Showing titles in Death, Grief & Loss

A. H. Jerriod Avant’s debut collection, Muscadine, cultivates the vine of familial memory, eulogizing our collective losses while exalting the succor of this human life, how the native grape’s “thick skin [that] teeth / pierce breaks to pour // sweetly across the tongue.” Throughout, a deeply Southern sensibility balances an environmental awareness of deficit and bounty—appetite pains the stomach and delights the palette.

Dive into Ink of Tears, where every poem is a journey through the complexities of the human broken heart. How do we navigate the highs and lows of love and loss? What makes us resilient in the face of heartache? How does love elevate us, and how does heartbreak shape us? For all who have loved deeply and got hurt, share a timeless journey with collections of poems that will touch and break your heart at the same time.

Written during the first nine months of the Covid-19 lockdowns, Wisps of Life is a work of heart. The lonely heart. The grieving heart. The hopeful heart. The joyful heart reunited. It is dreams. Dreams on hold. Dreams come true. Dreams reborn. It is the memory of dreams. It is a study in being human. We human thinkers have been around for thousands of generations. We are the products of infinite permutations of culture, religion, civilization, and perception. Yet, there have only ever been a handful of emotions to go around.

In this urgent outpouring of American voices, our poets speak to us as they shelter in place, addressing our collective fear, grief, and hope from eloquent and diverse individual perspectives.

Written with vivid prose, a bit of lyrical poetry, and the mystical essence of works by Rumi and Hafiz, this blog-to-audiobook story illustrates the beauty of letting go of the old to usher in the new.

The Silver Lining of Tomorrow is a collaboration of poems and tidbits for all the Daddy’s girls out there. Traci Mahrt lost her father Melvin at the early age of 24. With a collection of poems found after his passing, Traci weaves in her own poems and shares her own life experiences with love, depression, and finding God.

Asesinato. En este corto poema el autor relata en forma de diálogo un crimen que realmente ocurrió en la calle 42 de Nueva York. El relato de la violencia que este acto físico supuso le sirve al poeta para plasmar el dolor de su ánimo. Ciudad sin sueño. Intenta transmitir el poeta su propia insatisfacción por analogía con la noche, la vigilia, que no le permite dormir ni soñar ni encontrar alivio o esperanza. Navidad en el Hudson. En este poema identifica el protagonista su sensación de soledad con respecto al resto del mundo en el río Hudson.

It’s a dark and stormy night, and “The Raven”, read by award-winning narrator Mike Vendetti, transports us to a lonely chamber illuminated by firelight. The inhabitant who becomes the narrator hears a gentle tapping at the chamber door. The tapping is a raven who speaks one word, “Nevermore."

Perhaps Poe's most famous work, "The Raven" was first published in 1845 in the New York Evening Mirror. Known for its tight rhymes and rhythm and the repetitive response given by the eponymous raven - "nevermore" - the poem focuses on that raven and a forlorn man who is distraught over his lost lover, Lenore.

Behind the eyes of madness, lies hurt, pain, anger, and memories that tear at the fabric of a person. In this book, one will find a collection of letters and poems written by individuals on the brink of sanity Through the words inked in the letters and across the verses of the poems, one can make a clear connection with hurt and pain that of the writers of the letters and poems that are contained in these pages. Many of the letters and poems were intended to reach out to loved ones while the writer was on the edge.

This serves a collection of poems written by service members that were deployed to Iraq. These poems were written during deployments overseas.

In Tired Wonder, Eric Overby offers a personal account of his last two years. 2021-2023 has seen both the continuation of a struggle with infertility and the birth of his daughter. Eric also changes careers and struggles with his new identity and the changes that come along, ultimately leading him to circle back around and return to it.

If Ollie Schminkey’s Dead Dad Jokes asks the question, “What was it like to watch my father die?”, Where I Dry the Flowers asks “How did watching someone die teach me how to live?” This unrestrained and raw sophomore collection explores themes of grief, healing, and forgiveness while refusing to sacrifice the hard truths that come with addiction, caretaking, and the death of a loved one. Ollie opens their heart to listeners and tells them that these emotions are okay, no matter how conflicting and confusing they may be.

With A Year of Last Things, acclaimed novelist Michael Ondaatje returns to poetry, where he began his career over fifty years ago, and what a return it is. Born in Sri Lanka during the Second World War, Ondaatje was sent as a child to school in London, and later moved to Canada. While he has lived here since, these poems reflect the life of a writer, traveller and watcher of the world – describing himself as a “mongrel,” someone born out of diverse cultures.

"Ashes in the Milk" will remind listeners that their greatest path to healing lies within—all they must do is walk down the path. Valerie Johns, MA, MFT, is a prolific poet, author, and therapist who is passionate about helping others heal from their deepest wounds.

A poem about consent.

The words you are about to hear have been ongoing for many, many years. They are not written to make you feel bad for me; they are written more as a lesson to myself. The words were never prethought but always came from some place within me forcibly picking up a pen and putting their utterances down at once. It was as if it was a command from the very depths of me, a strength in me that has always been there. Someone once said it was a goddess in me, the strong goddess who drives us on till we see the truth.

This is a small book for the small hours when we sit alone in the dark or feel as though our grief isolates us. In the months following her husband’s sudden death, Sally Rosenthal explored her reactions to loss and came to realize that strength is a synergetic wisdom woven from the love passed on through the examples of relatives and beloved animals. In poems and prose, she shares what she has learned about survival and resilience. Come sit with Sally at her kitchen table and share the journey.

This collection of words from Havva Ramadan has its origins during lockdown and her work continues to resonate to this day, finding an even wider audience through her rapidly growing online presence. Now, in her first book, A Voice: Turning Pain into Power, her words take a different form, collected to give us a very personal journey that we can all relate to, reflecting the pain of grief, the struggle of mental health and the journey we need to take to help us collect our pieces and find a way to rebuild ourselves once again.

The energies animating Saints of Little Faith, Megan Pinto’s electrifying debut in poetry, are a forceful quiet, a loud stillness, the caesura between a lightning strike and the sound of thunder. Everywhere, the speaker sees the numinous power of language, the incipience of things to come, even a kind of catastrophic grace in desolation and destruction—as if within the terrain of her own obsession, she recognizes the familiar, ever-changing seasons.