Showing titles in History & Criticism

More than 60,000 books have been published on the Civil War. Most Americans, though, get their ideas about the war why it was fought, what was won, what was lost not from books but from movies, television, and other popular media. In an engaging and accessible survey, Gallagher guides listeners through the stories told in recent film and art, showing how they have both reflected and influenced the political, social, and racial currents of their times.

Is the top still spinning? Was it all a dream? In the world of Christopher Nolan's four-time Academy Award-winning movie, people can share one another's dreams and alter their beliefs and thoughts. Inception is a metaphysical heist film that raises more questions than it answers: Can we know what is real? Can you be held morally responsible for what you do in dreams? What is the nature of dreams, and what do they tell us about the boundaries of "self" and "other"?

From grand follies to misunderstood masterpieces, disastrous sequels to catastrophic literary adaptations, Box Office Poison tells a hugely entertaining alternative history of Hollywood, through a century of its most notable flops. What can these films tell us about the Hollywood system, the public’s appetite–or lack of it–and the circumstances that saw such flops actually made? Away from the canon, this is the definitive take on these ill-fated, but essential celluloid failures.

Raconter une histoire ne s'improvise pas. La narration est un artisanat qui, avant de pouvoir prétendre à l'art, exige le respect de règles que John Truby a rassemblées dans cette Anatomie du scénario. Sa méthode unique nous fait entrer dans les secrets de fabrication de ce qui constitue la condition première de la réussite d'un film - une bonne histoire - et nous guide pas à pas dans la construction des personnages, de l'intrigue, de l'univers du récit, des dialogues, en détaillant les vingt-deux étapes incontournables dans l'écriture d'un scénario réussi.

Lost is more than just a popular television show; it's a complex examination of meaningful philosophical questions. What does good versus evil mean on the island? Is it a coincidence that characters John Locke and Desmond David Hume are named after actual philosophers? What is the ethics of responsibility for Jack?

I was a “Monster Kid” and “The Weird Kid, The Horror Movie Kid.” I found out early…horror is always personal. Now I make horror for a living. It shouldn’t just be WATCHED. Horror should be ENJOYED. This isn’t some stuffy analysis telling you what’s good or bad. Instead, it’s a tour of the 1930s through the 1980s—a personal account of how the best and worst of this era gave us so many memories and experiences that impacted our own lives. It’s fun…just how horror should always be.

Damn good coffee, cherry pie, and the “big bang of auteur television”―why Twin Peaks deserves to be a pop culture classic In 1990, avant garde filmmaker David Lynch (Eraserhead, The Elephant Man, Dune, Blue Velvet) and acclaimed television writer Mark Frost (Hill Street Blues) teamed up to create a television show that would redefine what the medium could achieve in a one-hour drama.

Baudrillard & Lacan: At the (Exploitation) Movies! uncovers the multifaceted complexity situated in several previously neglected exploitation masterpieces. It examines: *Joe D’Amato’s Porno Holocaust & Emanuelle in America *Jess Franco’s Jungfrauen-Report *Christploitation Classic A Thief in the Night *Harmony Korine’s Gummo *Naziploitation Comedy Liebes Lager *Tim Heidecker’s Urinal Street Station *And Much More! Written for lovers of the Video Nasties, Grindhouse, Mondo, Postmodern Theory, and all things Weird and Sleazy. A truly fun and entertaining gambol through the bizarre ...

Mark Kermode’s compelling study of this horror classic was originally published in 1997, and then extensively updated and expanded in 2003 to incorporate the discovery of new material. This revised edition documents the deletion and reinstatement of key scenes that have now been integrated into the film to create The Exorcist: The Version You’ve Never Seen. Candid interviews with director William Friedkin and writer/producer William Peter Blatty reveal the behind the-scenes battles which took place during the production.

In 1991, Thelma & Louise, the story of two outlaw women on the run from their disenchanted lives, was a revelation. Suddenly, a film in which women were, in every sense, behind the wheel. It turned the tables on Hollywood, instantly becoming a classic, and continues to electrify audiences as a cultural statement of defiance. But if the film's place in history now seems certain, at the time its creation was a long shot.

Christopher Naylor reads the inside story of how the BBC created and launched Doctor Who. In early 1963, a chain of events led to the creation of what would become one of the best-loved, and most successful, of all British television programmes. This is the tale of how Doctor Who embarked upon its epic journey - one which still continues today. It is also the story of the people involved, from Sydney Newman and Donald Wilson to Verity Lambert, Waris Hussein and William Hartnell.

It’s been nearly twenty years since Ron Burgundy burst into movie fans’ lives, reminding San Diego to “stay classy” while lampooning a time gone by—although maybe not as far gone as we might think? In Kind of a Big Deal, comedy historian Saul Austerlitz tells the history of how Anchorman was developed, written, and cast, and how it launched the careers of future superstars like Will Ferrell, Steve Carell, and Paul Rudd, also setting the stage for a whole decade of comedy to come and influencing films like The 40-Year-Old Virgin, Talladega Nights, Knocked Up, Superbad, and so many more.

Yunte Huang ingeniously traces Charlie Chan from his real beginnings as a bullwhip-wielding detective in territorial Hawaii to his reinvention as a literary sleuth and Hollywood film icon. Huang finally resurrects the "honorable detective" from the graveyard of detested postmodern symbols and reclaims him as the embodiment of America’s rich cultural diversity. The result is one of the most critically acclaimed books of the year and a "deeply personal...voyage into racial stereotyping and the humanizing force of storytelling" (Donna Seaman, Los Angeles Times).

Go back to the time of VCRs, DVD rentals, and movies that mattered. Turn off your streaming services, put down your phones, delete your Twitter account, and take a look back at the nineties with your Eyes Wide Shut, a White Russian in your hand, and yell “Hasta la vista, baby” to today's meaningless entertainment. Revel in the risk-taking brilliance of Quentin Tarantino, Amy Heckerling, Spike Lee, Robert Altman, Paul Thomas Anderson, and others in Scott Ryan's magnum opus, The Last Decade of Cinema.

In 1978, Kim "Howard" Johnson ran away to join the circus - Monty Python's Flying Circus, that is. The Pythons converged on Tunisia to film their timeless classic Life of Brian, and Howard found himself in the thick of it, doubling for nearly all the Pythons, playing more roles in the film than John Cleese, and managing to ruin only one shot. He became the unit journalist, substitute still photographer, Roman soldier, peasant, near-stalker, and, ultimately, friend and confidant of the comedy legends.

Meryl Streep, Marlon Brando, Anthony Hopkins, Carey Mulligan. When we watch these remarkable actors in a performance, we see only Sophie, Stanley Kowalski, Hannibal Lecter, or Cassie from Promising Young Woman. How are they able to transform our world in this way? How and why do they do what they do? In Acting Naturally, David Thomson sheds light on the actors who have shaped the film industry. He shrewdly analyzes these stars, revealing how a sly smile, an extra-long pause, even a small gesture of the hand can draw in an audience.

Jean Renoir's career almost spans the history years of cinema - from the early silent movies, to the naturalism of the talkies, committed cinema, film noir, Hollywood studio productions, the Technicolor-period comedies and fast television techniques. His film The Grand Illusion remains one of the greatest movies about the effects of war.

Having saved virtually every letter her father wrote to her between the years 1938, when she was 11 years old, and 1967, Miriam Marx' letters from her famous father Groucho show an extraordinary father-daughter relationship.

Pop culture and parody author Valerie Estelle Frankel examines the sources and predicts a Game of Thrones ending for each one. What will the Ragnarok ending look like? Or the Narnia ending? Who will live, who will die, and how goofy can the war of ice and fire possibly get?

Considered by many to be unadaptable due to its length and complexity, Frank Herbert’s science fiction epic Dune has made it to the screen about every two decades.