Showing titles in Latino American

Los Angeles, 1986. A group of right-wing Christians has put an initiative on the November ballot to allow health officials to force people with HIV into quarantine camps - and it looks like it’s going to pass. Rios, now living in LA, agrees to be counsel for a group of young activists who call themselves QUEER. QUEER claims to be committed to peaceful civil disobedience. But when one of its members is implicated in the bombing of an evangelical church that kills its pastor, Rios finds himself with a client suddenly facing the death penalty.

Widely acclaimed as a progenitor of 20th-century Latin American fiction, Joaquim Maria Machado de Assis (1839-1908), the son of a mulatto father and a washerwoman, was hailed in his lifetime as Brazil's greatest writer. His prodigious output of novels, plays, and stories rivaled contemporaries like Chekhov, Flaubert, and Maupassant, but, shockingly, he was barely translated into English until 1963, and still lacks proper recognition today.

«Te diré que a Dios no podrían importarle menos los pobres. Dime, ¿por qué tenemos que vivir aquí de este modo? ¿Qué hemos hecho para merecer esto? Eres tan bueno y, sin embargo, sufres tanto», le dice un niño a su madre en este clásico en literatura migrante de Tomás Rivera. Fuera del gallinero en el que viven, su padre llora de dolor por los insoportables calambres que le provoca trabajar todo el día en el campo a merced del sol. El niño no es capaz de entender la fe de sus padres para con un dios capaz de imponer semejante sufrimiento, pobreza e injusticia a personas inocentes.

Canasta de cuentos mexicanos es uno de los libros más reconocidos de este misterioso autor alemán, de quien poco se sabe. Publicado originalmente en 1956, está compuesto por diez cuentos cortos que relatan la realidad mexicana, en los que se describen costumbres y formas de pensar del pueblo mexicano, ambientados en poblaciones típicas, descritos en una prosa privilegiada con agudeza e ingenio. Son cuentos sobre la vida de algunos indígenas mexicanos en la época de Traven, quien aprovecha su conocimiento de la cultura mexicana, para dejar en el lector una enseñanza practica de ...

Es septiembre de 2017 y el huracán María acaba de arrasar con Puerto Rico. Camila se siente perturbada por la muerte de su hermana, Marisol. Todo empezó cuando le arrancó un pedacito, el meñique que sobresalía del fango, tras el deslizamiento de tierra que se la llevó. Incapaz de desprenderse de ella, Camila carga con su cuerpo hasta llegar al supuesto paraíso perdido llamado «Memoria».

Detective Arias hunts for a murderer on a liberal arts campus that prides itself on its progressive curriculum but is rife with jealousy, racial and sexual tensions, and a hierarchy as real and destructive as a medieval fortress. DJ Arias, good at his job because he sees the worst in people, is challenged by the college community, a neighborhood recluse, and a young Latino gardener he sent to jail ten years ago for a hit-and-run accident.

Marisol vanished during the Cuban Revolution, disappearing with hardly a trace. Now, shaped by atrocities long-forgotten, her foul-mouthed spirit visits her nephew, Ramon, in modern-day New Jersey. Her hope: That her presence will prompt him to unearth their painful family history. Ramon launches a haphazard investigation into the story of his ancestor, unaware of the forces driving him on his search. Along the way, he falls in love, faces a run-in with a murderous gangster, and uncovers the lives of the lost saints who helped Marisol during her imprisonment.

The vibrant stories in I’ll Give You a Reason explore race, identity, connection, and belonging in the Ironbound, an immigrant neighborhood in Newark, New Jersey. A young widow goes on her first date since her husband’s death and finds herself hunting a bear in the woods with a near stranger. An unhappy wife compares her mother’s love spells and rituals to her own efforts to repair her strained marriage. A self-conscious college student discovers a porn star who shares her name and becomes obsessed with her doppelgänger’s freedom and comfort with her own body.

The Colombian film director, Sergio Cabrera, is in Barcelona for a retrospective of his work. It's a hard time for him: his father, famous actor Fausto Cabrera, has just died; his marriage is in crisis; and his home country has rejected peace agreements that might have ended more than fifty years of war. In the course of a few intense days, as his films are on exhibit, Sergio recalls the events that marked his family's unusual and dramatic lives: especially his father's, his sister Marianella's and his own.

Akashic Books’ acclaimed series of original noir anthologies has set a high standard for portraying cities and their neighborhoods in all their dark and violent splendor. Now, Mexico City Noir surpasses that standard with phantasmagorical tales of double-dealing, corruption, violence and self-delusion.... This collection is such a varied literary feast.

In 1960s New York, Edward Ives is a picture of the American dream. Adopted as a child by a widowed print shop manager who helped him cultivate a love of drawing, he now has a successful career as an illustrator in advertising, a beautiful home with his wife and muse, Annie, and two loving children. But this idyllic life is brutally wrenched away when Ives’s 17-year-old son, Robert is murdered in a crime of opportunity that proves to be as random as it is senseless.

The Meth Chronicles IV, comes back full circle to Rebecca the curandera, from Mexico. Upon arriving in Bakersfield to stay with her brother, Rebecca is informed a meth gang has control of her sixteen-year-old niece, who has shunned the family and run away. Not long after, Rebecca’s cursed rock appears about the time the gang’s luck runs out and members start dying, especially after Rebecca learns from her niece (who’d returned to the family) that they deal in human trafficking as well. After the gang’s demise, Rebecca is drawn away, back to Redondo Beach and her detectives, to help ...

At his modest home on the edge of town, the former president of an unnamed Latin American country receives a journalist in his famed gardens to discuss his legacy and the dire circumstances that threaten democracy around the globe. Once known as the Poorest President in the World, his reputation is the stuff of myth: a former guerilla who was jailed for inciting revolution before becoming the face of justice, human rights, and selflessness for his nation. Now, as he talks to the journalist, he wonders if he should reveal the strange secret of his imprisonment.

El sueño americano se ha vuelto pesadilla, y tres latinas indocumentadas han quedado atrapadas: Bolivia y sus dos hijas, María Paz y Violeta. María Paz cree tocar el cielo con las manos al casarse con un policía blanco y norteamericano. Hasta que este es asesinado y a ella la meten presa. Pero la celda no es su peor calvario. María Paz descubre que el verdadero infierno la espera al otro lado de las rejas, y una segunda muerte termina de definir el rumbo de su suerte.

Lizet, a daughter of Cuban immigrants and the first in her family to graduate from high school, secretly applies and is accepted to an ultra-elite college. Her parents are furious at her decision to leave Miami, and amid a painful divorce, her father sells her childhood home, leaving Lizet, her mother, and older sister, a newly single mom, without a steady income and scrambling for a place to live.

Camila is haunted by the death of her sister, Marisol, who was caught by a mudslide during the huracán. Unable to part with Marisol, Camila carries her through town, past the churchyard, and, eventually, to the supposed utopia of Memoria. Urayoán, the idealistic, yet troubled cult leader of Memoria, has a vision for this new society, one that in his eyes is peaceful and democratic. The paradise he preaches lures in the young, including Bayfish, a boy on the cusp of manhood, and Morivivi, a woman whose outward toughness belies an inner tenderness for her friends.

Samuel Sotomayor tiene una deuda pendiente, quiere vengar la muerte de sus padres asesinados. Necesita encontrar a los asesinos. Pero luego de vengarse se da cuenta de que el resultado de esta venganza no es satisfactorio, solo un deseo cumplido y un conflicto moral lo empieza a envolver.

Guinea ve truncada su carrera como profesora en una universidad de Estados Unidos tras salir a la luz su relación con un alumno mucho más joven que ella. Huyendo del escándalo y en busca de una nueva vida llega al aeropuerto de Buenos Aires, donde descubre que se ha producido un apagón general.

Joaquim Maria Machado de Assis (1839-1908) was the greatest writer ever to come from Brazil and one of the masters of nineteenth-century fiction. Susan Sontag calls him "the greatest writer ever produced in Latin America", surpassing even Borges. Harold Bloom says that Machado is "the supreme black literary artist to date". And Allen Ginsburg calls him "another Kafka". And The Posthumous Memoirs of Bras Cubas is his masterpiece, a dazzling, tragic, and profound novel that belongs next to the greatest works of his contemporaries Melville and Dostoevsky.

Poet and musician Melania Luisa Marte opens Plaintains and Our Becoming by pointing out that Afro-Latina is not a word recognized by the dictionary. But the dictionary is far from a record of the truth. What does it mean, then, to tend to your own words and your own record—to build upon the legacies of your ancestors?