Showing titles in Death, Grief & Loss

It’s a dark and stormy night, and “The Raven”, read by award-winning narrator Mike Vendetti, transports us to a lonely chamber illuminated by firelight. The inhabitant who becomes the narrator hears a gentle tapping at the chamber door. The tapping is a raven who speaks one word, “Nevermore."

A powerful story of love, loss, and redemption. The slow fall from grace. The search for spirit. A journey back to light. A Week of Years takes listeners on a poetry-driven excursion into a young man's soul. Divided into seven days, each day serves as a life chapter. The author captures the pain of love lost and the struggle to find purpose and meaning beyond the end of innocence. A deeply personal journal, encompassed and enhanced by poetry that dances intimately with life’s many faces.

Perhaps Poe's most famous work, "The Raven" was first published in 1845 in the New York Evening Mirror. Known for its tight rhymes and rhythm and the repetitive response given by the eponymous raven - "nevermore" - the poem focuses on that raven and a forlorn man who is distraught over his lost lover, Lenore.

Behind the eyes of madness, lies hurt, pain, anger, and memories that tear at the fabric of a person. In this book, one will find a collection of letters and poems written by individuals on the brink of sanity Through the words inked in the letters and across the verses of the poems, one can make a clear connection with hurt and pain that of the writers of the letters and poems that are contained in these pages. Many of the letters and poems were intended to reach out to loved ones while the writer was on the edge.

This serves a collection of poems written by service members that were deployed to Iraq. These poems were written during deployments overseas.

This collection of Sona Van’s poems is a tribute to the victims of genocide and war. With extraordinary feminine sensitivity, the poet looks at the world in all its striking contrasts, constantly probing the depths of her consciousness with new modes of expression. The collection consists of ephemeral poems characterized by dramatic encounters with nothingness in which an uncanny ability to capture extreme situations prevails. Sona Van’s poetry represents the truest testimony of historical experience and the reality in which it still lives.

Metamorphosis explores generational trauma, heartbreak, shadow work, and ultimately coming to truth, self-love, and wholeness.

Gottfried Benn im Originalton Gottfried Benns lyrisches Werk gehört zum Sprachgewaltigsten, was die deutsche Literatur des 20. Jahrhunderts hervorgebracht hat. Diese Auswahl setzt nicht einseitig auf Bekanntes, sondern lädt zu neuen Entdeckungen ein. Der melancholische Klang von Gottfried Benns Stimme und die leise Musikalität seines Vortrags verleihen den Texten eine ganz eigene Intensität.

Written during the first nine months of the Covid-19 lockdowns, Wisps of Life is a work of heart. The lonely heart. The grieving heart. The hopeful heart. The joyful heart reunited. It is dreams. Dreams on hold. Dreams come true. Dreams reborn. It is the memory of dreams. It is a study in being human. We human thinkers have been around for thousands of generations. We are the products of infinite permutations of culture, religion, civilization, and perception. Yet, there have only ever been a handful of emotions to go around.

Cass Donish courageously summons the poems to witness their own state of “obliteration,” widowed by suicide and isolated as a global pandemic is unfolding. Elegizing their partner, the poet Kelly Caldwell, they insist that the intimate, ongoing conversation with a beloved mysteriously continues after loss. With searing vulnerability and profound perceptiveness, Donish finds a fierce new aesthetic for the disorientation of grief.

The words you are about to hear have been ongoing for many, many years. They are not written to make you feel bad for me; they are written more as a lesson to myself. The words were never prethought but always came from some place within me forcibly picking up a pen and putting their utterances down at once. It was as if it was a command from the very depths of me, a strength in me that has always been there. Someone once said it was a goddess in me, the strong goddess who drives us on till we see the truth.

This is a small book for the small hours when we sit alone in the dark or feel as though our grief isolates us. In the months following her husband’s sudden death, Sally Rosenthal explored her reactions to loss and came to realize that strength is a synergetic wisdom woven from the love passed on through the examples of relatives and beloved animals. In poems and prose, she shares what she has learned about survival and resilience. Come sit with Sally at her kitchen table and share the journey.

The poems in this collection fly from the microcosm of ripples in a lake to the macrocosm of light bending in a black hole, from math to jazz, from informal to formal, from the here-and-now to the hereafter. This short book contains an infinite universe - one that you will long to return to again and again.

Smoke is a collection of poems written over the course of two years. It is portrait of grief and the courage it takes to sit with it. It is an account of what it feels like to be intimate with sadness and loneliness. It is a portrait of healing. Smoke is documentation of growth and its grueling processes. It begins in grief and ends in joy. It is a book where the black girl rescues herself.

From the author of I Saw a Man comes a powerful drama in verse that captures both the trauma of modern warfare and the difficulty of transitioning back to normal life after combat.

Tombstones is a collection of some of the finest dark verse and horror-themed literature while exploring the various elements of dreams, erotica, and psychology and visualizing complete fear and terror...including the popular dark verse "The Fallen Angel", the powerfully erotic vampire tale "Blood Hungry", and a journey into the mind of the "Wicked Torturer".

‘He seeks to contain multitudes’, commented one reviewer of John Stammers’ poetry, and in this long-awaited fourth collection Stammers’ restlessly eclectic range is very much in evidence. Here are poems of technical surprise alongside those of candid tenderness; poems that set love and love-making within a wider emotional and intellectual context. Here are epistemological meditations that nonetheless preserve the ‘essential gaudiness’ of poetry; and elegies for artist friends that consider the ephemeral nature of fame and charisma.

The sea may be choppy but at times hauntingly smooth Rougher waters, make it tougher sometimes to move Something inside of me believed, I had lost you at sea But if we’re still holding hands, you will always be with me

Engaging the matriarchal structure of the beehive, Amanda Moore explores the various roles a woman plays in the family, the home, and the world at large. Beyond the productivity and excess, the sweetness and sting, Requeening brings together poems of motherhood and daughterhood, an evolving relationship of care and tending, responsibility and joy, dependence and deep love.

With A Year of Last Things, acclaimed novelist Michael Ondaatje returns to poetry, where he began his career over fifty years ago, and what a return it is. Born in Sri Lanka during the Second World War, Ondaatje was sent as a child to school in London, and later moved to Canada. While he has lived here since, these poems reflect the life of a writer, traveller and watcher of the world – describing himself as a “mongrel,” someone born out of diverse cultures.