It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

Jacob's Room was the first of Virginia Woolf's novels to be published by the Hogarth Press, founded with her husband, Leonard Woolf, in their home at Hogarth House in Richmond in 1917. It is an episodic tale that attempts to evoke the inner life of Jacob Flanders and his social milieu during the first decade-and-a-half of the 20th century.

Fantasy, love and an exuberant celebration of English life and literature, Orlando is a uniquely entertaining story. Originally conceived by Virginia Woolf as a playful tribute to the family of her friend and lover, Vita Sackville-West, Orlando's central character, a fictional embodiment of Sackville-West, changes sex from a man to a woman and lives throughout the centuries, whilst meeting historical figures of English literature.

To the Lighthouse is Virginia Woolf’s arresting analysis of domestic family life, centering on the Ramseys and their visits to the Isle of Skye in Scotland in the early 1900s. Nicole Kidman (Moulin Rouge, Eyes Wide Shut), who won an Oscar for her portrayal of Woolf in the film adaptation of Michael Cunningham’s Pulitzer Prize-winning novel

The Hours, brings the impressionistic prose of this classic to vibrant life.

Jacob’s Room is Virginia Woolf’s own modernist manifesto. Jacob Flanders is a mere point of contact between a crowd of people, appearing and disappearing in a tableau in which all is flux, without certainty and without a controlling viewpoint. But it seems that the author could not maintain this rigorous impersonality, and the radical technique breaks down, so that we finally see Jacob as a person, just as his world is blown apart.

Written before she began her experiments in the writing of fiction, Virginia Woolf's second novel, Night and Day, is a story about a group of young people trying to discover what it means to fall in love. It asks all the big questions: What does it mean to fall in love? Does marriage grant happiness? What is happiness? Night and Day is a conventional novel; however, it maps out for us the world of Virginia Woolf in its wondrous prose: For her it was the beginning, leading on to a prolonged engagement with her search for the means to express the "inner life".

The Voyage Out is Virginia Woolf's haunting tale about a naïve young woman's sea voyage from London to a small resort on the South American coast. In symbolic, lyrical, and intoxicating prose, her outward journey begins to mirror her internal voyage into adulthood as she searches for her personal identity, grapples with love, and learns how to face life intellectually and emotionally. Its wit and exquisiteness, and its profound depth and insight into humanity, will capture the imagination of the listener.

A terrifying vision of scientific progress without moral limits, Mary Shelley's Frankenstein leads the listener on an unsettling journey from the sublime beauty of the Swiss alps to the desolate waste of the arctic circle. Obsessed with the idea of creating life itself, Victor Frankenstein plunders graveyards for the material with which to fashion a new being, shocking his creation to life with electricity. But this botched creature, rejected by its creator and denied human companionship, sets out to destroy Frankenstein and all that he holds dear.

The story of Lady Chatterley and her love for her husband's gamekeeper outraged the sensibilities of Edwardian England. Lawrence had already been dismissed as a purveyor of the obscene for the attitudes to sex that he had shown in The Rainbow, which had been fiercely suppressed on its publication in 1915. Chatterley, written in several versions around 1928 in Italy in the final part of Lawrence's life, was a deliberate choice on the author's part to address sex head on.

Stephen Dedalus is an Irish Catholic son in a pious Dublin family when he chooses to shed the constraints of religion, abandon his social and familial obligations, and escape the limits of his country to cultivate his life as a writer. In his autobiographical debut novel, James Joyce mirrors his own emotional and intellectual coming-of-age - from sexual awakening and upheavals of faith to fleeting epiphanies - in exploring the influences that help to shape an artistic identity.

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

Sixteen-year-old John Grady Cole's grandfather has just died, his parents have permanently separated, and the family ranch, upon which he had placed so many boyish hopes, has been sold. Rootless and increasingly restive, Cole leaves Texas, accompanied by his friend Lacey Rawlins, and begins a journey across the vaquero frontier into the badlands of northern Mexico.

Swann’s Way is the first of seven volumes in Remembrance of Things Past. It sets the scene with the narrator’s memories being famously provoked by the taste of that little cake, the madeleine, accompanied by a cup of lime-flowered tea. It is an unmatched portrait of fin-de-siècle France.

Set in Italy during World War II, this is the story of the incomparable, malingering bombardier Yossarian, a hero who is furious because thousands of people he has never met are trying to kill him. But his real problem is not the enemy - it is his own army, which keeps increasing the number of missions the men must fly to complete their service. Yet if Yossarian makes any attempt to excuse himself from the perilous missions he's assigned, he'll be in violation of Catch-22.

Lockwood, the new tenant of Thrushcross Grange on the bleak Yorkshire moors, is forced to seek shelter one night at Wuthering Heights, the home of his landlord. There he discovers the history of the tempestuous events that took place years before: of the intense passion between the foundling Heathcliff and Catherine Earnshaw, and her betrayal of him. As Heathcliff's bitterness and vengeance is visited upon the next generation, their innocent heirs must struggle to escape the legacy of the past.

To the Lighthouse is Virginia Woolf’s arresting analysis of domestic family life, centering on the Ramseys and their visits to the Isle of Skye in Scotland in the early 1900s. Nicole Kidman (Moulin Rouge, Eyes Wide Shut), who won an Oscar for her portrayal of Woolf in the film adaptation of Michael Cunningham’s Pulitzer Prize-winning novel

The Hours, brings the impressionistic prose of this classic to vibrant life.

The Voyage Out is Virginia Woolf's haunting tale about a naïve young woman's sea voyage from London to a small resort on the South American coast. In symbolic, lyrical, and intoxicating prose, her outward journey begins to mirror her internal voyage into adulthood as she searches for her personal identity, grapples with love, and learns how to face life intellectually and emotionally. Its wit and exquisiteness, and its profound depth and insight into humanity, will capture the imagination of the listener.

In this lyrical and poignant story of a wounded man and the three concerned women who seek to heal him, Rebecca West explores the complexity of the mind and its subtle strategies for coping with life's painful realities. Only when Chris has the courage to face one pivotal moment of truth in his married life will he be able to awaken from his boyish fantasy and become, indeed, "every inch a soldier".

Although it is little known in this country, The Belly of Paris is considered one of Émile Zola’s best novels. Set in the newly built food markets of Paris, it is a story of wealth and poverty set against a sumptuous banquet of food and commerce. Having just escaped from prison after being wrongfully accused, young Florent arrives at Paris’ food market, Les Halles, half starved, surrounded by all he can’t have, and indignant at his world, which he now knows to be unjust. He finds that the city’s working classes have been displaced to make way for bigger streets and bourgeois living quarters, so he settles in with his brother’s family.

One of the greatest prose writers and social commentators of the 20th century, Aldous Huxley here introduces us to a delightfully cynical, comic, and severe group of artists and intellectuals engaged in the most free-thinking and modern kind of talk imaginable. Poetry, occultism, ancestral history, and Italian primitive painting are just a few of the subjects competing for discussion among the amiable cast of eccentrics drawn together at Crome, an intensely English country manor.

A stunningly beautiful youth and the city of Venice set the stage for Thomas Mann’s introspective examination of erotic love and philosophical wisdom.

There is a book that is shrouded in mystery. Some even say it's a myth. Within its pages is a play - one that brings madness and despair to all who read it. It is the play of the King in Yellow, and it will haunt you for the rest of your days. The King in Yellow is a collection of stories interwoven loosely by the elements of the play, including the central figure himself.

H. P. Lovecraft is arguably the most important horror writer of the 20th century. Culled from his 1927 essay "Supernatural Horror in Literature”, Lovecraft acknowledges those authors and stories that he feels are the very finest the horror field has to offer, including Washington Irving, Edgar Allan Poe, Henry James, Rudyard Kipling, Bram Stoker, Robert Louis Stevenson, Guy de Maupassant, Ambrose Bierce, and Arthur Conan Doyle. This chilling collection includes 20 works, each prefaced by Lovecraft's own opinions and insights in each author’s work.

Ghost stories date back centuries, but those written in the Victorian era have a unique atmosphere and dark beauty. Michael Sims, whose previous Victorian collections Dracula’s Guest (vampires) and The Dead Witness (detectives) have been widely praised, has gathered twelve of the best stories about humanity’s oldest supernatural obsession. The Phantom Coach includes tales by a surprising and often legendary cast, including Charles Dickens, Margaret Oliphant, Henry James, Rudyard Kipling, and Arthur Conan Doyle, as well as lost gems by forgotten masters such as Mary E. Wilkins Freeman and W. F. Harvey. Amelia B. Edwards’s chilling story gives the collection its title, while Ambrose Bierce ("The Moonlit Road"), Elizabeth Gaskell ("The Old Nurse’s Story"), and W. W. Jacobs ("The Monkey’s Paw") will turn you white as a sheet. With a skillful introduction to the genre and notes on each story by Sims, The Phantom Coach is a spectacular collection of ghostly Victorian thrills.

D. H. Lawrence's 'The Rainbow' explores themes of love, sexuality, and the struggle for personal fulfilment in early 20th century England. Published in 1915, it follows the lives of three generations of the Brangwen family, focusing primarily on the women, as they navigate societal expectations and their own desires.

Sartre's greatest novel and existentialism's key text, now introduced by James Wood, and read by the inimitable Edoardo Ballerini. Nausea is the story of Antoine Roquentin, a French writer who is horrified at his own existence. In impressionistic, diary form, he ruthlessly catalogs his every feeling and sensation.

Jenny is the story of Jenny Winge, a talented Norwegian painter who lives a free and independent life in Rome. Betraying her own ideals, she has an affair, resulting in a child out of wedlock, and decides to raise the child on her own. Undset gives a gripping portrayal of a woman struggling towards fulfillment and independence, who at the same time wrestles with mental problems. It is written with unflinching honesty, which makes her story as compelling today as it was nearly a century ago.

Sons and Lovers, D. H. Lawrence's first major novel, was also the first in the English language to explore ordinary working-class life from the inside. No writer before or since has written so well about the intimacies enforced by a tightly knit mining community and by a family where feelings are never hidden for long. When the marriage between Walter Morel and his sensitive, high-minded wife begins to break down, the bitterness of their frustration seeps into their children's lives.

Meet the Stevens family as they prepare to embark on their yearly holiday to the coast of England. Mr. and Mrs. Stevens first made the trip to Bognor Regis on their honeymoon, and the tradition has continued ever since. They stay in the same guesthouse and follow the same carefully honed schedule - now accompanied by their three children, 20-year-old Mary, 17-year-old Dick, and little brother Ernie.

In his first novel, A Happy Death, written when he was in his early 20s and retrieved from his private papers following his death in 1960, Albert Camus laid the foundation for The Stranger, focusing in both works on an Algerian clerk who kills a man in cold blood. But he also revealed himself to an extent that he never would in his later fiction. For if A Happy Death is the study of a rule-bound being shattering the fetters of his existence, it is also a remarkably candid portrait of its author as a young man.