Showing results by narrator "Louise Brealey" in All Categories

As a 13-year-old World War Two evacuee, Edie’s mother was chosen by the mysterious Juniper Blythe and taken to live at Milderhurst Castle with the Blythe family. In the grand and glorious Milderhurst Castle, a new world opened up for Edie’s mother. She discovered the joys of books and fantasy and writing, but also, ultimately, their dangers. Fifty years later, as Edie chases the answers to her mother’s riddle, she too is drawn to Milderhurst Castle and the eccentric Blythe sisters. Inside the decaying castle, Edie begins to unravel her mother’s past.

July 1209: in Carcassonne a 17-year-old girl is given a mysterious book by her father which he claims contains the secret of the true Grail. Although Alais cannot understand the strange words and symbols hidden within, she knows that her destiny lies in keeping the secret of the labyrinth safe.... July 2005: Alice Tanner discovers two skeletons in a forgotten cave in the French Pyrenees. Puzzled by the labyrinth symbol carved into the rock, she realises she's disturbed something that was meant to remain hidden. Somehow, a link to a horrific past - her past - has been revealed.

Letters of Note, the book based on the beloved website of the same name, became an instant classic on publication in 2013, selling hundreds of thousands of copies. This new edition sees the collection of the world's most entertaining, inspiring, and unusual letters updated with 14 riveting new missives and a new introduction from curator Shaun Usher.

Edinburgh, 1847. Will Raven is a medical student, apprenticing for the brilliant and renowned Dr Simpson. Sarah Fisher is Simpson’s housemaid and has all of Raven’s intelligence, but none of his privileges. As bodies begin to appear across the Old Town, Raven and Sarah find themselves propelled headlong into the darkest shadows of Edinburgh’s underworld. And if either of them are to make it out alive, they will have to work together to find out who’s responsible for the gruesome deaths.

Lauren can't wait to see her daughter again, to pick her up from university at the end of her first term. But when she arrives at her hall and knocks at room 309, a stranger opens the door. For a few minutes, Lauren assumes she must have the wrong room, or the wrong floor. Maybe even the wrong building. But she soon discovers the truth: Evie's not there. She hasn't been there for weeks. So where is she?

Peggy and Molly Gainsborough—the daughters of one of England’s most famous portrait artists of the 1700s and the frequent subject of his work—are best friends. They spy on their father as he paints, rankle their mother as she manages the household, and run barefoot through the muddy fields that surround their home. But there is another reason they are inseparable: from a young age, Molly periodically experiences bouts of mental confusion, even forgetting who she is, and Peggy instinctively knows she must help cover up her sister’s condition.

Rachel catches the same commuter train every morning. She knows it will wait at the same signal each time, overlooking a row of back gardens. She's even started to feel like she knows the people who live in one of the houses. Jess and Jason, she calls them. Their life - as she sees it - is perfect. If only Rachel could be that happy. And then she sees something shocking. It's only a minute until the train moves on, but it's enough. Now everything's changed.

Louise wakes up. Her head aches, her mouth is dry, her memory is fuzzy - but she suspects she’s done something bad. She rolls over toward her husband, Niall. The man who, until recently, made her feel loved. But it’s not Niall lying beside her. In fact, she’s never seen this man before. And he’s not breathing. As Louise desperately struggles to piece her memories back together, it’s clear to Jonah Sheens and his team that she is their prime suspect - though they soon find she’s not the only one with something to hide.

Composed in the early 1350s, in the wake of the Black Death, The Decameron comprises 100 short stories from all over the world, reset by Boccaccio among the flourishing merchant classes of Renaissance Italy. Their universal themes—love, sex, religion, fate, morality—resonate with us to this day, and their witty, satirical, bawdy voice sounds utterly modern. Monty Python star and medieval historian Terry Jones presents ten BBC Radio dramatisations of tales from Giovanni Boccaccio's humane and comic masterpiece

Edinburgh, 1849. Hordes of patients are dying all across the city, with doctors finding their remedies powerless. And a whispering campaign seeks to paint Dr. James Simpson, pioneer of medical chloroform, as a murderer. Determined to clear Simpson’s name, his protégé Will Raven and former housemaid Sarah Fisher must plunge into Edinburgh’s deadliest streets and find out who or what is behind the deaths. Soon they discover that the cause of the deaths has evaded detection purely because it is so unthinkable.

When Pamela Churchill Harriman died in 1997, the obituaries that followed were scathing - and often downright sexist. Written off as a social climber, her glamorous social life and infamous erotic adventures overshadowed her true legacy. Much of what she did behind the scenes to shape the twentieth century, on both sides of the Atlantic, remained invisible. That is, until now: with a wealth of fresh research, Sonia Purnell unveils for the first time the full, spectacular story of how Harriman left an indelible mark on the world today.

Celebrating her 45th birthday at her local pub, popular podcaster Alix Summers crosses paths with an unassuming woman called Josie Fair. Josie, it turns out, is also celebrating her 45th birthday. They are, in fact, birthday twins. A few days later, Alix and Josie bump into each other again, this time outside Alix's children's school. Josie has been listening to Alix's podcasts and thinks she might be an interesting subject for her series. She is, she tells Alix, on the cusp of great changes in her life.

Julia Worthing is a mechanic, working in the Fiction Department at the Ministry of Truth. It’s 1984, and Britain (now called Airstrip One) has long been absorbed into the larger trans-Atlantic nation of Oceania. Oceania has been at war for as long as anyone can remember, and is ruled by an ultra-totalitarian Party, whose leader is a quasi-mythical figure called Big Brother. In short, everything about this world is as it is in Orwell’s 1984.

Midsummer Eve, 1670. Two unexpected visitors arrive at a shabby warehouse on the south side of the River Thames. The first is a wealthy nobleman seeking the lover he deserted 21 years earlier. Now, James Avery has everything to offer: a fortune, a title, and the favor of the newly restored King Charles II. He believes that the warehouse’s poor owner Alinor has the one thing he cannot buy - his son and heir.

London, chief city of Airstrip One, the third most populous province of Oceania. It's 1984 and Julia Worthing works as a mechanic fixing the novel-writing machines in the Fiction Department at the Ministry of Truth. Under the ideology of IngSoc and the rule of the Party and its leader Big Brother, Julia is a model citizen - cheerfully cynical, believing in nothing and caring not at all about politics. She routinely breaks the rules but also collaborates with the regime whenever necessary. Everyone likes Julia.

When lockdown led busy professional Chloe to leave the city and return to the countryside of her childhood, she never expected to find herself custodian of a newly born hare. Yet when she finds the creature, endangered, alone and no bigger than her palm, she is compelled to give it a chance at survival. Raising Hare chronicles their journey together and the challenges of caring for the leveret and preparing for its return to the wild. We witness an extraordinary relationship between human and animal, rekindling our sense of awe towards nature and wildlife.

Max and Pip are the strongest couple you know. They're best friends, lovers - unshakable. But then their son gets sick and the doctors put the question of his survival into their hands. For the first time, Max and Pip can't agree. They each want a different future for their son. What if they could have both? A gripping and propulsive exploration of love, marriage, parenthood, and the road not taken, After the End brings one unforgettable family from unimaginable loss to a surprising, satisfying, and redemptive ending and the life they are fated to find.

It's 1990. Johanna Morrigan, 14, has shamed herself so badly on local TV that she decides that there's no point in being Johanna anymore and reinvents herself as Dolly Wilde - fast-talking, hard-drinking gothic hero and full-time Lady Sex Adventurer. She will save her poverty-stricken Bohemian family by becoming a writer - like Jo in Little Women, or the Brontës - but without the dying-young bit.

It is 1685 and England is on the brink of a renewed civil war. King Charles II has died without an heir and his brother James is to take the throne. But the people are bitterly divided, and many do not welcome the new king or his young queen. Ned Ferryman cannot persuade his sister, Alinor, that he is right to return from America with his Pokanoket servant, Rowan, to join the rebel army. Instead, Alinor and her daughter Alys, have been coaxed by the manipulative Livia to save the queen from the coming siege. The rewards are life-changing.

Polly, Annie, Elizabeth, Catherine and Mary-Jane are famous for the same thing, though they never met. They came from Fleet Street, Knightsbridge, Wolverhampton, Sweden and Wales. They wrote ballads, ran coffeehouses and lived on country estates; they breathed ink dust from printing presses and escaped people traffickers. What they had in common was the year of their murders: 1888. The person responsible was never identified, but the character created by the press to fill that gap has become far more famous than any of these five women.