Grim Wolds, England: Winifred Notty arrives at Ensor House prepared to play the perfect governess—she’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But long, listless days spent within the estate’s dreary confines come with an intimate knowledge of the perversions and pathetic preoccupations of the Pounds family—Mr. Pounds can’t keep his eyes off Winifred’s chest, and Mrs. Pounds takes a sickly pleasure in punishing Winifred for her husband’s wandering gaze.

The three Maxwell siblings keep their distance from the lily-white gated enclave outside Dallas where they grew up. When their family moved there, they were the only Black family in the neighborhood. The neighbors acted nice enough, but right away bad things, scary things—the strange and the unexplainable—began to happen in their house. Maybe it was some cosmic trial, a demonic rite of passage into the upper-middle class. Whatever it was, the Maxwells, steered by their formidable mother, stayed put, unwilling to abandon their home, terrors and trauma be damned.

Celebrating a new generation of bestselling and acclaimed Black writers, The Black Girl Survives in This One makes space for Black girls in horror. Fifteen chilling and thought-provoking stories place Black girls front and center as heroes and survivors who slay monsters, battle spirits, and face down death. Prepare to be terrified and left breathless by the pieces in this anthology.

Bram Stoker Award-winning author Laird Barron returns to the dark and dreadful with his fifth horror collection, which weaves sixteen weird tales into a mosaic of the bloody and the macabre.

A fledgling vampire and a headstrong vampire huntress must work together—against their better judgment—to rid the world of monsters in this irresistible romantic fantasy.

A new mom in need of help opens her door to her long-estranged mother—only to invite something much darker inside—in this "fast-paced and frightening debut" (Rachel Harrison) about the long shadows cast by family secrets, perfect for listeners of Grady Hendrix or Ashley Audrain.

In a country divided between humans and witchers, Venus Stoneheart hustles as a brewer making illegal love potions to support her family. Love potions is a dangerous business. Brewing has painful, debilitating side effects, and getting caught means death or a prison sentence. But what Venus is most afraid of is the dark, sentient magic within her. Then an enemy's iron bullet kills her mother, Venus's life implodes. When the powerful Grand Witcher, the ruthless head of her coven, offers Venus the chance to punish her mother's killer, she has to pay a steep price for revenge.

After sitcom star Willow tweets herself into infamy and stumbles blind-drunk into a swimming pool, her agent ships her off to Camp Castaway. Nestled deep in upstate New York, Castaway is a summer camp for adults who are desperate to leave their mistakes behind. No real names, no phones . . . no way to call for help. Willow’s fellow campers seem okay. Her own favorite actress is even here, making a s’more. And did that jaded writer, Dani, just wink at her?

After the unexpected death of her father, college student Jane Sharp longs for a distraction from her grief. She becomes obsessed with true crime, befriending armchair detectives who teach her how to hunt killers from afar. In this morbid internet underground, Jane finds friendship, purpose, and even glory . . .So when news of the shocking deaths of three college girls in Delphine, Idaho, takes the world by storm, and sleuths everywhere race to solve the crimes, Jane and her friends are determined to beat them.

A house with history. That's how the estate agent described the old toll house on the edge of the town. For Kelda, it's the perfect rural home for her young son Dylan after a difficult few years. But when Kelda finds a death mask concealed behind one of the walls, everything changes. Inexplicable things happen in the house, Kelda cannot shake the feeling of being watched and Dylan is plagued by nightmares, convinced he can see figures in his room. As Dylan's behaviour becomes increasingly challenging, Kelda seeks answers in the house's mysterious past. But she's running out of time.

When the mutilated body of a young woman is discovered in the desert on the outskirts of Los Angeles, the detective assigned to the case can't deny the similarities between this murder and one that occurred a year prior. Media outlets are quick to surmise this is the work of a budding serial killer, but Detective Bill Renney is struggling with an altogether different scenario: a secret that keeps him tethered to the husband of the first victim.

“If you’re reading this, you’ve likely thought that the world would be a better place without you.” A single line of text, glowing in the darkness of the internet. Written by Ashley Lutin, who has often thought the same—and worse—in the years since his wife died and his young son disappeared. But the peace of the grave is not for him—it’s for those he can help. Ashley has constructed a peculiar ritual for those whose desire to die is at war with their yearning to live a better life.

Annie Lane was murdered, but that won’t slow her down. The mountain her body was dumped on is legendary for raising the dead—so after waking up in the same frigid water that hides her corpse, Annie surges into her backwoods hometown hell-bent on revenge. The problem is, Annie can’t remember who killed her … and the list of people who might have wanted to isn’t exactly short. There’s her toxic mom, who spends her rare sober moments ripping Annie a new one. There’s her boss at the diner, who’s always been a little too friendly. And there’s her cheating ex and his creepy bandmates,.

Father Silence once terrorized the rural town of Twisted Tree, disguising himself as a priest to prey on the most vulnerable members of society. When the police finally found his House of Horrors, they uncovered nineteen bodies and one survivor–a boy now locked away in a hospital for the criminally insane. Nearly two decades later, Father Silence is finally put to death, but by the next morning, the detective who made the original arrest is found dead. A new serial killer is taking credit for the murder and calling himself the Outcast.

Ji-won’s life tumbles into disarray in the wake of her Appa’s extramarital affair and subsequent departure. Her mother, distraught. Her younger sister, hurt and confused. Her college freshman grades, failing. Her dreams, horrifying… yet enticing. In them, Ji-won walks through bloody rooms full of eyes. Succulent blue eyes. Salivatingly blue eyes. Eyes the same shape and shade as George’s, who is Umma’s obnoxious new boyfriend. George has already overstayed his welcome in her family’s claustrophobic apartment.

More than a decade ago, Mira fled her small, segregated hometown in the south to forget. With every mile she traveled, she distanced herself from her past: from her best friend Celine, mocked by their town as the only white girl with black friends; from her old neighborhood; from the eerie Woodsman plantation rumored to be haunted by the spirits of slaves; from the terrifying memory of a ghost she saw that terrible day when a dare-gone-wrong almost got Jesse—the boy she secretly loved—arrested for murder. But now Mira is back to attend Celine's wedding at the plantation.

Solenne Bonet lives in Texas where choice no longer exists. An algorithm determines a Black woman’s occupation, spouse, and residence. Solenne finds solace in penning the biography of Henriette, an ancestor who’d been an enslaved concubine to a wealthy planter in 1800s Louisiana. But history repeats itself when Solenne, lonely and naïve, finds herself entangled with Bastien Martin, a high-ranking government official. Solenne finds the psychological bond unbearable, so she considers alternatives. With Henriette as her guide, she must decide whether and how to leave behind all she knows.

When Jessica marries David, he is everything she wants in a family man: brilliant, attentive, ever youthful. Yet she still feels something about him is just out of reach. Soon, as people close to Jessica begin to meet violent, mysterious deaths, David makes an unimaginable confession: More than 400 years ago, he and other members of an Ethiopian sect traded their humanity so they would never die, a secret he must protect at any cost.

Eric Ross is on the run from a mysterious past with his two daughters in tow. Having left his wife, his house, his whole life behind in Maryland, he's desperate for money—it's not easy to find steady, safe work when you can't provide references, you can't stay in one place for long, and you're paranoid that your past is creeping back up on you.

What if nobody ever freed the slaves…because they freed themselves – 150 years before the Civil War? In the Province of Carolina, 1710, freedom seems unattainable for Willie, for his beloved Gertie, and for their unborn child. They live, suffer, and toil under their brutal master, James “Big Jim” Barrow, whose grand plantation was built by the blood, sweat, and tears of the enslaved. To flee this hell on earth is be hunted and killed. Until one strange night Willie is offered a dark hope by Rafazi, an enigmatic slave with an irresistible and blood-chilling path to liberation.

Sarah Carpenter is starting over. She’s on the run—leaving behind her unsupportive, narcissistic ex-boyfriend and alcoholic, abusive mother—and headed for a new beginning at Tranquil Falls, a secluded artists’ colony on the grounds of a closed hotel. There, with no cell signal or internet to distract her, she hopes to rediscover her love for pottery and put the broken pieces of her life back together.

Monica Stephens never knew her birth mother. Raised by a strict but loving adoptive parent, she blossomed into a woman with a thriving career as a pediatrician and a family of her own. But sometimes, she wondered about her origins. Especially her biological mother. Until Grace arrives. Confessing to be the birth mother Monica had long wanted to meet, Grace quickly becomes an indispensable member of the Stephens household. Cooking their meals. Looking after the children. Comforting Monica when the family dog is inexplicably killed. Tending to Monica as she falls ill....

England, 1840. Orabella Mumthrope spies an unexpected visitor in her uncle’s parlor. Scruffy in appearance yet claiming to be the scion of a fabulously wealthy family, Elias Blakersby declares a deep desire to make Orabella his wife. The orphaned daughter of a white man and a Black woman—an outsider with no fortune or connections—Orabella never expected to marry. But her uncle has many debts, and Orabella, curious about the seeming devotion Elias bestows upon her, agrees.

Liz Rocher is coming home . . . reluctantly. As a Black woman, Liz doesn’t exactly have fond memories of Johnstown, Pennsylvania, a predominantly white town. But her best friend is getting married, so she braces herself for a weekend of awkward, passive-aggressive reunions. Liz has grown, though; she can handle whatever awaits her. But on the night of the wedding, somewhere between dancing and dessert, the newlyweds’ daughter, Caroline, disappears—and the only thing left behind is a piece of white fabric covered in blood.

Welcome to Curdle Creek, a place just dying to make you feel at home. Osira, a forty-five-year-old widow, is an obedient follower of the strict conventions of Curdle Creek, an all-Black town in rural America stuck in the past and governed by a tradition of ominous rituals. Osira is considered blessed, but her luck changes when her children flee, she comes second to last in the Running of the Widows and her father flees when his name is called in the annual Moving On ceremony.

Palermo 1632: Giulia is thirteen when she learns her mother's greatest secret: Teofania makes an undetectable, slow-acting, lethal poison—Acqua Tofana—which she uses to free the broken and abused women of Palermo. Now Teofania wants to pass her recipe on to her daughter, and Giulia soon realizes that in a time when women have no voice, justice is sometimes best served in a cup of wine or broth.

Vivian Yin is dead. The first Chinese actress to win an Oscar, the trailblazing ingénue rose to fame in the eighties, only to disappear from the spotlight at the height of her career to live out the rest of her life as a recluse. Now her remaining family members are gathered for the reading of her will, and her daughters expect to inherit their childhood home: Vivian’s grand, sprawling, Southern California garden estate. But due to a last-minute change to the will, the house is passed on to another family instead—one that has suddenly returned after decades of estrangement.

Eveen the Eviscerator is skilled, discreet, professional, and here for your most pressing needs in the ancient city of Tal Abisi. Her guild is strong, her blades are sharp, and her rules are simple. Those sworn to the Matron of Assassins—resurrected, deadly, wiped of their memories—have only three unbreakable vows. First, the contract must be just. That’s above Eveen’s pay grade. Second, even the most powerful assassin may only kill the contracted. The third and the simplest: once you accept a job, you must carry it out.

After years of self-exile, Jacinda “Jac” Brodie is back in Brook Haven, South Carolina. But the small cliffside town no longer feels like home. Jac hasn’t been there since the beloved chief of police fell to his death—and all the whispers said she was to blame. That chief was Jac’s father. Racked with guilt, Jac left town with no plans to return. But when her granddad lands in the hospital, she rushes back to her family, bracing herself to confront the past.

South Haven is the premier mixed-used community in metro Atlanta - a vibrant place where old-fashioned country living gets a modern update. There’s the town square where residents watch family movies on the lawn on warm summer nights. The corner market stocked with organic foods. The bakery with fresh coffee and Wi-Fi. The stately homes on shaded, gently winding streets. The water park where children splash, laugh, and run. There’s also something deadly lurking.