Jacob’s Room is Virginia Woolf’s own modernist manifesto. Jacob Flanders is a mere point of contact between a crowd of people, appearing and disappearing in a tableau in which all is flux, without certainty and without a controlling viewpoint. But it seems that the author could not maintain this rigorous impersonality, and the radical technique breaks down, so that we finally see Jacob as a person, just as his world is blown apart.

Justine is the first volume in the Alexandria Quartet, four interlinked novels set in the sensuous, hot environment of Alexandria just before the Second World War. Within this polyglot setting of richly idiosyncratic characters is Justine, wild and intense, wife to the wealthy businessman Nessim, a Mari complaisant. Her emotional and sexual wildness fuels a highly charged atmosphere.

In Balthazar, the second volume in Durrell’s Alexandria Quartet, the story and the characters come more clearly into focus. Darley, the reflective Englishman, receives from Balthazar, the pathologist, a mass of notes that attempt to explain what really happened between the tempestuous Justine, her husband, Nessim, Clea the artist, and Pursewarden the writer; new figures emerge and play key roles.

Wealthy Maggie Verver has everything she could ever ask for - except a husband and a title. While in Italy, acquiring art for his museum back in the States, Maggie’s millionaire father, Adam, decides to remedy this and acquire a husband for Maggie. Enter Prince Amerigo, of a titled but now poor aristocratic Florentine family. Amerigo is the perfect candidate.

Following a violent and messy divorce, young Maisie Farange floats back and forth between her parents, Beale and Ida, who use her as a weapon to torment each other in their ongoing, internecine war. Eventually the parents both remarry, and it becomes clear that the new spouses care more for Maisie than her own parents. Beale and Ida soon embark on a series of extramarital affairs, leaving Maisie in the care of the new step-parents, who begin their own affair with each other.

To the Lighthouse is a landmark work of English fiction. Virginia Woolf explores perception and meaning in some of the most beautiful prose ever written, minutely detailing the characters thoughts and impressions. This unabridged version is read by Juliet Stevenson.

The Voyage Out is Virginia Woolf's haunting tale about a naïve young woman's sea voyage from London to a small resort on the South American coast. In symbolic, lyrical, and intoxicating prose, her outward journey begins to mirror her internal voyage into adulthood as she searches for her personal identity, grapples with love, and learns how to face life intellectually and emotionally. Its wit and exquisiteness, and its profound depth and insight into humanity, will capture the imagination of the listener.

A House for Mr. Biswas, by Nobel and Booker Prize-winning author V. S. Naipaul, is a powerful novel about one man's struggle for identity and belonging. Born into poverty, then trapped in the shackles of charity and gratitude, Mr. Biswas longs for a house he can call his own. He loathes his wife and her wealthy family, upon whom he is dependent. Finding himself a mere accessory on their estate, his constant rebellion is motivated by the one thing that can symbolize his independence.

The Waves traces the lives of six friends from childhood to old age. It was written when Virginia Woolf was at the height of her experimental powers, and she allows each character to tell their own story, through powerful, poetic monologues. By listening to these voices struggling to impose order and meaning on their lives, we are drawn into a literary journey that stunningly reproduces the complex, confusing and contradictory nature of human experience. It is read with affection and skill by Frances Jeater.

Elizabeth Barrett Browning’s ‘novel in verse’ is an epic poem that voices with enchanting beauty and literary courage the perspective of Victorian women. Aurora Leigh forges her own path to become a poet, successfully proving her worth, defying the ideals of her era, and rescuing her spirit from the suppression of a routine domestic life. Infusing the work with her own experience and passion, Browning produced a true masterpiece.

In a fantastic world that is and is not 17th-century England, a baby is found floating in the Thames. The child, Jordan, is rescued by Dog Woman and grows up to travel the world like Gulliver, though he finds that the world’s most curious oddities come from his own mind. Winterson leads the listener from discussions on the nature of time to Jordan’s fascination with journeys concealed within other journeys, all with a dizzying speed that shoots the listener from epiphany to shimmering epiphany.

Jane Austen’s most popular novel, originally published in 1813, some 17 years after it was first written, presents the Bennet family of Longbourn. Against the background of gossipy Mrs. Bennet and the detached Mr. Bennet, the quest is on for husbands for the five daughters. The spotlight falls on Elizabeth, second eldest, who is courted by Mr. Darcy, though initially she is more concerned with the fate of her other sisters. This marvelous account of family life in Regency England is read with customary panache by Juliet Stevenson.

Published in 1897, The Spoils of Poynton is one of the quintessential works of James's middle period. The "spoils" of the book's title refer to furniture and other objets d'art that the widow Adela Gereth moves to her cottage so that they are kept away from the clutches of her coarse future daughter-in-law, Mona Brigstock. However, events take an unexpected turn when her married son Owen is attracted to her friend, Fleda Vetch.

Published in 1791, A Simple Story concerns Miss Milner, who announces her passion for her guardian, a Catholic priest, thereby breaking through the barriers of his religious vocation and society’s standards for proper female behaviour.

Mrs. Harris is a salt-of-the-earth London charlady who cheerfully cleans the houses of the rich. One day, when tidying Lady Dant's wardrobe, she comes across the most beautiful thing she has ever seen in her life—a Dior dress. In all the years of her drab and humble existence, she's never seen anything as magical as the dress before her and she's never wanted anything as much before. Determined to make her dream come true, Mrs. Harris scrimps, saves, and slaves away until one day, after three long, uncomplaining years, she finally has enough money to go to Paris.

As his tale begins, Orlando is a passionate young nobleman whose days are spent in rowdy revelry, filled with the colourful delights of Queen Elizabeth's court. By the close, he will have transformed into a modern, thirty-six-year-old woman and three centuries will have passed. Orlando will not only witness the making of history from its edge, but will find that his unique position as a woman who knows what it is to be a man will give him insight into matters of the heart.

Fantasy, love and an exuberant celebration of English life and literature, Orlando is a uniquely entertaining story. Originally conceived by Virginia Woolf as a playful tribute to the family of her friend and lover, Vita Sackville-West, Orlando's central character, a fictional embodiment of Sackville-West, changes sex from a man to a woman and lives throughout the centuries, whilst meeting historical figures of English literature.

Orlando: A Biography is a groundbreaking English novel by Virginia Woolf that explores English history, gender roles, and sexual politics in a way few books have before or since. Inspired by the life of Woolf's friend and lover Vita Sackville-West—herself an accomplished poet and novelist—the story follows the life of an aristocratic nobleman who changes from man to woman and goes on to live for centuries, meeting all of the most influential and powerful figures in English history.

To the Lighthouse is Virginia Woolf’s arresting analysis of domestic family life, centering on the Ramseys and their visits to the Isle of Skye in Scotland in the early 1900s. Nicole Kidman (Moulin Rouge, Eyes Wide Shut), who won an Oscar for her portrayal of Woolf in the film adaptation of Michael Cunningham’s Pulitzer Prize-winning novel

The Hours, brings the impressionistic prose of this classic to vibrant life.

It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

To the Lighthouse is a landmark work of English fiction. Virginia Woolf explores perception and meaning in some of the most beautiful prose ever written, minutely detailing the characters thoughts and impressions. This unabridged version is read by Juliet Stevenson.

The Waves traces the lives of six friends from childhood to old age. It was written when Virginia Woolf was at the height of her experimental powers, and she allows each character to tell their own story, through powerful, poetic monologues. By listening to these voices struggling to impose order and meaning on their lives, we are drawn into a literary journey that stunningly reproduces the complex, confusing and contradictory nature of human experience. It is read with affection and skill by Frances Jeater.

"A Room of One's Own" began life as a pair of lectures delivered by Virginia Woolf in October 1928 at Newnham College and Girton College, women's colleges at the University of Cambridge and was published as a stand-alone book in 1929. In this brilliant examination of literature, history and gender discrimination, Woolf posits that the dearth of female writers in literature did not result from a lack of talent; it was the lack of opportunity.

Thirty years have passed since Greta left Marchmont Hall, a grand and beautiful house nestled in the hills of rural Monmouthshire. But when she returns to the Hall for Christmas she has no recollection of her past association with it – the result of a tragic accident that has blanked out more than two decades of her life. Then, during a walk through the wintry landscape, she stumbles across a grave in the woods and the weathered inscription on the headstone tells her that a little boy is buried here.

Finnegans Wake is the greatest challenge in 20th-century literature. Who is Humphrey Chimpden Earwicker? And what did he get up to in Phoenix Park? And what did Anna Livia Plurabelle have to say about it? In the rich nighttime and the language of dreams, here are history, anecdote, myth, folk tale and, above all, a wondrous sense of humor, colored by a clear sense of humanity. In this exceptional reading by the Irish actor Barry McGovern, with Marcella Riordan, the world of the Wake is more accessible than ever before.