Showing titles in Russian & Soviet

Многие произведения Михаила Афанасьевича Булгакова (1891 — 1940), знаменитого русского писателя, драматурга и театрального деятеля были запрещены советской цензурой, и уже сам этот факт характеризует его как свободномыслящего человека. За свою литературную деятельность он создал множество пьес, романов и повестей, киносценариев и рассказов. Произведения Булгакова стали знамениты по всему миру, но слава пришла к нему только после смерти. Его талантом восхищаются читатели во всем мире, его произведения переведены на разные языки и по многим из них сняты фильмы.

Volume 2 of the Nobel Prize-winner’s towering masterpiece: the story of Solzhenitsyn's entrance into the Soviet prison camps, where he would remain for nearly a decade. Features a new foreword by Anne Applebaum.

Walter Benjamin was an icon of criticism, renowned for his insight on art, literature, and philosophy. This volume includes his views on Kafka, with whom he felt a close personal affinity; his studies on Baudelaire and Proust; and his essays on Leskov and Brecht’s epic theater. Illuminations also includes his penetrating study “The Work of Art in the Age of Mechanical Reproduction”, an enlightening discussion of translation as a literary mode, and his theses on the philosophy of history.

Chekhov's masterful last play, The Cherry Orchard, is a work of timeless, bittersweet beauty about the fading fortunes of an aristocratic Russian family and their struggle to maintain their status in a changing world. Alternately touching and farcical, this subtle, intelligent play stars the incomparable Marsha Mason.

From the Man Booker Prize-winning, New York Times best-selling author of Lincoln in the Bardo, a literary masterclass on how to become both a better writer and reader, on what makes great stories work and what they can tell us about how to live. In A Swim in a Pond in the Rain, George Saunders guides the listener through seven classic Russian short stories he's been teaching for 20 years as a professor in the prestigious Syracuse University graduate MFA creative writing program.

For the last 20 years, George Saunders has been teaching a class on the Russian short story to his MFA students at Syracuse University. In A Swim in a Pond in the Rain, he shares a version of that class with us, offering some of what he and his students have discovered together over the years. Paired with iconic short stories by Chekhov, Turgenev, Tolstoy, and Gogol, the seven essays in this book are intended for anyone interested in how fiction works and why it’s more relevant than ever in these turbulent times.

Russie, début du XIXe siècle. À l'Ouest de l'Empire, les guerres napoléoniennes font rage et se rapprochent dangereusement des frontières. De Moscou à Saint-Pétersbourg, la noblesse et la grande bourgeoisie vivent inconscientes du danger, et organisent dîners et bals. Ainsi le comte Rostov qui s'apprête à célébrer la fête de sa fille Natacha ; du prince André Bolkonski et de sa jeune épouse, Lise, enceinte.

Н.В. Гоголь начал работу над своим главным трудом - "Мертвые души" в 1835 году. Ни над одним из своих произведений ранее писатель не работал так кропотливо и тщательно, так вдумчиво и напряженно.

From renowned translators Richard Pevear and Lindsay Volokhonsky comes a new translation - certain to become the definitive version - of the first great prison memoir, a fictionalized account of Fyodor Dostoevsky's life-changing penal servitude in Siberia.

The Master and Margarita is one of the most famous and best-selling Russian novels of the 20th century, despite its surreal environment of talking cats, Satan and mysterious happenings. Naxos AudioBooks presents this careful abridgement of a new translation in an imaginative reading by the charismatic Julian Rhind-Tutt. With War and Peace and Crime and Punishment among the Naxos AudioBooks best-sellers, this too promises to be a front title.

From the celebrated, award-winning translators of Anna Karenina and War and Peace: a lavish, masterfully rendered volume of stories by one of the most influential short fiction writers of all time.

Written over the course of Leskov's career, each story in The Enchanted Wanderer elucidates the very essence of the human condition; themes of love, despair, loneliness, and revenge are explored against the backdrop of 19th-century working-class Russia. Leskov deftly layers social satire and subtle criticism atop myth and fable, resulting in a richly entertaining collection.

We (Russian: Мы, romanized: My) is a dystopian novel by Russian writer Yevgeny Zamyatin, written 1920–1921. The novel was first published as an English translation by Gregory Zilboorg in 1924 by E. P. Dutton in New York. The novel describes a world of harmony and conformity within a united totalitarian state. It is believed that the novel had a huge influence on the works of Orwell and Huxley, as well as on the emergence of the genre of dystopia.

Александр Павлович Чудаков (1938-2005) - российский филолог, литературовед и писатель, муж академика Мариэтты Чудаковой. Его единственным крупным художественным произведением стал историко-философский роман Ложится мгла на старые ступени, отмеченный в 2011 году премией "Русский Букер" как лучшая книга десятилетия.

Братья Карамазовы - последний роман Ф. М. Достоевского, который автор писал два года. Роман был напечатан частями в Русском вестнике. Достоевский задумывал роман как первую часть эпического романа "История Великого грешника". Роман был окончен в ноябре 1880 года.

In The Possessed we watch Elif Batuman investigate a possible murder at Tolstoy's ancestral estate. We go with her to Stanford, Switzerland, and St. Petersburg; retrace Pushkin's wanderings in the Caucasus; learn why Old Uzbek has 100 different words for crying; and see an 18th-century ice palace reconstructed on the Neva. Love and the novel, the individual in history, the existential plight of the graduate student: all find their places in The Possessed.

"The fox knows many things, but the hedgehog knows one big thing." This ancient Greek aphorism, preserved in a fragment from the poet Archilochus, describes the central thesis of Isaiah Berlin's masterly essay on Leo Tolstoy and the philosophy of history, the subject of the epilogue to War and Peace. Although there have been many interpretations of the adage, Berlin uses it to mark a fundamental distinction between human beings who are fascinated by the infinite variety of things and those who relate everything to a central, all-embracing system.

In 1851 Leo Tolstoy enlisted in the Russian army and was sent to the Caucasus to help defeat the Chechens. During this war a great Avar chieftain, Hadji Murád, broke with the Chechen leader Shamil and fled to the Russians for safety. Months later, while attempting to rescue his family from Shamil’s prison, Hadji Murád was pursued by those he had betrayed and, after fighting the most heroic battle of his life, was killed.

Moskau zu Beginn der 1930er-Jahre: Der Teufel sucht die Stadt heim und stürzt ihre Bewohner mit tatkräftiger Unterstützung seiner Zauberlehrlinge in ein Chaos aus Hypnose, Spuk und Zerstörung. Es ist die verdiente Strafe für Heuchelei, Korruption und Mittelmaß. Doch zwei Gerechte genießen Satans Sympathie: der im Irrenhaus sitzende Schriftsteller, genannt "Meister", und Margarita, dessen einstige Geliebte. Bulgakows Gesellschaftssatire aus der Sowjetzeit ist ein faustisch-fantastisches Meisterwerk.

The fortunes of the Rostovs and the Bolkonskys, of Pierre, Natasha, and Andrei, are intimately connected with the national history that is played out in parallel with their lives. Balls and soirées alternate with councils of war and the machinations of statesmen and generals, scenes of violent battles with everyday human passions in a work whose extraordinary imaginative power has never been surpassed. The prodigious cast of characters, both great and small, seem to act and move as if connected by threads of destiny as the novel relentlessly questions ideas of free will, fate, and providence.