Showing titles in Opera

This unique book brings together George Bernard Shaw's witty and iconoclastic take on Wagner's masterwork, The Ring of the Nibelungen, with the composer's own essay on the role of art in revolution.

Madama Butterfly runs the gamut of operatic emotions. The title heroine has a fragility wonderfully expressed in her entry music, deep sexual instincts as shown in the love duet, and immense tragic stature in her last hours. The fate of Madama Butterfly - married to an American sailor and then abandoned - engages our emotions to a degree equaled by few other opera heroines. The oriental setting and the exquisite orchestral and choral writings are treasured bonuses.

For anyone who has been intimidated, overwhelmed, or just plain confused by what they think opera is, Who’s Afraid of Opera? offers a lively, easy-to-follow guide to what author Michael Walsh describes as “the greatest art form yet invented by humankind.” From opera’s origins in Renaissance Italy to the Who’s rock odyssey “Tommy”, and Stephen Sondheim’s “Into the Woods”, Walsh explores what opera is and what it’s not, what makes a great singer, and why it takes Tristan so long to die.

Through a deft compilation of primary sources—letters, memoirs, and personal accounts from composers, librettists, and performers—Michael Rose re-creates for his readers the circumstances that gave rise to fifteen operatic milestones. From Monteverdi and Mozart to Puccini and Berg, each chapter focuses on a well-known opera and tells the story that lies behind its creation.

"Wagner's Ring Motifs" is aimed in the first instance at listeners new to the Ring and is intended to convey the fascination of Wagner's music...

The attraction of opera is in its scale, in the fact that it is larger than real life in actions and emotions, more magnificent in sound and in sight. And in the world of opera, no figure in our time loomed larger than the late Luciano Pavarotti. Especially in his triumphant collaborations with Placido Domingo and Jose Carreras, he captured the imagination of an audience breadth and depth is remarkable even in the grand context of classical opera.

This is the story of the 36-year-old business relationship between Luciano Pavarotti and his manager, Herbert Breslin, during which Breslin guided what he calls, justifiably, “the greatest career in classical music”. During that career, Breslin moved Pavarotti out of the opera house and onto the concert (and the world) stage and into the arms of a huge mass public.

Frederick is freed of his indentures to the ferociously temperate Pirates of Penzance. What will he do with his newfound freedom?

In How to Get High: The Key to Escaping Vocal Prison and Making Singing High Notes Easy Again, Joshua Dennis goes through his tried and true method of vocal production that he learned from Master Teacher W. Stephen Smith. Mixed with his own methodology, Joshua not only tackles basic vocal principals, this book also tackles his struggles with the music industry and mental and physical help for singers.

This invaluable primer will introduce the uninitiated to the mysteries of opera and help more experienced fans to expand their understanding and deepen their appreciation of the art form.

Immerse yourself in more than 400 years of the world's most celebrated operas and discover the fascinating stories behind them. Explore the lives of singers such as Maria Callas, Luciano Pavarotti, and Jonas Kaufmann. Meet composers like Mozart, Wagner, and Britten, and the librettists with whom they collaborated to create the magical blend of words and music that make up opera.

Die Zauberflöte ist eine der bekanntesten Opern und ein zeitloses Meisterwerk. Schon Kinder pfeifen den „Vogelfänger” und die Rachearie der Königin mit ihren waghalsigen Koloraturen ist unvergesslich. Die Musik Mozarts gepaart mit Schikaneders märchenhaften Libretto sorgt – damals wie heute – für ein Erlebnis, dem man sich nicht entziehen kann. Doch wie war das noch gleich? Warum zürnt die Königin der Nacht dem weisen Sarastro? Warum hat der eigentlich nochmal Pamina in seinen Tempel entführt? Diese Fragen und noch viele mehr wollen wir beantworten.

Giovanni Tempesta always dreamed of becoming an opera tenor and one day singing from the stage of the La Scala Opera House in his hometown of Milan, Italy. But with no real training, his dream has little chance for fulfillment. One day, he meets and immediately falls in love with Isabella Monterone, a dark-haired beauty, whose father, a very rich and powerful Milanese Judge, refuses to allow his daughter to date a penniless musician.

Alfie Boe is the first official bad boy of opera: a musical superstar celebrated not only in Britain, but worldwide. This is the story of his life - the ups and the downs, from finding fame to losing his father - and, essentially, of his love affair with music. This is the tale of how Alfie went from car mechanic to the UK's most popular and well-known opera star, lauded by Baz Luhrman, Cameron Macintosh and Michael Parkinson as the best tenor we've produced in a generation.

A revelatory history of the operatic masterpiece that both made and destroyed Rouben Mamoulian, its director and unsung hero. "Bring my goat!" Porgy exclaims in the final scene of Gershwin’s opera Porgy and Bess. Bess, whom he loves, has left for New York City, and he’s determined to find her. When his request is met with astonishment - New York is a great distance from South Carolina’s Catfish Row - Porgy remains undaunted.

Immerse yourself in more than 400 years of the world's most celebrated operas and discover the fascinating stories behind them. Explore the lives of singers such as Maria Callas, Luciano Pavarotti, and Jonas Kaufmann. Meet composers like Mozart, Wagner, and Britten, and the librettists with whom they collaborated to create the magical blend of words and music that make up opera.

Con uno stile raffinato e trascinante, Vittorio Sermonti "spiega al popolo" quattordici opere di Verdi, "il più spudorato genio della musica per teatro", dal Nabucco all'Otello, passando per l'Aida, il Rigoletto, il Trovatore e la Traviata. Ci fa riscoprire i celebri melodrammi attraverso il racconto della trama e persino della musica, l'analisi dei personaggi, riferimenti alla vita e alle lettere di Verdi, accenni alle vicende del libretto, notizie sparse sulle prime esecuzioni, annotazioni storiche sull'Italia del Risorgimento e dell'Unità.

Russell 'The Voice' Watson is a star with a real story to tell. While most stars of today find success early, Russell was still working in a Salford factory at the age of 30. He spent the evenings singing in working men's clubs for extra cash to keep the bailiffs from his family's door. The chairman of Manchester United gave him his big break in May 1999: the opportunity to sing at Old Trafford. His extraordinary performance was quickly followed by a record deal and his phenomenal debut album.

Opium dreams, nodding geishas, feisty harem slavegirls, seductive temple dancers. . . .Performances on the great European stages often depicted "exotic" peoples, places, and plots, expanding the European imagination and providing innovation in opera and classical ballet. The outdated portrayals in traditional masterpieces no longer work for diverse contemporary audiences, and yet canceling them is not a good answer. In Banishing Orientalism, Phil Chan shows us that applying a dash of creativity improves cultural representation and eliminates cultural appropriation—allowing us to lovingly ...

Since this rock opera is based on my Baby Boomer generation, the war representing my father was of course WWII. Although my father fought in the South Pacific, this story is more symbolic by starring an American soldier in Europe. During this European theater of war, the soldiers socialized with the citizens of the countries they passed through and fought in. As a result, there were many babies born in Europe with an absent American father.