Showing titles in Drama

There is no finer way to welcome young people (or adults!) to the pleasures of Shakespeare than with these four masterful retellings of the Bard's most beloved plays. Ranging from the pure magic of A Midsummer Night's Dream to the heartbreak of young love in Romeo and Juliet, featuring the spine-tingling tragedy of Macbeth (complete with ghost and witches) and culminating in the laugh-out-loud hijinks of Twelfth Night.

William Shakespeare is of course England's greatest play right and revered the World over. The Merchant of Venice is a masterly tale and is on a par with many of his other works. In his creation of Venice Shakespeare revels in his characters and story. Perhaps best well known for the creation of the character Shylock in a world of money lending the play has survived admirably down the years. This play is performed by a quite magnificent cast and in the lead role of Shylock we have Michael Redgrave.

The Persians: A Translation from Aeschylus There is no drama where the total multiplicity of horror in defeat is more cogently presented than in the Persians by Aeschylus, who fought in the Athenian triumph at Salamis, where the Persian fleet was rammed and wrecked.

Renowned Shakespearean actors John Gielgud and Ralph Richardson lead a full-cast performance of this beloved Shakespeare play. Dealing with issues of mercy, justice, and truth, and their relationship to pride and humility, this is Shakespeare at his most complex and rewarding.

Oedipus the King is the story of a man whose life is destroyed by his own good intentions. When a terrible secret from his past is brought to the light of day, the consequences are chilling - and ineluctable.

Wenn Goethe im ersten Teil des Faust noch zwischen Gelehrten- und Gretchendrama unterteilt, so ist im zweiten Teil ganz klar Faust und seine Entwicklung Hauptthema. Nachdem er mit Mephistopheles am Ende des ersten Teils die Flucht ergriff, entwickelt er sich im zweiten Teil stetig weiter, wird Künstler, Zeitreisender, Gatte der schönen Helena, Herrscher - es ist ein wahres Füllhorn der menschlichen Entwicklung, das Goethe hier ausschüttet! Ein großartiger Reigen überschäumender Kreativität, das ist der Tragödie zweiter Teil.

El Alcalde de Zalamea is a play written during the Golden Age of Spanish drama. It was probably written in 1636. It pays homage to a play by the same name by Lope de Vega, which it surpassed in fame through its superior character development, becoming one of the most well-known plays of its time. This play has three acts that explore the power of the self-made man against the political authorities of 17th century Spanish society, and the continuous struggle between corporate and individual honor.

The final play of the Oresteia, called The Eumenides (Εὐμενίδες, Eumenídes), illustrates how the sequence of events in the trilogy ends up in the development of social order or a proper judicial system in Athenian society. In this play, Orestes is hunted down and tormented by the Furies, a trio of goddesses known to be the instruments of justice, who are also referred to as the "Gracious Ones" (Eumenides). They relentlessly pursue Orestes for the killing of his mother.

Fuente Ovejuna es un pequeño pueblo que está bajo el dominio del Comendador, Fernán Gómez de Guzmán. El comendador es conocido como un hombre cruel y sin escrúpulos, no respeta las leyes y abusa de su poder, traicionando así los principios feudales y comportándose como un tirano. La historia comienza cuando una joven mujer del pueblo llamada Laurencia quiere contraer matrimonio con el joven llamado Frondoso. Pero un día todo cambia, cuando Laurencia se encuentra en el bosque con el Comendador, quien forcejea con ella al querer llevarla a la fuerza al palacio y poseerla...

On Christmas Eve, a traveler finds himself waiting out a snowstorm at the Holly Tree Inn. While passing the hours waiting for the weather to pass so his coach can continue its journey, the warm hearth of the inn brings his mind to roam to pass recollections, both happy and grave. He also ponders the true meaning of his current journey and reason for his melancholy: the woman he planned on marrying is, instead, going to marry his best friend. However, the delay at the inn is about to bring him a miraculous discovery.

Toward the end of the Hundred Years War between France and England, as Merlin predicted, a great warrior emerged, uniting a beleaguered nation and leading it to improbable victories. It was said this warrior was a messenger of God. And it may have been, for a country was saved and a kingdom restored. This great leader of men, this messenger who united a nation, was a 17-year-old maiden named Joan.

“Todo o mundo é um teatro”, escreveu William Shakespeare, “e homens e mulheres não passam de meros atores”. No novo audiolivro de Leandro Karnal, atores-ouvintes são convidados a dar um passeio pela própria consciência: a jornada de aprender com quem mais tem a ensinar no teatro do mundo - o criador de Hamlet. O que aprendi com Hamlet, dessa forma, revela os ensinamentos deixados pela principal peça de William Shakespeare numa combinação entre a experiência de um homem do século XVI e outro do século XXI.

No existe en la historia de la literatura una parábola más sencilla y luminosa que la de Sherezada y Sahrigar para explicar la razón de ser de la ficción en la vida de los seres humanos. Para Sherezada contar cuentos que capturen la atención del Rey es cuestión de vida o muerte. Si Sahrigar se desinteresa o se aburre de sus historias, será entregada al verdugo con las primeras luces del alba. Ese peligro mortal aguza su fantasía y la lleva, sin saberlo, a descubrir que el mundo de la ficción es, como el mundo real, uno, diverso e irrompible.

A full-cast dramatization of the classic Russian novel. Satan and his retinue, including a seven foot tall skinny fellow with a pince-nez , an obnoxious cigar smoking black cat and a beautiful naked vampire visit Moscow in the 1920s, taking with them chaos and insanity where ever they go.

The second of Shakespeare's tetralogy that deals with the successive reigns of Richard II, Henry IV, and Henry V. Henry IV, Part One depicts a span of history that begins with Hotspur's battle at Homildon against the Douglas late in 1402 and ends with the defeat of the rebels at Shrewsbury in the middle of 1403. From the start it has been an extremely popular play both with the public and the critics and this full cast performance is by The Marlowe Society.

The St. Charles Players present multi-cast dramatizations of some of Edgar Allan Poe's greatest works, including The Black Cat, The System of Dr. Tarr and Prof. Fether, The Purloined Letter, and The Murders in the Rue Morgue.

Rosmersholm is a play surrounding the deep and intense political and cultural change in Norway in the middle of the 1880s, a period during which the traditional ruling class were forced to relinquish their right to impose their ideals on the rest of society. We follow Johannes Rosmer, a pastor who has resigned from his position; Rebecca West, a woman who sees Rosmer's potential and believes she can help him to realize his dream of creating a world of "happy, noble people"; and Headmaster Kroll, Rosmer's former best friend.

The Comedy of Errors is likely the very first play Shakespeare ever wrote, and for that reason alone it deserves a special place in literary history. Yet, despite the author's lack of maturity, the play is unmistakably the work of a burgeoning master. A farce of a type that was wildly popular in Shakespeare's day, The Comedy of Errors transcends its genre, and is as accessible and as entertaining as any of the Bard's later comedies.

Antigone by Sophocles, is a classic Greek tragedy that unfolds against the backdrop of Thebes. The play delves into the profound ethical and moral dilemmas faced by its characters, with Antigone at the center of a conflict between personal convictions and civic duty. The narrative begins with the aftermath of a brutal war, where two brothers, Eteocles and Polynices, have fallen on opposing sides. Antigone, their sister, defies the king's decree and buries Polynices, setting the stage for a clash between divine law and human authority.

The Tempest was the last of Shakespeare's comedies, completed just before he retired to his native Stratford-upon-Avon; perhaps this delightful comedy was intended to signal the playwright's farewell to his beloved theater. The Tempest reflects Shakespeare's mature genius, with its story of innocence tempered by intrigue, hilarity bounded by melancholy. Audiences the world over still thrill to see The Tempest's dark comedy and magical fantasy.