Showing titles in Essays

A "Proustian minimalist on the order of Lydia Davis" ( Kirkus Reviews), Sarah Manguso is one of the finest literary artists at work today. To hear her work is to witness acrobatic acts of compression in the service of extraordinary psychological and spiritual insight. 300 Arguments, a foray into the frontier of contemporary nonfiction writing, is at first glance a group of unrelated aphorisms.

Few, if any, historians have brought such insight, wisdom, and empathy to public discourse as Jill Lepore. Arriving at The New Yorker in 2005, Lepore, with her panoptical range and razor-sharp style, brought a transporting freshness and a literary vivacity to everything from profiles of long-dead writers to urgent constitutional analysis to an unsparing scrutiny of the woeful affairs of the nation itself. The astonishing essays collected in The Deadline offer a prismatic portrait of Americans’ techno-utopianism, frantic fractiousness, and unprecedented—but armed—aimlessness.

Writing about the rhythms and textures of what it means to live in a body that doesn’t fit, Rebekah reflects on everything from the complications of kindness and charity, living both independently and dependently, experiencing intimacy, and how the pervasiveness of ableism in our everyday media directly translates to everyday life. Disability affects all of us, directly or indirectly, at one point or another. Sitting Pretty challenges us as a society to be patient and vigilant, practical and imaginative, kind and relentless, as we set to work to write a different story.

この地球の大きさを体感したい――人を旅へと駆り立て続ける不朽の名作!

The Inconvenient Indian is at once a “history” and the complete subversion of a history - in short, a critical and personal meditation that the remarkable Thomas King has conducted over the past 50 years about what it means to be “Indian” in North America. Rich with dark and light, pain and magic, this book distills the insights gleaned from that meditation, weaving the curiously circular tale of the relationship between non-Natives and Natives in the centuries since the two first encountered each other.

These are just a few of the people who tell their stories in Modern Love, Revised and Updated, featuring dozens of the most memorable essays to run in The New York Times “Modern Love” column since its debut in 2004. Some of the stories are unconventional, while others hit close to home. Some reveal the way technology has changed dating forever; others explore the timeless struggles experienced by anyone who has ever searched for love.

With empathy, curiosity, and candor, Jared Dillian dives headlong into the central questions of existence with eyes wide open, observing life in a way that only he can.

These masterpieces (along with several previously uncollected stories) are available in one volume, which presents an indelible collective portrait of an unsuspected New York and its odder citizens - as depicted by one of the great writers of this or any other time.

Friedrich Nietzsche (1844-1900) has influenced philosophers such as Martin Heidegger, Jean-Paul Sartre, Oswald Spengler, George Grant, Emil Cioran, Albert Camus, Ayn Rand, Jacques Derrida, Leo Strauss, Max Scheler, Michel Foucault and Bernard Williams. His writings on aesthetics, language, truth, morality, cultural theory, history, nihilism, power, and the meaning of existence have exerted a vast influence on Western philosophy and intellectual history.

"From Superman to Man" is not just a critique of racial prejudices but also an empowerment tool. By dismantling stereotypes and celebrating black accomplishments, the book seeks to uplift the African-American community. It remains a relevant historical document, capturing the zeitgeist of its era and contributing to the ongoing discourse on race and identity. Rogers' dedication to dismantling stereotypes and promoting a more inclusive understanding of African-American history is evident throughout the text, making the book a significant contribution to the broader conversation on racial issues in America.

A princess of White Russian descent, Marie Vassiltchikov was 23 years old when she was trapped in Berlin by the outbreak of World War II. In these secret diaries, she chronicles the glamorous rise and shattering fall of the Nazi Party, as seen from the vantage point of her desk at the Foreign Ministry. She also describes how she and her friends became involved in a desperate conspiracy to murder Hitler.

A deeply moving testimony and celebration of how to embrace life. No writer has succeeded in capturing the medical and human drama of illness as honestly and as eloquently as Oliver Sacks. During the last few months of his life, he wrote a set of essays in which he movingly explored his feelings about completing a life and coming to terms with his own death.

Lydia Davis is a writer whose originality, influence, and wit are beyond compare. Jonathan Franzen has called her "a magician of self-consciousness," while Rick Moody hails her as "the best prose stylist in America." And for Claire Messud, "Davis's signal gift is to make us feel alive." Best known for her masterful short stories and translations, Davis's gifts extend equally to her nonfiction. In Essays One, Davis has, for the first time, gathered a selection of essays, commentaries, and lectures composed over the past five decades.

Kelly McMasters found herself in her mid-thirties living her fantasy: she'd moved with her husband, a painter, from New York City to rural Pennsylvania. The pastoral landscape and the bookshop they opened were restorative at first, for her and her marriage. But soon, she was quietly plotting her escape. In The Leaving Season, McMasters chronicles the heady rush of falling in love and carving out a life in the city, the slow dissolution of her relationship in an isolated farmhouse, and the complexities of making a new home for herself and her children as a single parent.

Culinary creator, writer and community advocate, Sohla El-Waylly selects the best twenty articles published in 2021 that celebrate the many innovative, comforting, mouthwatering, and culturally rich culinary offerings of our country.

As an undergraduate, Michele Filgate started writing an essay about being abused by her stepfather. It took her more than a decade to realize that she was actually trying to write about how this affected her relationship with her mother. When it was finally published, the essay went viral, shared on social media by Anne Lamott, Rebecca Solnit, and many others. This gave Filgate an idea, and the resulting anthology offers a candid look at our relationships with our mothers.

It's a report tempered by hard times. In "Matricide", Daum unflinchingly describes a parent's death and the uncomfortable emotions it provokes; and in "Diary of a Coma" she relates her own journey to the twilight of the mind. But Daum also operates in a comic register. With perfect precision, she reveals the absurdities of the marriage-industrial complex, of the New Age dating market, and of the peculiar habits of the young and digital.

Written with equal parts candor and lyricism, Pam Houston illuminates the interconnected histories of abortion in the United States and in her own life during the decades when Roe v. Wade was the law of the land. Houston guides us through the shifting landscapes of politics, the law, and self-determination in a country where access to medical care and the power to determine your own destiny are increasingly—and once again—dependent on geography and circumstance.

One in five people in the United States lives with a disability. Some disabilities are visible, others less apparent - but all are underrepresented in media and popular culture. Now, just in time for the 30th anniversary of the Americans with Disabilities Act, activist Alice Wong brings together this urgent, galvanizing collection of contemporary essays by disabled people.

At once a deeply personal and searching history of one woman’s reading life, and a wide-ranging and urgent intervention into our globalized conversations about why reading matters today, How to Read Now empowers us to embrace a more complicated, embodied form of reading, inviting us to acknowledge complicated truths, ignite surprising connections, imagine a more daring solidarity, and create space for a riskier intimacy—within ourselves, and with each other.