
When the World Stopped to Listen
Van Cliburn’s Cold War Triumph and Its Aftermath
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Narrated by:
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Stefan Rudnicki
April of 1958 - the Iron Curtain was at its heaviest, and the outcome of the Tchaikovsky International Piano Competition seemed preordained. Nonetheless, as star musicians from across the globe descended on Moscow, an unlikely favorite emerged: Van Cliburn, a polite, lanky Texan whose passionate virtuosity captured the Russian spirit.
This is the story of what unfolded that spring - for Cliburn and the other competitors, jurors, party officials, and citizens of the world who were touched by the outcome. It is a behind-the-scenes look at one of the most remarkable events in musical history, filled with political intrigue and personal struggle as artists strove for self-expression and governments jockeyed for prestige. And, at the core of it all: the value of artistic achievement, the supremacy of the heart, and the transcendent freedom that can be found, through music, even in the darkest moments of human history.
©2017 Stuart Isacoff (P)2017 Blackstone Audio, Inc.Listeners also enjoyed...




















Inspirational biography of Van Cliburn
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I was born in 1947 and remember Cold War duck-and-cover drills in school, put in place during the Korean War and missile race. I remember the shock in this country of Sputnik and the early failures of the NASA program that left Americans thinking the Russians were winning the Cold War. And then . . . along came a 23 year old, lanky, modest Texan who showed the Russians how Russian music should sound. And it was done in the first Tchaikovsky piano competition in 1958, a competition established by the Russians to show their superiority in the arts.
Van Cliburn was trained by Russian emigres at the Juilliard during the 1950s. He learned the Russian powerful style of dramatic piano and mastered it blending it with exquisite timing bringing and emotional bouquet to his playing. Better than the Russians, who, according to the book, were playing more mechanically than the emotional renditions of Cliburn.
When he played Rachmaninoff's 3rd Piano Concerto in the finals of the 1958 Tchaikovskyy competition in Moscow with Khruschev in the audience, he became the first to pubically play the more difficult version of the piece, thereby introducing one of the most difficult and beautiful piano concertos to a Russian audience as none had never heard it before. Not even Rachmoninoff played that more difficult version in his concert recordings, which is probably why his early recordings of the piece are shorter than Cliburns,
Enjoy listening to the book. Then listen to the piece being described on Utube with Cliburn playing. Especially listen to the recording of the Rachmaninoff's 3rd Piano concerto from the 1958 competition. It is available through I-Tunes. And then listen to the narrative of what was going on in the audience, in the judges booth, on the stage.
East Texas Takes Moscow - 1958
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I Expected Better
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