a lie. Even her father might still be alive, not killed but kidnapped by terrifying creatures to a whole other realm—the one he is from.

As a child, Delia Merriweather believed with all her heart that she was a witch. Because all Merriweather women were witches. There was just one problem: they had no magic. As an adult, Delia no longer believes magic even exists. However, when she accidentally breaks a hex and restores her family’s powers, she’s forced to accept a new reality: she is a witch. And maybe that’s why the crushingly handsome guy next door has been looking at her like he’s expecting her to fly off on a broomstick, cackling into the night.

Murder is not her department. It’s not like it used to be. Modern-day grim reapers wear business casual, not black cloaks, and they don’t carry scythes, they work for S. C. Y. T. H. E. (Secure Collection, Yielding, and Transportation of Human Essences), where the Department of Natural Causes is the least exciting gig. And that’s how Kathy Valence likes it: boring and predictable. She has enough stress in her personal life; she’s mid-divorce, pregnant, and terrified she doesn’t have what it takes to be a good mom. Then, she goes to pick up a new client and finds his soul is missing.

Cordelia knows her mother is . . . unusual. Their house doesn’t have any doors between rooms—there are no secrets in this house—and her mother doesn't allow Cordelia to have a single friend. Unless you count Falada, her mother's beautiful white horse. The only time Cordelia feels truly free is on her daily rides with him. But more than simple eccentricity sets her mother apart. Other mothers don’t force their daughters to be silent and motionless for hours, sometimes days, on end. Other mothers aren’t sorcerers.

With ailing family to support, Evie Sage's employment status isn't just important, it's vital. So when a mishap with Rennedawn's most infamous Villain results in a job offer—naturally, she says yes. No job is perfect, of course, but even less so when you develop a teeny crush on your terrifying, temperamental, and undeniably hot boss. Don't find evil so attractive, Evie. But just when she's getting used to severed heads suspended from the ceiling and the odd squish of an errant eyeball beneath her heel, Evie suspects this dungeon has a huge rat . . . and not just the literal kind.

As a witch in the walled city of Chernograd, Kosara has plenty of practice treating lycanthrope bites, bargaining with kikimoras, and slaying bloodsucking upirs. There’s only one monster she can’t defeat: her ex, the Zmey, known as the Tsar of Monsters. She’s defied him one too many times and now he’s hunting her. Betrayed by someone close to her, Kosara’s only choice is to trade her shadow—the source of her powers—for a quick escape.

Kenna Heron is best known in her village for being a little wild—some say half feral—but she’ll need every ounce of that ferocity to survive captivity in the cruel Fae court. Trapped as a servant in the faeries’ underground kingdom of Mistei, Kenna must help her new mistress undertake six deadly trials, one for each branch of magic: Fire, Earth, Light, Void, Illusion, and Blood. If she succeeds, her mistress will gain immortality and become the heir to Earth House. If she doesn’t, the punishment is death—for both mistress and servant.

Fonda Lee returns to the acclaimed Green Bone Saga with four prequel short stories that delve into the personal histories of the Kaul and Ayt families.

In the depths of the Finnish wilderness, more than wolves roam the dark woods. When a death goddess attacks their village, best friends Siiri and Aina prove helpless to stop her from dragging Aina into Tuonela, the mythical underworld. Determined to save her beloved Aina, Siiri braves a dangerous journey north, seeking help from the greatest shaman of legend—the only person ever to venture into Tuonela and return alive. There’s only one problem … the stories say he’s dead. In Tuonela, the cruel Witch Queen turns Aina’s every waking moment into a living nightmare.

Nineteen-year-old Signa Farrow, orphaned as a baby, has been raised by a string of guardians, each more interested in her wealth than her well-being—and each has met an untimely end. Her last remaining relatives are the Hawthornes, an eccentric family living at the glittering and gloomy estate of Thorn Grove. Thorn Grove’s patriarch, Elijah, mourns his late wife, Lillian, through wild parties and drink, while eldest son Percy grapples for control of the family’s waning reputation and daughter Blythe suffers from the same mysterious illness that killed her mother.

Eighteen-year-old Zarela Zalvidar is a talented flamenco dancer and daughter of the most famous Dragonador in Hispalia. People come for miles to see him fight in their arena, which will one day be hers. But disaster strikes during one celebratory show, and in the carnage, Zarela’s life changes in an instant. With the Dragon Guild trying to wrest control of her inheritance from her, Zarela has no choice but to train to become a Dragonador.

The mythical Vase of Venus Aurelia hasn’t been seen since 1932, but Margot Rhodes is determined to change that. Drawn by the vase’s supposed magical properties, Margot embarks on her school’s archaeological trip to Pompeii. Sure, it’s her first time holding a shovel, but she’s got something no one else does: lost teenage explorer Van Keane’s journal. Poring over the poetic entries that serve as a map to the vase’s missing shards, Margot finds herself falling in love with the boy who wrote it a century ago.

Hart is a marshal, tasked with patrolling the strange and magical wilds of Tanria. It’s an unforgiving job, and Hart’s got nothing but time to ponder his loneliness. Mercy never has a moment to herself. She’s been single-handedly keeping Birdsall & Son Undertakers afloat in defiance of sullen jerks like Hart, who seems to have a gift for showing up right when her patience is thinnest. After yet another exasperating run-in with Mercy, Hart finds himself penning a letter addressed simply to “A Friend”.

Immortal demigod Rosie Fox has been patrolling Tanria for decades, but lately, the job has been losing its luster. After one hundred and fifty-seven years of being alive, everything is beginning to lose its luster. When Rosie dies (again) by electrocution (again) after poking around inside a portal choked with shadowy thorns only she can see, she feels stuck in the rut that is her unending life. Thanks to Rosie’s meddling, the portal’s inventor, Dr. Adam Lee, must come in person to repair the damage.

As a child, Delia Merriweather believed with all her heart that she was a witch. Because all Merriweather women were witches. There was just one problem: they had no magic. As an adult, Delia no longer believes magic even exists. However, when she accidentally breaks a hex and restores her family’s powers, she’s forced to accept a new reality: she is a witch. And maybe that’s why the crushingly handsome guy next door has been looking at her like he’s expecting her to fly off on a broomstick, cackling into the night.

Ever since she was cursed by a faerie, Theodora Ettings has had no sense of fear or embarrassment—an unfortunate condition that leaves her prone to accidental scandal. Dora hopes to be a quiet, sensible wallflower during the London Season—but when Elias Wilder, the strange, handsome, and utterly ill-mannered Lord Sorcier, discovers her condition, she is instead drawn into peculiar and dangerous faerie affairs.

Wren Greenrock has always known that one day she’d steal her sister’s place on the throne. Trained from birth to return to the palace and avenge her parents’ murder, she’ll do anything to become queen and protect the community of witches who raised her. Or she would, if only a certain guard wasn’t quite so distractingly attractive, and if her reckless magic would stop causing trouble. . . .

Julia Lombardi is a mystery even to herself. The beautiful model can’t remember where she’s from, where she’s been or how she came to live in Rome. When she receives an offer to accompany celebrated eccentric artist Salvador Dalí to the Sacro Bosco—Italy’s Garden of Monsters—as his muse, she’s strangely compelled to accept. It could be a chance to unlock the truth about her past…

The mythical Vase of Venus Aurelia hasn’t been seen since 1932, but Margot Rhodes is determined to change that. Drawn by the vase’s supposed magical properties, Margot embarks on her school’s archaeological trip to Pompeii. Sure, it’s her first time holding a shovel, but she’s got something no one else does: lost teenage explorer Van Keane’s journal. Poring over the poetic entries that serve as a map to the vase’s missing shards, Margot finds herself falling in love with the boy who wrote it a century ago.

As the threat of a common enemy closes in, Ferren finds solace in the commander. While working together in the hope of saving their people, they forge a profound connection that tethers them in unexpected ways. Ferren must decide if she can go back to the stoic existence she once led when he has shown her a taste of the life she deserves.

Marlinchen and her two sisters live with their wizard father in a city shifting from magic to industry. As Oblya’s last true witches, she and her sisters are little more than a tourist trap as they treat their clients with archaic remedies and beguile them with nostalgic charm. Marlinchen spends her days divining secrets in exchange for rubles and trying to placate her tyrannical, xenophobic father, who keeps his daughters sequestered from the outside world.

Myra has a gift many would kidnap, blackmail, and worse to control: she’s a portrait artist whose paintings alter people’s bodies. Guarding that secret is the only way to keep her younger sister safe now that their parents are gone. But one frigid night, the governor’s wife discovers the truth and threatens to expose Myra if she does not complete a special portrait that would resurrect the governor's dead son.

Unable to shift for three months, Mateo Cruz knows all too well. His wolf has taken up residence in his head, taunting him night and day with vividly violent and carnal thoughts. Convinced he's cursed, he needs the help of a powerful witch before he literally goes insane. ​Evie Savoie has always obeyed the house rule of her coven: no werewolves. They're known for being volatile. So, when a distempered, dangerous werewolf strolls into the bar and almost strangles one of her late-night customers, she's ready to bounce him through the door. But she sees the desperation in his eyes....

The kingdom of Kandala is on the brink of disaster. Rifts between sectors have only worsened since a sickness began ravaging the land, and within the Royal Palace, the king holds a tenuous peace with a ruthless hand. King Harristan was thrust into power after his parents’ shocking assassination, leaving the younger Prince Corrick to take on the brutal role of the King’s Justice. The brothers have learned to react mercilessly to any sign of rebellion - it’s the only way to maintain order when the sickness can strike anywhere.

When professional—and self-taught—violinist Gwen Jackson plays, she disappears into the peaks and valleys of each song, a quiet passion that never quite explodes into pure emotion. Xander Thorne is the exact opposite. A cellist and a rock star, he’s all about big emotion, but not even his six-foot-four frame can contain his skill, his genius...and an attitude that borders on jerkitude.

Once upon a time, the kingdoms of Wales were rife with magic and conflict, and eighteen-year-old Mererid “Mer” is well-acquainted with both. She is the last living water diviner and has spent years running from the prince who bound her into his service. Under the prince’s orders, she located the wells of his enemies, and he poisoned them without her knowledge, causing hundreds of deaths. After discovering what he had done, Mer went to great lengths to disappear from his reach. Then Mer’s old handler returns with a proposition: use her powers to bring down the very prince that abused them both.

Haelewise has always lived under the shadow of her mother, Hedda—a woman who will do anything to keep her daughter protected. For with her strange black eyes and even stranger fainting spells, Haelewise is shunned by her village, and her only solace lies in the stories her mother tells of child-stealing witches, of princes in wolf-skins, of an ancient tower cloaked in mist, where women will find shelter if they are brave enough to seek it. Then, Hedda dies, and Haelewise is left unmoored.