
Within a Budding Grove
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Narrated by:
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John Rowe
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By:
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Marcel Proust
About this listen
In the second volume of Proust's great novel, the narrator emerges as an actor in the drama of his own life. Swann has now dwindled into a husband for his former mistress, Odette, and their daughter, Gilberte, becomes the adolescent narrator's playmate and tantalising love object.
We move from Paris to the seaside town of Balbec, from ritualised social performances to midsummer spontaneity and from Gilberte to her successor, Albertine.
In Balbec, the narrator is befriended by the painter Elstir who introduces him both to the craft of painting and to the mysterious 'little band' of girls. An artistic education is thus intricately interwoven with a journey of sexual self-discovery.
This is now the entire audiobook, not in two parts.
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'Teach these boys and girls nothing but Facts. Facts alone are wanted in life.' So says Thomas Gradgrind, a wealthy, utilitarian school board superintendent. Father to Tom and Louisa, he shapes the minds of all the young children, including his own, with the exception of only one: the circus-born Sissy Jupe.
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Excellent book and excellent performance
- By DFK on 07-08-19
By: Charles Dickens, and others
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The House of Mirth
- By: Edith Wharton
- Narrated by: Eleanor Bron
- Length: 12 hrs and 35 mins
- Unabridged
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Beautiful, sophisticated and endlessly ambitious Lily Bart endeavours to climb the social ladder of New York's elite by securing a good match and living beyond her means. Now nearing 30 years of age and having rejected several proposals, forever in the hope of finding someone better, her future prospects are threatened. A damning commentary of 20th-century social order, Edith Wharton's tale established her as one of the greatest British novelists of the 1900s.
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Like Henry James but more accessible
- By Merlin on 08-19-12
By: Edith Wharton
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Agnes Grey
- By: Anne Brontë
- Narrated by: Emilia Fox
- Length: 6 hrs and 27 mins
- Unabridged
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Having lost the family savings on risky investments, Richard Grey removes himself from family life and suffers a bout of depression. Feeling helpless and frustrated, his youngest daughter, Agnes, applies for a job as a governess to the children of a wealthy, upper-class, English family. Ecstatic at the thought that she has finally gained control and freedom over her own life, Agnes arrives at the Bloomfield mansion armed with confidence and purpose.
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Loved it
- By Kerry on 05-22-10
By: Anne Brontë
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Orlando
- By: Virginia Woolf
- Narrated by: Clare Higgins
- Length: 8 hrs and 38 mins
- Unabridged
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Fantasy, love and an exuberant celebration of English life and literature, Orlando is a uniquely entertaining story. Originally conceived by Virginia Woolf as a playful tribute to the family of her friend and lover, Vita Sackville-West, Orlando's central character, a fictional embodiment of Sackville-West, changes sex from a man to a woman and lives throughout the centuries, whilst meeting historical figures of English literature.
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Magical
- By Mayca on 05-31-05
By: Virginia Woolf
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Tess of the D'Urbervilles
- By: Thomas Hardy
- Narrated by: Peter Firth
- Length: 14 hrs and 27 mins
- Unabridged
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When John Durbeyfield discovers a family connection to the ancient Norman family, the D'Urbervilles, the fate of daughter Tess is transformed. Sent by her ambitious parents to visit her wealthy D'Urberville cousins, Tess attracts the attention of the unscrupulous Alec. Seduced and discarded by him and alone in the world, she finds work as a milkmaid and the love of Angel Clare. Yet his love cannot accept the truth about Tess's past.
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Peter Firth gets this book
- By Claire on 04-11-10
By: Thomas Hardy
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The Mayor of Casterbridge
- By: Thomas Hardy
- Narrated by: Tony Britton
- Length: 13 hrs and 12 mins
- Unabridged
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This audiobook is about the rise and fall of Michael Henchard. While out-of-work he gets drunk at a fair and impulsively sells his wife and baby for five guineas to a sailor. Eighteen years later he is reunited with his wife and daughter, who discover that he has gained wealth and respect and is now the most prominent man in Casterbridge. Though he attempts to make amends he is no less impulsive and once again loses everything due to bad luck and his violent, selfish and vengeful nature.
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Tangled Webs
- By Joseph R on 12-22-09
By: Thomas Hardy
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The Pickwick Papers
- The Audible Dickens Collection
- By: Charles Dickens, Neil Gaiman
- Narrated by: Rory Kinnear, Neil Gaiman
- Length: 32 hrs and 27 mins
- Unabridged
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When Samuel Pickwick decides to establish and preside over a travelling society, he unknowingly brings together three of the oddest men in all of London: Tracy Tupman, the loveless self-professed ladies’ man, Augustus Snodgrass, the poet who’s never put pen to paper, and Nathaniel Winkle, the endlessly clumsy sportsman. The ‘Pickwickians’ set off in search of new adventures outside of the confines of the city. Along with a host of other colourful Dickensian characters such as Mr Pickwick’s love-struck landlady, Mrs Bardell, and his trusty sidekick, Sam Weller.
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Done with gusto
- By Tad Davis on 12-26-19
By: Charles Dickens, and others
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Little Dorrit
- The Audible Dickens Collection
- By: Charles Dickens
- Narrated by: Juliet Stevenson
- Length: 40 hrs and 22 mins
- Unabridged
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This Audible Exclusive production revisits Charles Dickens’ tragi-comic novel Little Dorrit. Written during the Crimean War, it a story of fortunes won and lost and a masterly portrayal of the failings of Victorian Society, with the ever-present spectre of law enforcement and imprisonment looming over a fearful population. Divided into two parts, Book One: Poverty and Book Two: Riches, Little Dorrit satirises the debtors prisons and the detrimental effect of enforcing a British class system.
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Brilliant
- By Bunky on 09-19-19
By: Charles Dickens
What listeners say about Within a Budding Grove
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- A. Dionysia
- 03-14-18
So Proust!
Good for lovers of Proust and know how he writes. The narrator has the correctly sensitive voice. Beautifully written ending.
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3 people found this helpful
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- beatrice
- 10-04-09
insomniac's dream
Proust writes marvelous stuff, but his interminable sentences can make his work difficult to read. Now, John Rowe to the rescue: he reads so sensitively, it's like listening to one's own thoughts. I was so glad to find he's started another volume of Proust's masterwork, and look forward eagerly to the second installment, and hopefully more to come. Insomniacs, take note: with Marcel Proust/James Rowe on your iPod, you may be able to jettison the Lunesta. I mean this in a good way (and I think that Proust, who wrote at night in that cork-lined room, would have approved): the narrative is absorbing, complex, seductive, and nonlinear, perfect for bedtime (or the wee hours of the night), as it hardly matters where you leave off or pick it up again.
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35 people found this helpful
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- Yoshi Tryba
- 02-17-20
Fun and colorful
Proust is an extraordinary author - noticing so many details and describing them wondrously. So good.
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- Donald
- 01-11-11
Better than hard copy
Rowe's reading is brilliant. In fact, I've found the whole work more accessible and seductive as a listen than I did as a hard-copy read, thanks in large measure to Rowe's sensitive and often illuminating performance. I can't wait for the rest of the volumes to be available.
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6 people found this helpful
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- Kevin McCoffee
- 06-06-17
John Rowe is the reader for Proust and Moncrief
I've finished the first two volumes on audio book, occasionally reading on Kindle with the second volume, but I find it almost easier to follow John Rowe's narrative (though I read all six volumes in the tiny-script hardbacks back in the 90s). Now I'm listening to The Guermantes' Way, with the Neville narration. Just started. Maybe I'm in the transition phase, but I really miss my friend John Rowe. He took me through the labyrinthian sentences so smoothly. Maybe I'll grow to like Neville, but at the beginning of volume three he was too fast and didn't lead me as effortlessly Rowe. Anyway, apparently there is no choice. Rowe only recorded the first two volumes. (If I'm wrong let me know).
I have not dipped into newest written translations, which are said to be really good. And after I finish this round of Proust (with the Moncrief translation), I'll start again with the contemporay one). But Moncrief is so good, so good I don't know if I'm hearing Proust or Moncrief (or Rowe). But that's the nature of translation.
Whatever the case, Proust is worth a go. He's not right for everyone. I have friends (novelist friends who can't get into it). But I can. At any rate, dive into Proust, via book, Kindle, or audio. If it doesn't stick. Take a year off. Try again. If it still doesn't stick, you have every right to quit. Reading Proust is always about TIME (among a million other things), and maybe the time is not right for you now.
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4 people found this helpful
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- Regina
- 07-12-23
Delightful read that enriches one's life.
A wonderful, eloquent expression of a sophisticated mind. Many insights into the rewards of life.
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- G. Green
- 02-05-24
You. need to read Proust
Really. You’ve heard of Proudt. You’ve been put off by the length of the six-volume work. But, if anything, it’s too short.
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- Tad Davis
- 09-04-19
Not for me
My first encounter with Proust was Simon Vance’s reading of Swann’s Way. It left me feeling grumpy and irritable. It certainly wasn’t the narration — Simon Vance can make a traffic report sound interesting. And it’s not John Rowe’s narration for this second volume either: he is equally charming and graceful. But he can’t overcome the aspects of Proust that I find so frustrating. The pattern of endless rumination and little overt action established in the first volume continues in this second one. If I had any sense of having something in common with these vapid people, I might not mind. But they bore me; they annoy me; they baffle me. I find myself wishing one of them would have a sudden attack of flatulence, just to liven things up a little.
At one point, I thought things were getting better: at last! the narrator has gone to a brothel! — but Proust managed to make even that potentially interesting development sound shallow and desiccated. Later, near the end of the book, the narrator develops a promising crush on a young woman named Albertine; but alas, she turns out to be either a mean-spirited tease or monumentally dense about the implications of her flirtatious remarks. (She invites him to a secret tryst at night in her hotel room, and then furiously rings the alarm when he tries to kiss her.)
It’s like having to sit through 25 hours of “My Dinner with André.” It’s full of sound and fury, signifying nothing — except that there’s no fury and very little sound.
Proust’s characters — certainly at least the narrator — are cursed with the same kind of morbid self-consciousness that afflicts the characters of Dostoevsky. There’s one crucial difference: in Dostoevsky, the anguish is existential and the consequences are life or death; in Proust, at least as far as the first two volumes are concerned, the anguish is a mild cough and the consequences are a hangnail. He seems not to notice that his characters are mostly buffoons, the narrator being the biggest buffoon of all.
What can you say about a young man who’s old enough to visit prostitutes, even to have a favorite one, and still cries himself to sleep when his grandmother doesn’t invite him to kiss her goodnight? (The same grandmother who exasperates him because.... she wants to get her photograph taken?) I can’t figure his age. Maybe my attention wandered when he mentioned that. At times he seems to be a young adult, but overall he has the emotional maturity of a pre-teen.
As I said in my comments on the first volume, people I know and and whose literary judgement I trust tell me I’m missing something. I accept that. So, Monsieur Proust, it’s not you, it’s me. I will read one more volume, if only to expose myself to yet another narrator (Neville Jason). But then I expect to call a halt to the proceedings. It seems clear at this point that I am not for Proust, and he is not for me.
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7 people found this helpful
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- bart
- 01-21-19
John Rose is a rapturously good narrator
Impressive narration by John Rowe. Volumes 1 and 2 are brilliantly done. So disappointed in the narration on Volumes 3 and forward.
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5 people found this helpful
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- Janet A Henderson
- 03-18-20
John Rowe
John Rowe is an excellent narrator for the first two books of Remembrance of Time Past. So good that I cannot even listen to the subsequent books. Please Audible Publishing, produce the entire series with John Rowe.
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3 people found this helpful